前に書いた論文がアジア演劇の近代化の書籍の中に収録され、やっと出版されました！でもネットでの最終校正の後でどう修正されたのか、確認できなかったので、危惧していたのですが、案の上、校正がきちんとやられていないところがあり、出版社や編集者が細部まで気を配っていなかった気がしています。しかも高い書籍で１万円以上の値段がついています。とうてい、献本もないようです。高い書籍を注文しないといけないのですがー。
ただ沖縄芝居や組踊の写真は5枚カラーで提供しています。真喜志康忠さんの阿麻和利や大新城の写真や与座朝惟さんや伊良波冴子さんの舞台写真も掲載されています。それはいいですね！
目次と実際の論文の題名は同じでしょうか？Plays をTheatreに変更したのですがー。書籍を実際手にしていないので、何ともいえません。ネット上では一部論文が読めるようになってはいますがー。アジア演劇や沖縄演劇に関心のある方々に読んでほしいものです。
著者紹介の欄も違っていて、去年フィリピン大学で研究発表した時の中身とまったく同じです。どうして断りもなく同じものを掲載するのかもよく分かりません。細やかな配慮がなされていないのですね。編集者の紹介はしっかりしています。
永田先生Ravi先生、お疲れ様でした。難産に見えました。２年前（？）の出版予定が現在に至っています。Asian演劇の類似性と違いは多様で興味深いです。
https://books.google.co.jp/books?id=LruXDwAAQBAJ&pg=PA209&lpg=PA209&dq=Okinawan+theatre+Modernization+of+Asian+theatre&source=bl&ots=0JyBWuIfeA&sig=ACfU3U3Gqzd70epGGnMgjhgx86G-aDIbJw&hl=ja&sa=X&ved=2ahUKEwi8_Ljlqb7iAhVYw4sBHaQQArUQ6AEwCnoECAcQAQ#v=onepage&q=Okinawan%20theatre%20Modernization%20of%20Asian%20theatre&f=false
*****＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
Modernization of Asian Theatres: Process and Tradition (英語) ハードカバー – 2019/5/23
Yasushi Nagata (編集), Ravi Chaturvedi (編集)
内容紹介
This volume focuses on the theatre history of Asian countries and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies.
The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume, therefore, provide critical surveys of the history of theatre modernization in Asian countries or regions―Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II.
Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
著者について
Yasushi Nagata is a professor of Theatre Studies, Graduate School of Letters, Osaka University. He served as president of Japanese Society for Theatre Research. He specialized Russian Avant-garde theatre and finished a doctoral course in Theatre Studies of Meiji University in 1988. He was Executive Committee member of IFTR from 2004 to 2012, organizer of IFTR annual conference in Osaka 2011, and a convener of Asian Theatre Working Group. He published many articles on theatre historiography, intercultural theatre, acting method and production analysis on modern and contemporary Russian and Japanese theatres in many anthologies such as Adapting Chekhov, The Local meets the Global, Theatre and Democracy in English, and also The Age of Avant-Garde, The Theory of Japanese Arts, Performance in Post-modern Culture in Japanese. He is also director of the Museum of Osaka University and Executive producer of International Arts Festival and its Cultural Program Series there from 2013.
Ravi Chaturvedi is professor and former director of the School of Media and Communication at Manipal University Jaipur and founder head of the Dept. of Culture and Media Studies in Central University of Rajasthan, Dept. of Theatre and Film Studies, Mahatma Gandhi International Hindi University, and Dept. of Dramatics in the University of Rajasthan. He is the founder president of Indian Society for Theatre Research from 2004 to 2015. His publication includes World Encyclopedia of Contemporary Theatre, Ethnicity and Identity: Global Performance, Theatre, and Democracy, Dramatic Elements and Modern Art, Contemporary Indian Theatre. He has authored six full length plays. He was a contributory editor of Theatre Research International and South African Theatre Journal. He organized first ever conference of International Federation for Theatre Research in Asia in 2003 at Jaipur. He is a professional theatre director and actor.
登録情報
ハードカバー: 262ページ
出版社: Springer; 1st ed. 2019版 (2019/5/23)
言語: 英語
ISBN-10: 9811360456
ISBN-13: 978-9811360459
発売日： 2019/5/23
￥ 13,228
目次
1. Introduction: Modernization of Asian Theatres Yasushi Nagata & Ravi Chaturvedi.-
Part 1: Process of Asian Theatre Modernization.-
2. Relevant Figures at the Early Stage of the Modernization of Japanese Theatre Mitsuya MORI.-
3. The Modernization of Korean Theatre through the Reception of Western Realism Meewon LEE.-
4. Movement of the Western Modern Drama in Taiwan and its Modernity Kun-Liang CHIU.-
5. Back to the Future: Modernization of Hong Kong and Chinese Drama at the Turn of the 20th Century Gilbert C. F.
FONG and Shelby K. Y. CHAN.-
6. Modernization and Malaysian Theatre Solehah ISHAK.-
7. Metamorphosis – “Modernity” on Stage: The Formation of the Chinese-Spoken Theatre in Singapore (1913 – 1937) YU
Weijie.- 8. Modernization Re(ad)dressed in Indian Theatre Ravi CHATURVEDI.
- Part 2: Problematics of Asian Theatre Tradition.-
9. Modernization of Theatre in Taiwan: Case Studies Iris Hsin-Chun TUAN.-
10. Translating EugèneLabiche’s Comedy in Modern China LO Shih-Lung.-
11. The Modernization of Chinese Xiqu YANG Ming.-
12. On the Modernity of Chinese Drama through the Perspective of Perception from Gao Xingjian’s Dramas XIAO
Yingying.-
13. From Traditional to Contemporary: Genealogy of Kumiodori (Kumiwudui) in Modern Okinawan Theatre Called
“OkinawaShibai” Shoko YONAHA.-
14. Bangsawan (1870-1940): An Analysis of Modern Performance Elements and Its Role as Transitional Link between
Traditional Malay Theatre and Modern Malaysian Drama Zainal LATIFF and GanEng CHENG.
15. Absorption and Exclusion: Modern-Dramatizing Asian Tradition by Morimoto Kaoru and Kato Michio Yasushi NAGATA.-
Inde
