AD WEEKが今年２０１６のCMベスト１０を紹介しました。（http://www.adweek.com/news-gallery/advertising-branding/10-best-ads-2016-175000）
で１０から６位までをごらんください。
10. Apple
Production company - Black Hand Cinema
Directed by: Anthony Mandler - Black Hand Cinema
Produced by: Kim Bradshaw
Director of Photography: David Devlin
Written by: Taylor Swift, Anthony Mandler & Larry Jackson
Edited by: Sam Gunn - Whitehouse Post
Colorist: Tom Poole - Company 3
Online & VFX - Carbon VFX
9. Old Spice
Client: Old Spice
Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Jason Bagley | Craig Allen
Copywriter: Nick Morrissey
Art Director: Matt Sorrell
Additional creative (on Whale only): Jarrod Higgins
Senior producer: Lindsay Reed
Producer: Monica Ranes
Account team: Liam Doherty | Michael Dalton
Executive creative directors: Mark Fitzloff | Joe Staples
Head of production: Ben Grylewicz
Production company: Biscuit Filmworks/Revolver
Director: Steve Rogers
Managing director: Shawn Lacy
Executive producer: Holly Vega
Producer: Pip Smart
DP: Mandy Walker
Production designer: Leon Morland
Editorial company: Mackenzie Cutler
Editor: Gavin Cutler
Assistant editor: Brendan Hogan
Executive producer: Sasha Hirschfeld
VFX company: The Mill | LA
Executive producer: Enca Kaul
Senior producer: Dan Roberts
Production coordinator: Kris Drenzek
Creative director | Shoot supervisor | 2-D lead artist: Tim Davies
3-D lead artists: Tom Graham
3-D lead artists: Phill Mayer, Hartwell Durfor, Kenzie Chen, Yorie Kumalasari, Brett Angelillis, Mike DiNocco, Katie Yancey, Blake Guest, Jenna Kind, Monique Espinoza, Steven Olson, Milton Ramirez
2-D artists: John Price, Robert Murdock, Don Kim, Dag Ivarsoy, Jeff Langlois, Ashely Forbito, Adam Lambert, Daniel Thuresson, Tim Robbins
Art department: Brett Lopinsky, Laurence Konishi, Kelsey Napier
Head of 3-D: John Leonti
Sound design
Company | Sound designer: Mackenzie Cutler | Sam Shaffer
Company | Sound designer : Barking Owl | Michael Anastasi
Final Mix
Studio: Lime Studios
Engineer: Samuel Casas
Assistant engineer: Mark Nieto
Executive producer: Susie Boyajan
Color transfer:
Company: The Mill | LA
Artist: Adam Scott
Color EP: Thatcher Peterson
Color producer: Antonio Hardy
Color coordinator: Diane Valera
8. Morton Salt
OK Go: Damian Kulash, Timothy Nordwind, Andy Ross, Dan Konopka
Director: Damian Kulash
Producer: Park Pictures
Executive producers: Justin Pollock, Jackie Kelman Bisbee
Producer: Pat Frazier
Director of photography: Shawn Kim
Production designer: Bradley Thordarson
First assistant director: Jonathan Watson
Executive brainstormer: Elan Lee
Camera:
First assistant camera: Chris Slany
Second assistant camera: Matt Sumney
Phantom tech: Patrick McGraw
Behind the scenes: Ross Harris
Stills: Daniel Goldwasser
Motion control:
Bolt programmer: Simon Wakley
Bolt assistants: Chris Toth, Leo Roberts
Lighting:
Gaffer: David “Blue” Thompson
Best boy: Randy Dye
Electric: Jeff Matthews, Adan Galindo, Shaun Stallard, Louie Manzo
Grip:
Key grip: Colby Dunford
Best boy: Joseph Messier
Grip: Curtis Brown, Randy Granger, Ray Chase
Art fepartment:
Art director: Steve Christenson
Art coordinator: Katy Shirey
Set decorator: Tally Duke Floyd
Leadman: Lance Rosa
Set dresser: Andre Price, Kevin Quinn, Silvio Scillone, Tony Alvarez
Prop master: Ben Ferene
Prop assistant: Mark White
Lead painter: Jamie McElrath
Painter: Molly Holnick
SPFX supervisor: Kelly Kirby
SPFX foreman: Robert Garrigus, Doug Calli
SPFX tech: Steve Shines
SPFX tech: Bill McGinley
SPFX tech: Rich Jacobs
Set dresser FX: Aaron Ferene
Production supervisor: Ari Chang
Second assistant director: Ricky Weaver
Assistant production supervisor: Amanda Andrews
Script: Kristy Kelly
VTR: Tom Myrick
Craft services: Michael Backlinder
Production assistants: Brian Lierk, David Rada, Robert Lomeli, Oscar Matute, Chris Maltauro, Morgan Pham, Melanie Cycz
Makeup: Kristen Shaw
Wardrobe stylist: Christina Blackaller
Assistant stylist: Laurel Rose
Editorial:
Editor: Cass Vanini
Assistant editor: Ben Foushee
Editorial producer: Sari Resnick
Visual effects:
Company: Artjail
VFX supervisor/creative director : Steve Mottershead
Head of production: John Skeffington
VFX producer: Adriana Wong
Previz: Darren Chang
Titles: Ryan Hawthorne
Colorist: Shawn King
For Ogilvy:
Joe Sciarrotta, Chief Creative Officer
David Hernandez, executive creative director
Amy Gozalka, creative director
Kara Coyle, associate creative director
Gayle McCormick, executive producer
Annie Larimer, senior producer
Philip Puleo, project manager
Paige Robinson, management supervisor
Katie Quinn, assistant account executive
For Morton:
Director of communications & corporate brand strategy: Denise Lauer
Senior communications manager: Paul Jackiewicz
Head of sales and marketing: Shayn Wallace
Senior director, brand marketing: Peter Sashin
7. Kenzo
Client: Kenzo
Agency: Framework/Black Frame, New York
Copywriter / director: Spike Jonze
Producers: Natalie Farrey, Vincent Landay
Executive producers: Humberto Leon, Carol Lim
Co-producer: Amanda Adelson
Director of photography: Hoyte van Hoytema
Production designer: KK Barrett
Editor: Eric Zumbrunnen
Choreographer: Ryan Heffington
Costume designer: Heidi BivensArtistic
Music Company: Squeak E. Clean Productions
Song Title: Mutant Brain
Artist/Composer: Sam Spiegel + Ape Drums ft. Assassin
6. Jeep
Client: Fiat Chrysler Automobiles – Jeep
CEO: Sergio Marchionne
CMO: Olivier Francois
Director of FCA U.S. brand advertising: Marissa Hunter
Head of Jeep advertising: Kim House
Jeep advertising manager: Nicole Pesale
Agency: iris New York
Global creative director: Sean Reynolds
Associate creative director & art direction: Marcus Liwag
Executive creative director: Lisa Bright
Copywriter: Winston Noel
Designers: Nicole Monzon, David Penn
Head of planning: Dipti Bramhandkar
Account manager: Allison Benoit
Executive producer: Guy Quinlan
Editor: Brian Sandford (The Cutting Room)
Music: Kristin Dyrud, Jim Cox (Hum Music)
Production credits: The Cutting Room, Light of Day New York, Nice Shoes New York, Hum Music LA, Catch&Release
Editorial: Cutting Room New York
Editor: Brian Sanford
Editor: Merritt Duff
Mix: Walter Bianco
Executive producer, producer: Melissa Lubin
Managing partner, producer: Susan Willis
Postproduction: Light of Day New York
Colin Stackpole: Creative director/Flame
Dan Bowhers: Flame
Mike Wharton: 3-D
Matt Esolda: GFX
Peter DeAndrea: Online
Jacob Robinson: Assistant
Telecine: Nice Shoes New York
Colorist: Lez Rudge
Color grading producer: Ed Rilli
Color grading assistant: Andrew Pandolfino
Music house: Hum Music Los Angeles
Track title: Aerial
Composer: Kristin Dyrud
Performed by: Jim Cox
Creative director: Scott Glenn
Executive producer: Debbi Landon
ECD: Jeff Koz
Creative Research, Clearances, & Licensing services: Catch&Release
VO Casting: House Casting New York
Executive director: Neil Myer
Casting director: Mary Egan-Callaghan
Casting director: Rebecca Yarsin
で１０から６位までをごらんください。
10. Apple
Production company - Black Hand Cinema
Directed by: Anthony Mandler - Black Hand Cinema
Produced by: Kim Bradshaw
Director of Photography: David Devlin
Written by: Taylor Swift, Anthony Mandler & Larry Jackson
Edited by: Sam Gunn - Whitehouse Post
Colorist: Tom Poole - Company 3
Online & VFX - Carbon VFX
9. Old Spice
Client: Old Spice
Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Jason Bagley | Craig Allen
Copywriter: Nick Morrissey
Art Director: Matt Sorrell
Additional creative (on Whale only): Jarrod Higgins
Senior producer: Lindsay Reed
Producer: Monica Ranes
Account team: Liam Doherty | Michael Dalton
Executive creative directors: Mark Fitzloff | Joe Staples
Head of production: Ben Grylewicz
Production company: Biscuit Filmworks/Revolver
Director: Steve Rogers
Managing director: Shawn Lacy
Executive producer: Holly Vega
Producer: Pip Smart
DP: Mandy Walker
Production designer: Leon Morland
Editorial company: Mackenzie Cutler
Editor: Gavin Cutler
Assistant editor: Brendan Hogan
Executive producer: Sasha Hirschfeld
VFX company: The Mill | LA
Executive producer: Enca Kaul
Senior producer: Dan Roberts
Production coordinator: Kris Drenzek
Creative director | Shoot supervisor | 2-D lead artist: Tim Davies
3-D lead artists: Tom Graham
3-D lead artists: Phill Mayer, Hartwell Durfor, Kenzie Chen, Yorie Kumalasari, Brett Angelillis, Mike DiNocco, Katie Yancey, Blake Guest, Jenna Kind, Monique Espinoza, Steven Olson, Milton Ramirez
2-D artists: John Price, Robert Murdock, Don Kim, Dag Ivarsoy, Jeff Langlois, Ashely Forbito, Adam Lambert, Daniel Thuresson, Tim Robbins
Art department: Brett Lopinsky, Laurence Konishi, Kelsey Napier
Head of 3-D: John Leonti
Sound design
Company | Sound designer: Mackenzie Cutler | Sam Shaffer
Company | Sound designer : Barking Owl | Michael Anastasi
Final Mix
Studio: Lime Studios
Engineer: Samuel Casas
Assistant engineer: Mark Nieto
Executive producer: Susie Boyajan
Color transfer:
Company: The Mill | LA
Artist: Adam Scott
Color EP: Thatcher Peterson
Color producer: Antonio Hardy
Color coordinator: Diane Valera
8. Morton Salt
OK Go: Damian Kulash, Timothy Nordwind, Andy Ross, Dan Konopka
Director: Damian Kulash
Producer: Park Pictures
Executive producers: Justin Pollock, Jackie Kelman Bisbee
Producer: Pat Frazier
Director of photography: Shawn Kim
Production designer: Bradley Thordarson
First assistant director: Jonathan Watson
Executive brainstormer: Elan Lee
Camera:
First assistant camera: Chris Slany
Second assistant camera: Matt Sumney
Phantom tech: Patrick McGraw
Behind the scenes: Ross Harris
Stills: Daniel Goldwasser
Motion control:
Bolt programmer: Simon Wakley
Bolt assistants: Chris Toth, Leo Roberts
Lighting:
Gaffer: David “Blue” Thompson
Best boy: Randy Dye
Electric: Jeff Matthews, Adan Galindo, Shaun Stallard, Louie Manzo
Grip:
Key grip: Colby Dunford
Best boy: Joseph Messier
Grip: Curtis Brown, Randy Granger, Ray Chase
Art fepartment:
Art director: Steve Christenson
Art coordinator: Katy Shirey
Set decorator: Tally Duke Floyd
Leadman: Lance Rosa
Set dresser: Andre Price, Kevin Quinn, Silvio Scillone, Tony Alvarez
Prop master: Ben Ferene
Prop assistant: Mark White
Lead painter: Jamie McElrath
Painter: Molly Holnick
SPFX supervisor: Kelly Kirby
SPFX foreman: Robert Garrigus, Doug Calli
SPFX tech: Steve Shines
SPFX tech: Bill McGinley
SPFX tech: Rich Jacobs
Set dresser FX: Aaron Ferene
Production supervisor: Ari Chang
Second assistant director: Ricky Weaver
Assistant production supervisor: Amanda Andrews
Script: Kristy Kelly
VTR: Tom Myrick
Craft services: Michael Backlinder
Production assistants: Brian Lierk, David Rada, Robert Lomeli, Oscar Matute, Chris Maltauro, Morgan Pham, Melanie Cycz
Makeup: Kristen Shaw
Wardrobe stylist: Christina Blackaller
Assistant stylist: Laurel Rose
Editorial:
Editor: Cass Vanini
Assistant editor: Ben Foushee
Editorial producer: Sari Resnick
Visual effects:
Company: Artjail
VFX supervisor/creative director : Steve Mottershead
Head of production: John Skeffington
VFX producer: Adriana Wong
Previz: Darren Chang
Titles: Ryan Hawthorne
Colorist: Shawn King
For Ogilvy:
Joe Sciarrotta, Chief Creative Officer
David Hernandez, executive creative director
Amy Gozalka, creative director
Kara Coyle, associate creative director
Gayle McCormick, executive producer
Annie Larimer, senior producer
Philip Puleo, project manager
Paige Robinson, management supervisor
Katie Quinn, assistant account executive
For Morton:
Director of communications & corporate brand strategy: Denise Lauer
Senior communications manager: Paul Jackiewicz
Head of sales and marketing: Shayn Wallace
Senior director, brand marketing: Peter Sashin
7. Kenzo
Client: Kenzo
Agency: Framework/Black Frame, New York
Copywriter / director: Spike Jonze
Producers: Natalie Farrey, Vincent Landay
Executive producers: Humberto Leon, Carol Lim
Co-producer: Amanda Adelson
Director of photography: Hoyte van Hoytema
Production designer: KK Barrett
Editor: Eric Zumbrunnen
Choreographer: Ryan Heffington
Costume designer: Heidi BivensArtistic
Music Company: Squeak E. Clean Productions
Song Title: Mutant Brain
Artist/Composer: Sam Spiegel + Ape Drums ft. Assassin
6. Jeep
Client: Fiat Chrysler Automobiles – Jeep
CEO: Sergio Marchionne
CMO: Olivier Francois
Director of FCA U.S. brand advertising: Marissa Hunter
Head of Jeep advertising: Kim House
Jeep advertising manager: Nicole Pesale
Agency: iris New York
Global creative director: Sean Reynolds
Associate creative director & art direction: Marcus Liwag
Executive creative director: Lisa Bright
Copywriter: Winston Noel
Designers: Nicole Monzon, David Penn
Head of planning: Dipti Bramhandkar
Account manager: Allison Benoit
Executive producer: Guy Quinlan
Editor: Brian Sandford (The Cutting Room)
Music: Kristin Dyrud, Jim Cox (Hum Music)
Production credits: The Cutting Room, Light of Day New York, Nice Shoes New York, Hum Music LA, Catch&Release
Editorial: Cutting Room New York
Editor: Brian Sanford
Editor: Merritt Duff
Mix: Walter Bianco
Executive producer, producer: Melissa Lubin
Managing partner, producer: Susan Willis
Postproduction: Light of Day New York
Colin Stackpole: Creative director/Flame
Dan Bowhers: Flame
Mike Wharton: 3-D
Matt Esolda: GFX
Peter DeAndrea: Online
Jacob Robinson: Assistant
Telecine: Nice Shoes New York
Colorist: Lez Rudge
Color grading producer: Ed Rilli
Color grading assistant: Andrew Pandolfino
Music house: Hum Music Los Angeles
Track title: Aerial
Composer: Kristin Dyrud
Performed by: Jim Cox
Creative director: Scott Glenn
Executive producer: Debbi Landon
ECD: Jeff Koz
Creative Research, Clearances, & Licensing services: Catch&Release
VO Casting: House Casting New York
Executive director: Neil Myer
Casting director: Mary Egan-Callaghan
Casting director: Rebecca Yarsin