The following is from Masayuki Takayama's serialized column that marks the end of Weekly Shincho, released today.
This article also proves that he is the one and only journalist in the postwar world.
A long time ago, an elderly female professor of the Royal Ballet School of Monaco, who prima ballerinas around the world highly respect, visited Japan.
She spoke at that time about the significance of an artist's existence.
She said, "Artists are important because they are the only ones who can shed light on hidden, concealed truths and express them."
No one would dispute her words.
It is no exaggeration to say that Masayuki Takayama is not only the one and only journalist in the postwar world but also the one and only artist in the postwar world.
On the other hand, many of those who call themselves artists, such as Oe, Murakami, and Hirano, do not even deserve the artist's name.
They have only expressed the lies the Asahi Shimbun, and others created rather than shedding light on hidden truths and telling them.
Their existence is not limited to Japan but is the same in other countries worldwide.
In other words, only a minimal number of actual artists exist.
This paper also keenly proves that I am right when I say that no one in the world today deserves the Nobel Prize in Literature more than Masayuki Takayama.
It is a must-read not only for the Japanese people but for people worldwide.
The Ungrateful Jew
The Tenseijingo on Constitution Day featured Beate Sirota.
She introduces the draft of the new constitution as "saving unhappy Japanese women" by adding a clause prohibiting "discrimination against women" and specifying that marriage "shall be based on the consent of both sexes and that the wife shall have the same rights as the husband.
The bad thing about this column is that it does not cover anything.
This crap was also quoted verbatim from Beate's autobiography.
As for her reputation, it merely traces the image that GHQ imposed on Japanese newspapers when they were not allowed to write any truth.
But in the 70 years since the war, many questions have arisen.
Tenseijingo does not mention any of these new facts.
What kind of woman is she?
Beate was born in 1923, the daughter of Leo Sirota, a Jewish Ukrainian musician.
When one thinks of Ukrainian Jews, "Fiddler on the Roof" comes to mind.
It is the story of the Tevye family, milkmen who fled the country, unable to endure the pogroms, a storm of looting and slaughter by the Slavs.
The same goes for the Sirota family.
They flee to Vienna, but what awaits them there is the threat of the Nazis.
Sirota, seeking a safe living land, met Kosaku Yamada in Manchuria and decided to move to Japan, where there was no discrimination against Jews.
Beate was five years old at this time.
She boasted of white Ashkenazi, and when she left junior high school in 1939, she said, "I want to study in a high school in the United States." to be unreasonable.
But the Jewish environment at the time was much worse.
The year before, representatives of Western countries concerned about the Nazi persecution of Jews held a conference in Evian, France, to discuss the acceptance of Jewish refugees.
However, U.S. President Roosevelt (FDR) was so indifferent that he did not even send a plenipotentiary to the conference.
This atmosphere also affected the conference and ended with no countries accepting refugees.
Six months later, 937 Jews were on their way to Cuba from Hamburg on the German cruise ship St. Louis to escape Nazi oppression.
But Cuba, a U.S. protectorate, refused to allow them to land at the last minute.
It was FDR's intention.
FDR hated Jews so much that he "even tried to keep Jewish students out of his alma mater, Harvard University" (U.S. historian R. Medoff).
St. Louis returned to Europe.
Passengers were allowed to land in France, the Netherlands, and other countries, but the Nazis eventually occupied these, and many of the passengers were sent to Auschwitz to be killed.
FDR's prejudice was substantial.
Beate said she wanted to go to the United States during those times.
Sources told her to give it up as long as FDR was there.
But Leo and his daughter had a good acquaintance.
Koki Hirota, the former prime minister, lived nearby.
He was very fond of Beate.
And thanks to a great politician from the great nation of Japan, she miraculously obtained a visa and was accepted to study at Mills College in Oakland.
Two years later, war broke out between Japan and the United States.
Fortunately for Beate, she was fluent in Japanese and the Japanese people, whom she had hated so much, and was accepted into the U.S. government's Office of War Information.
After the war, she returned to Japan as a GHQ Civil Affairs Bureau member, where her parents were waiting for her.
Her first job was to draft the MacArthur Constitution to destroy Japan.
An illiterate woman with only a high school education was entrusted with the human rights section.
She couldn't come up with anything, so she copied and pasted that part of the Soviet Constitution and made it up in a week.
It was a doomsday constitution, so even that level of substance was enough.
At the same time, the Tokyo Trials were beginning in Ichigaya, and Koki Hirota, a great benefactor who had given her the opportunity to study abroad, was being tried as a class-A war criminal.
She would have spoken of saving his life if she were a true human being.
Her father, Leo, would have also testified in court about the high humanity of the Japanese people who accepted many Jews while the international community turned its back on them.
But the father and daughter, saved by Japan, did not express gratitude to the end and paid no heed to Hirota's execution.
Instead, Beate spent the rest of her life saying, "Japan is a backward country that does not recognize women's rights.
What is the point of embellishing an ungrateful Jewish family with falsehoods?
