It is a chapter sent on 2015-09-20.
David Fincher (from Wikipedia)
* The following is me.
David Fincher (August 28, 1962-) is a film director in the United States.
He was born in Denver, Colorado.
All of Fincher's works are characterized by the creation of dark images with suppressed color tones. The color he hates is pink.
Biography
Born in 1962 as a child of his father, a reporter for Life magazine, he grew up in Marin County, California. The eyesight of the left eye is weak, it is also an odd eye, and both eyes are different.
He moved to Oregon as a teenager and graduated from a local high school. At the age of 18, he started making films using an 8mm camera.
He started working as an ILM animator in 1980 and was a member until 1984.
In 1986, he established the video production company "Propaganda Films."
He has worked on music videos for Madonna, George Michael, Aerosmith, The Rolling Stones, and numerous commercials.
It debuted as a film director in 1992 with "Alien 3".
It was made at the highest production cost in history for the first director's work, but the story was so dark that it was considered a failure in entertainment and content.
Besides, there are constant troubles with performers Sigourney Weaver and Michael Biehn; Weaver says, "You are an alien!".
He was almost sued by Bean over a right portrait issue and had to pay more than his previous films.
The debut wasn't spectacular.
In 1995, with the success of "Seven" and "Fight Club," Fincher suddenly became a hitmaker.
He was nominated for an Academy Award for Best Directing for "The Curious Case of Benjamin Button" and "Social Network."
* I see, after all, is it such an encounter?
As you may know, I watched "The Curious Case of Benjamin Button" and decided that Cate Blanchett, who played a ballerina in Paris in this movie, was the best actress of her time.
It is no exaggeration to say that Queen Elizabeth, Bob Dylan, and ballerinas, what she describes, are all the wonders of what the West has.
But I would like to make a clear statement to Japan and the world here.
Japan, the Japanese people, and the world must know the grim fact that we were a nation and a people who created, were moved by, and appreciated this kind of art long before them, more than 1,000 years ago.
For then, there would be no such thing as the idiots in the San Francisco Assembly, or the New York Times, which has rudely assumed that Asahi is a representative of Japan, or the leading German newspaper, which is the height of vulgarity.
Those who doubt my words are those with the highest intelligence, for at least one week in Kyoto and Shiga (Mt. Hiei, Mitsui-ji, Ishiyama-dera), Nara (Todaiji, Toshodaiji, Yakushi-ji, etc.) If you take a walk through all the gardens that I continue to visit in spring, summer, autumn, and winter, you can silently understand the correctness of my editorial.
Kenzaburo Oe and others are just small items for Japan and the Japanese people.
It is no exaggeration to say that he is a fool with a Western rash if I dare criticize it.
Another man lifted by those who misunderstand that it is a life that the mass media creates and floats with the mass media.
As I mentioned the other day, he is just a man stealing the idea from start to finish from a real American female writer.
