Two Roads for the New French Right https://t.co/tzT7PPcnMS @nybooksさんから 仏の若い保守知識人の動向に注目したマーク・リラ氏の優れた記事
— mozu (@mozumozumozu) 2018年12月5日
パラっと読むと、全体としては、グローバリズムのネオリベ、個人主義のリベラルに対抗するサンデルさんやマッケンタイヤ教授の共同体主義を彷彿とさせるね、私なんかには。
But then she set out in a surprising direction. Before a Republican audience of private property absolutists and gun rights fanatics she attacked the principle of individualism, proclaiming that the “reign of egoism” was at the bottom of all our social ills. As an example she pointed to a global economy that turns foreign workers into slaves and throws domestic workers out of jobs. She then closed by extolling the virtues of tradition, invoking a maxim often attributed to Gustav Mahler: “Tradition is not the cult of ashes, it is the transmission of fire.” Needless to say, this was the only reference by a CPAC speaker to a nineteenth-century German composer.
外国人労働者が奴隷扱いされることについて、日本の共産党系の人が、
IT'S A FREE WORLDを勧めていたね。
Actress Kierston Wareing stars as Angie, a native of London's East End who works for a shady and sketchy employment agency that predominantly hires illegal Eastern European immigrants. Unceremoniously fired from that outfit, she cooks up the scheme of establishing her own such agency with the help of a roommate, Rose (Juliet Ellis); Angie begins scouting the local factories to recruit cheap labor
いずれ見てみたいと思っている。
