goo blog サービス終了のお知らせ 

もとdaregaitsdoco.com

成田 正の楽屋入り口 by STHILA COMMUNICATIONS

アニタ・オデイ

2006-11-24 14:55:53 | ●ディーヴァの肖像
 昨夜、「アニタ・オデイ的スキル...」と書いたら、奇しくも逝去。前項のアップはその直後のことになる。 合掌。
Jazz Vocal legend Anita O’Day passed this morning October 23, 2006 at 6:17AM in West Los Angeles. The cause of death was cardiac arrest according to her manager Robbie Cavalina. Born Anita Belle Colton in Chicago, Illinois on October 18, 1919, O’Day got her start as a teen. She eventually changed her name to O’Day and in the late 1930’s began singing in a jazz club called the Off- Beat, a popular hangout for musicians like band leader and drummer Gene Krupa. In 1941 she joined Krupa’s band, and a few weeks later Krupa hired trumpeter Roy Eldridge. O’Day and Eldridge had great chemistry on stage and their duet “Let Me Off Uptown” became a million-dollar-seller, boosting the popularity of the Krupa band. Also that year, “Down Beat” magazine named O’Day “New Star of the Year” and, in 1942, she was selected as one of the top five big band singers. After her stint with, Krupa, O’Day joined Stan Kenton's band. She left the band after a year and returned to Krupa. Singer Jackie Cain remembers the first time she saw O’Day with the Krupa band. “I was really impressed,” she recalls, “She (O’Day) sang with a jazz feel, and that was kind of fresh and new at the time.” Later, O’Day joined Stan Kenton’s band with whom she cut an album that featured the hit tune “And Her Tears Flowed Like Wine” In the late’40s, O’Day struck out on her own. She teamed up with drummer John Poole, with whom she played for the next 32 years. Her album “Anita”, which she recorded on producer Norman Granz’s new Verve label, elevated her career to new heights. She began performing in festivals and concerts with such illustrious musicians as Louis Armstrong, Dinah Washington, Georg Shearing and Thelonious Monk. O’Day also appeared in the documentary filmed at the Newport Jazz Festival in 1958 called “Jazz on a Summer Day”, which made her an international star. Throughout the ‘60s Anita continued to tour and record while addicted to heroin and in 1969 she nearly died from an overdose. O’Day eventually beat her addiction and returned to work. In 1981 she published her autobiography “High Times, Hard Times” which, among other things, talked candidly about her drug addiction. Her final recording was "Indestructible Anita O'Day" and featured Eddie Locke, Chip Jackson, Roswell Rudd, Lafayette Harris, Tommy Morimoto and the great Joe Wider. A documentary, "ANITA O'DAY-THE LIFE OF A JAZZ SINGER" will be released in 2007. For more info visit: http://www.anitaoday.com/

アニー・セリック

2006-11-24 00:20:09 | ●ディーヴァの肖像
 仕事柄から普段はまず浅く広く聴き、その中からピンときた順に優先順位を付け、コレというやつは盤面が擦り切れるくらい聴き込む。それが、オーディオの電源を浄化してからますます楽しくなってきた、という順の話しでもオーディオ自慢になることに変わりないか。ともあれ、それに前後した期間全般の今年、とにかく女性ヴォーカルが面白かった。かしこまって順位を付けるとまた気が変わるから=実際、再調を繰り返すと好き嫌いも変調する=ここ2週間、毎晩聴いているのが『四月の思い出/アニー・セリック(No Greater Thrill/Annie Sellick)』だと。彼女には前作に当たるアルバムで、もう過去のことなのかも知れないが、「アフター・ノラ・ジョーンズ」を象徴するかのようなこの歌のパンチ力とセクシーな雑味、そして、真っ赤なACコブラがお似合いの美形(アルバムのアート・ワーク)には、下半身を中心にして色々なところをやられたって感じ。いや、それは半分冗談にしても、若き白人女性ながらアニタ・オデイ的なスキルと芸能性を備え、なおかつ明るいセピア調を描ける表現力の見事さ、これには参ったというか、「チーク・トゥ・チーク」を毎日一度は聴かないと寝付きが悪いみたいな感じでいる。先月インタヴューしたフレドリカ・スタール嬢は「ノラ・ジョーンズが開けてくれた窓の向こうに光を見つけた」とか言っていたけれど、そこを見ないで頑張るディーヴァ予備軍、僕にはこっちの方が俄然逞しく頼もしく好感度絶大だ。その次に今のところ、やはりソフィ・ミルマン、エリザベス・コントゥマノウ、エミリー・クレア・バーロウ、アン・ハンプトン・キャラウェイ。ダイアナ・クラールのスタンダード集は素晴らしいけど落ち着き払い過ぎ。マデリン・ペルーを深夜聴くと、ビリー・ホリデイが還ってくるようでちょっと怖い。ティファニーはお愛嬌満点なのがちょっと、と。で、『四月の思い出』には、「ベスト・カヴァー・デザイン賞」も謹呈。