The following is from the latest published book of Mr. Masayuki Takayama, the one and only journalist in post-war world.
Every year, Korean people living in Japan who have their den in NHK Osaka, who reports that the Joseon missions to Japan were the transport of culture, or children with left-wing childhood disease in NHK Osaka must read his book with keen interest.
Don't say that a thief seems to be great.
Preamble omitted
Each home had a trash can in front of the house before the condominium could still be done.
Raw garbage and fallen leaves were burned in the yard at every home.
There was another rag shop for the metallic material, so I didn't remember what kind of rubbish I had put out, but it was ragman to take care of the trash.
The basis of the naming is to open the top lid and close it.
It was said that it was from the sound.
There should have been a beggar, too, besides but I remember only the disabled veteran who plays an accordion.
The beggar is religious mendicancy in its original meaning, meaning that it beseeches a food, but Japanese beggars get money and the Joseon missions to Japan, who came to the Muromachi era, have recorded with surprise.
At that time, Korea was an age of bartering, and did not know money or business.
They asked about metal plating techniques and papermaking techniques, in particular how to make a water wheel to the rice fields.
It was the mission of the Joseon missions to Japan that brought away that knowledge.
Japan was happy to teach its knowledge to the Joseon missions to Japan.
For example, a waterwheel was made even with a model but it didn't spread to them about whether or not it was too difficult.
The Joseon missions to Japan came back again in the Edo period after being suspended for a while.
Kim in gyeom, who came to Osaka in the 18th century, was surprised to find that Japan was a tiled roof, even though the roof of thier home was a straw-thatched roof.
'The paradise of Chinese legend was about Osaka. It is 10,000 times of Han cheng's (Seoul now) wonderfulness. Reproachful.' Then, it puts and is recording the envy.
Around this time they stole one by one from the lacquered tray of the gold lacquer issued to entertaining with food and drink and the pottery of the alcove to bedclothes.
Arai Hakuseki who did not see simplified the treatment of the Joseon missions to Japan and forbade it to put a nice bowl at the feast.
Seoul, who stole everything, came out saying, 'Please return Uigwe that Japan has taken away.'
It is a history book of Joseon era, but what Japan has is its manuscript.
korea also forgot the hangul made by the same King of Joseon, and Japan reprinted it.
'Uigwe' is the same.
It made a manuscript apart from the original, and Japan made up for the part which the original is short of, too, and kept it.
As expected, they have got scattered and lost the original.
The Japan-Korea Basic Treaty has mutually waived the right to claim including cultural property, but it has come out as as usual or in the Takeshima method called to pick a fight and complain.
Even if it has it for Japan, it is the stuff as how it did, to tell the truth.
Rather, the archaeological materials of the Otani Kozui expeditionary team remaining in Keijo University, which were abandoned under the Japan-Korea Basic Treaty, and the Sō clan in Tsushima document are much more important, but they do not return.
By the way, the mummy of the special feature of the Seoul Museum is also excavated by the Otani Corps.
For the request for return from Korea, it was a good opportunity to recover not only the Tsushima family documents and mummies, but also the lacquered tray of gold lacquer that they stole from Japan during the Edo period.
Naoto Kan appeared there.
Since his friend is Masayoshi Son, master's most trusted person who works hard as master's hands and legs is a battle formation called Korea's naturalized citizen, they promised to return 'Uigwe' manuscripts easily.
There isn't a reclamation from Japan.
Korea is bullish because Sarkozy has accepted the return of the Chosun ancient documents that he had stolen, on condition of sales of the French bullet train TGV.
France isn't answering the relics return of the parthenon from Greece decidedly.
However, to the Korean one, it shown no devotion.
Then it became a story that Hotel Okura returns a stone pagoda which stands carelessly in the garden.
Okura said that it is good to be free this.
We were worried with the garbage that isn't thrown away to everyone.
May you have thought that it was the very good opportunity?
(June 16, 2011 issue)
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