今年3月ブロードウェイで観劇した舞台の受賞で何やらうれしかった。詳細は今から現代演劇を見てから夜に打ち込みたい。分かりやすくとても楽しいミュージカルだった。靴工場を軸に据えたミュージカルだったが、上演された劇場は1950年代に「八月十五夜の茶屋」を上演した劇場であるゆえに、どうしても中で観劇して舞台の中身を見たかった。ミュージカルの醍醐味があふれていて、そこで多くの観客が舞台と一体になった祝祭空間の秘密を共有したような気持ちになったのはその通りである。劇場にあふれるEfficacy、無意識の共有空間、感情の渦の統合される共感、高揚はもはやカタルシスそのもので、都会の中の多くの劇場がその失われた祝祭の再現そのものかもしれない。また後でー！電話があり、劇場へ移動？
Vanya and Sonia and Masha and Spike" won the best play Tony←なんと演劇部門のトニー賞もブロードウェイで見た作品だった！Ｉ ｗａｓ ｌｕｃｋｙ！
(ブロードウェイの賑わい）
地下鉄に乗り、歩き回ったので腰と足が痛くなった。研究素材の映像を見たり、ミュージカルのメッカのブロードウェイを歩くと世界から来た大勢の人々のにぎわいに圧倒されていた。四階席まである現代劇の上演を見た。安くても72ドルである。Vanya and Sonia and Ｍasha and Spikeはチェホフの「桜の園」を下敷に現代アメリカの世相を切っている風刺が面白いドラマである。家を売る売らないが骨格だが、家を売らない決断を下す女優のマーサだった。つまり移動しないのである。Ｐｕｚｚｌｅ ＰｉｅｃｅｓとしてすでにＲＥＶＩＥＷ（批評）で好意的に取り上げられていた。ステレオタイプのイメージを壊していく。名前に暗喩されたキャラクターの造形も謎解きのような面白さがあったのは事実だ。それにしても役者の、もう過剰で繊細で微妙な台詞のほとばしりや絡み合い（関係性）が、これでもかと演技で見せた。
45番通りには昨日行ったＡＬ劇場だけではなくこのGolden Theatreを含め、多くの劇場がひしめいていた。この作品を見ている層は圧倒的に女性たちで中年以上、年齢の高さが目立っていた。ブロードウェイ劇場は世界の演劇フアンたちのメッカである。恐ろしいほどのパワーを秘めてあり続ける。魅惑の空間が立ち並ぶこの空間はやはり独特な何かなのだ。
（Ｇｏｌｄｅｎ Theatreの後ろにずらりと劇場が並ぶ）
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'Kinky Boots' struts off with the most Tony Awards ≪転載≫
NEW YORK (AP) -- The feel-good musical "Kinky Boots," with songs by pop star and Broadway newcomer Cyndi Lauper, strutted away with a leading six 2013 Tony Awards on Sunday, including best musical, best original score and best leading man.
Christopher Durang's comical "Vanya and Sonia and Masha and Spike" won the best play Tony. "Matilda the Musical" and "Pippin" won four awards each and two other shows -- "Who's Afraid of Virginia Woolf?" and "The Nance" -- shared three awards each. Tom Hanks left empty-handed, a Broadway newcomer not fated to be a "Lucky Guy."
Neil Patrick Harris was back for his fourth turn as host and was once again crucial to keeping the show funny and smart. He opened with a razzle-dazzle bang amid dozens of dancers and singers -- even getting boxer Mike Tyson to hoof -- and closed it three hours later by rapping with Audra McDonald to a reworked "Empire State of Mind."
The big, opening number started with Harris simply holding a guitar in a pub like "Once" but quickly morphed into a flashy number that showcased performers from almost a dozen musicals. Harris sang "It's bigger! Tonight it's bigger," jumped through a hoop, vanished from a box and promised a "truly legendary show" before glitter guns went off.
Lauper, who wrote the hit "Girls Just Want to Have Fun," was part of an impressive group of women who took top honors. Diane Paulus and Pam MacKinnon both won for directing -- a rare time women have won directing Tonys for both a musical and a play in the same year. (It happened most recently at the 1998 Tonys.)
"Kinky Boots" -- based on a 2005 film about a failing shoe factory that turns to making drag queen boots -- also won for choreography and two technical awards, and Billy Porter won for leading man in a musical.
Along the way, Porter had to beat "Kinky Boots" co-star Stark Sands and told him from the stage: "You are my rock, my sword, my shield. Your grace gives me presence. I share this award with you. I'm gonna keep it at my house! But I share it with you."
Durang's play centers on three middle-aged siblings uneasily negotiating with age and hysterically mixes in references to Lindsay Lohan, Maggie Smith and ancient Greek drama.
Paulus won her first Tony for directing the crackling, high-energy, circus-based revival of the musical "Pippin," which also earned the best revival honor and helped Patina Miller earn a best leading actress trophy.
Paulus' last two revivals, "Hair" and "The Gershwins' Porgy and Bess," both won Tonys for best musical revival. She dedicated her award to her parents, "who gave me the best gift a daughter could ever hope for, the encouragement to do what you love with your life, which for me was the theater."
For Miller, the win caps a whirlwind few years for the Carnegie Mellon University graduate, who was nominated for back-to-back Tonys for her first roles on Broadway. Last year, she played a nun in "Sister Act."
MacKinnon won for directing the play "Who's Afraid of Virginia Woolf?" a year after earning her first nomination for helming "Clybourne Park." Her revival of Edward Albee's story of marital strife won the best play revival and earned playwright and actor Tracy Letts his first acting Tony, which prompted an upset beating of Hanks. Letts, speaking on behalf of all actors, called what he does "The greatest job on Earth."
Andrea Martin, 66, who won as featured actress in a musical, plays Pippin's grandmother and sings the music hall favorite "No Time at All." She stuns audiences nightly by doing jaw-dropping stunts that would make someone a fraction of her age blanch.
Courtney B. Vance won for best featured actor in a play for portraying a newspaper editor opposite Tom Hanks in "Lucky Guy." He dedicated his award to his mother.
Judith Light won her second featured actress in a play Tony in two years, cementing the former TV star of "One Life to Live" and "Who's the Boss?" as a Broadway star.
She followed up her win last year as a wise-cracking alcoholic aunt in "Other Desert Cities" with the role of a wry mother in "The Assembled Parties," in which she goes from about 53 to 73 over the play's two acts.
"I want to thank every woman that I am in this category nominated with: you have made this a celebration, not a competition," she said.
Gabriel Ebert of "Matilda the Musical" won as best featured actor in a musical. He thanked his four Matildas and his parents, stooping down to speak into the microphone.
Cicely Tyson, 88, won the best leading actress in a play honors for the revival of "The Trip to Bountiful," the show's only award on the night. It was the actress' first time back on Broadway in three decades.
"'Please wrap it up,' it says. Well, that's exactly what you did with me: You wrapped me up in your arms after 30 years," she said.
Going into the night, "Kinky Boots" and "Matilda the Musical" were fierce rivals, but the musical adaptation of the novel by Roald Dahl managed only best book, best featured actor and a few technical awards. Shows that walked away empty-handed from Radio City Music Hall included the acrobatic "Bring It On: The Musical," the hit-heavy "Motown the Musical" and "A Christmas Story, the Musical."
Some of the telecast highlights included the stunning kids on Broadway -- the orphans in "Annie," the actor Raymond Luke Jr. as a pre-teen Michael Jackson in "Motown the Musical," and the dancing tots in "A Christmas Story, the Musical" -- especially the young tap dancer wizard Luke Spring -- plus the four young women in "Matilda."
Harris got his face licked by the dog playing Sandy in "Annie," made fun of Tyson and Shia LaBeouf, who left a revival of "Orphans" before the show opened and then tweeted about it, and joined with "Smash" star Megan Hilty, "Go On" star Laura Benanti and former "The Book of Mormon" star Andrew Rannells to skewer theater stars who seek fame on TV with a twisted version of "What I Did For Love" from "A Chorus Line."
Kenneth Posner, surprisingly, did not take home the award for best lighting design of a musical. Of the four shows in the category, Posner had been nominated for three -- "Kinky Boots, "Pippin" and "Rodgers + Hammerstein's Cinderella." But he lost to his only competitor, Hugh Vanstone, who designed the lighting for "Matilda the Musical."
Presenters included Jesse Eisenberg, Jon Cryer, Jake Gyllenhaal, Anna Kendrick, Zachary Quinto, Sally Field, Audra McDonald, Alan Cumming and Jesse Tyler Ferguson.
The Tony winners were picked by 868 Tony voters, including members of The Broadway League, American Theatre Wing, Actors' Equity, the Dramatists Guild, Stage Directors and Choreographers Society as well as critics from the New York Drama Critics Circle.
The awards telecast faced competition for attention on Sunday night from an episode of "Mad Men" on AMC and Game 2 of the NBA finals between San Antonio and Miami on ABC. Last year's telecast was seen by 6 million viewers, down significantly from 2011's 6.9 million.
The awards cap a somewhat grim financial season on Broadway in which the total box office take was flat and the number of ticket buyers slipped 6 percent. Both numbers were blamed in part on Superstorm Sandy, but high ticket prices and the lack of long term audience growth has many worried.
A total of 46 new shows opened during the season, which began last May and ended May 26: 15 musicals, 26 plays and five special events or concerts.
June 10, 2013(Mainichi Japan)
