poor commentary piece of writing about Movie Shogun.
Netflix's Shogun is not a remake, but rather a new work in which Hiroyuki Sanada fundamentally changed the interpretation of the story and visuals, and those who know the previous work will be more shocked than those who don't. . This is a work that the lead actor and producer, Hiroyuki Sanada, put all his heart and soul into.
These ideas, which must have been brewing for many years, were not the stereotypical period dramas that we were used to, filled with samurai and katana battles, but rather, things began quietly in a quiet and calming landscape with shadows. , gradually becomes faster, and once you pass a certain point, everything you see begins to move at the limit speed that you can follow with your line of sight.
Kono eiga wa, Nihon no kaoku no tatazumai o seichi ni, amasu koto naku hyōgen shite iru. Hissha wa, kore o `kōyō no mahō' to yonde iru. Ganrai, akari ga kichōna mukashi no jidaidearu. Yūgure o sukoshi koeta koroai no yashiki no naka wa usuguraku oku ni iru mono no kao nado wakaranai. Dakarakoso jōseki ni suwaru mono no haigo ni mieru aka to kuro to sora no hikari ga issō kiwadatsu. Sō…, are wa Kyōto, Rurikō-in no hiroma ni nite iru. Motomoto Ieyasu wa, kōtekishudatta takeda shingen no kashin o haika ni tsuketa toki ni, mizukara akogarete ita akai katchū: Aka zo na e, de haika ni matowa seta. Iza sen to nareba, kashin wa ichidō, aka ni somaru, sore wa ima kyōō ga okonawa rete iru hiroma o somete iru hikari no yōde mo ari,-sen ga owatta nochi no yōde mo aru. Tada, aka zo na e no kurenai wa, shōgun no saihai de chi no iro o masuga, kōyō no iro wa shōgun no chikarade wa kawaranai. Kōyō no aka o kaeru no wa, akumade ten: Kami no naseru waza, hiroma ni kaisuru bu: Mononofu,-domo wa omodearu shōgun no kishoku o usuusu dewa aru ga kidzuite iru.-Sen: Chikadjika ni yū ran ya!
This film depicts the appearance of Japanese houses in minute detail. The author calls this the "magic of autumn leaves."
Originally, it was in the olden days when light was precious. It was just past dusk, and the inside of the mansion was dimly lit, making it impossible to see the faces of the people in the back. That's why the red, black, and sky lights visible behind the person sitting in the top seat stand out even more.
Yes...that resembles the hall of Ruriko-in Temple in Kyoto. Originally, when Ieyasu assigned the vassals of his rival, Takeda Shingen, to his subordinates, he had them wear red armor, which he himself admired.
When a war breaks out, all the vassals are dyed red, just like the light that dyes the hall where a reception is currently being held, and also after the war is over.
However, the color of the red red leaves increases with the shogun's control, but the color of the autumn leaves does not change under the shogun's power.
Changing the red color of the autumn leaves is only a skill of the gods, a martial art that can be used in the halls.Everyone is aware, however dimly, of the aura of their master, the shogun.
Some soldier say "War: Not coming soon ?" "Yes! It coming gradually ! Can't you feel it ?"
Utage to iu no ni, hiroma wa seijaku ni michite iru. Koreha-sen no mae ni moyōsa reru `maeiwai'deari sen ni nozomu ketsui to omo e no chūgi o katameru gishiki demoaru. Shōhei ichidōnikaisuru no wa, osoraku kore ga saigo de, deaeru no wa tatakai ga owatte, ikinobite itara… no hanashi to naru. Son'na Chū, kaiwa wa koe o hisomete okonau, kono ba de no shigo wa, heisotsu ni wa yurusarenai, imishin'na hanashi ga togire togire ni kikoeru. Heisotsu mo sōdaga, shichō-sha mo omowazu kikimimiwotateru, sōshite shichō-sha wa itsunomanika, shutsuen-sha to onaji kūkan ni hippari koma reru nodearu. Sō sō, koreha terebibangude wa aru ga, kibun wa eigada to omotta kata ga yoidarou. Naraba tsugi ni suru koto wa wakarudarou. Tomoshibi o otosu ka, akaru-sa o kurame ni shita kata ga yoi. Akumade, o iken ni shika suginai.
Although it was a party, the hall was filled with silence. This is a ``pre-war celebration'' held before a battle, and it is also a ritual to solidify one's resolve to fight and one's loyalty to the Lord. This is probably the last time that all the soldiers will meet together, and the only time they will meet again is after the battle is over, if they had survived...
Meanwhile, the conversations are held in hushed voices, private speech is not allowed for private soldiers here, and the meaningful conversations can be heard intermittently. Just like the soldiers, the viewers can't help but listen, and before they know it, they are drawn into the same space as the performers.
Yes, this is a TV show, but it feels more like a movie. Then you know what to do next. It is better to turn off the lights or reduce the brightness.
This is just your opinion.
Everyone reading this may find the darkness of the Shogun's screen somewhat unpleasant, but in the past our lives were poor in light. Even in the early days of the Lumière brothers' movies, the lights were dim. People have come to take this for granted, and have begun to show scenes that are too bright at night. But in the end, that is a lie.
Originally, it was an entertainment work, so it was natural that there were very few documentaries about historical facts, so one or two lies became commonplace, and they were based on a lie and told more and more false stories.
But I won't denounce that as a lie. Such people will just get bored and become obsolete...Three Japanese masters said no to that.
Akira Kurosawa, Kenji Mizoguchi, and Yasujiro Ozu.
Akira Kurosawa's realism was especially thorough. It also probably stood out in terms of its spectacular panorama, mainly set against the backdrop of nature. These Japanese films, especially the Kurosawa films, attracted people such as George Lucas and Steven Spielberg.
This is a ``latest work that is very beautiful and close to historical fact'' that was created by exploring the limits of what modern technology can do to capture the story in a more realistic way, closer to historical fact, and more beautiful.
You starred in it, you produced it, you directed it, you did the angle of view, you did the film check, you handled the press...you guys! Are you planning to kill Hiroyuki Sanada by overwork?
However, in this day and age, there is only one person who can do it: Hiroyuki Sanada.
The Shogun is not just a piece of work. It is Hiroyuki Sanada's masterpiece, a masterpiece of his own work, and it is the life of Hiroyuki Sanada.
Why do they say, ``I can't wait for the next work''? Well, if you don't keep him away from petty liberals and political correctness and at least let him grow in his inner world, he'll seriously die!
Netflix's Shogun is not a remake, but rather a new work in which Hiroyuki Sanada fundamentally changed the interpretation of the story and visuals, and those who know the previous work will be more shocked than those who don't. . This is a work that the lead actor and producer, Hiroyuki Sanada, put all his heart and soul into.
These ideas, which must have been brewing for many years, were not the stereotypical period dramas that we were used to, filled with samurai and katana battles, but rather, things began quietly in a quiet and calming landscape with shadows. , gradually becomes faster, and once you pass a certain point, everything you see begins to move at the limit speed that you can follow with your line of sight.
Kono eiga wa, Nihon no kaoku no tatazumai o seichi ni, amasu koto naku hyōgen shite iru. Hissha wa, kore o `kōyō no mahō' to yonde iru. Ganrai, akari ga kichōna mukashi no jidaidearu. Yūgure o sukoshi koeta koroai no yashiki no naka wa usuguraku oku ni iru mono no kao nado wakaranai. Dakarakoso jōseki ni suwaru mono no haigo ni mieru aka to kuro to sora no hikari ga issō kiwadatsu. Sō…, are wa Kyōto, Rurikō-in no hiroma ni nite iru. Motomoto Ieyasu wa, kōtekishudatta takeda shingen no kashin o haika ni tsuketa toki ni, mizukara akogarete ita akai katchū: Aka zo na e, de haika ni matowa seta. Iza sen to nareba, kashin wa ichidō, aka ni somaru, sore wa ima kyōō ga okonawa rete iru hiroma o somete iru hikari no yōde mo ari,-sen ga owatta nochi no yōde mo aru. Tada, aka zo na e no kurenai wa, shōgun no saihai de chi no iro o masuga, kōyō no iro wa shōgun no chikarade wa kawaranai. Kōyō no aka o kaeru no wa, akumade ten: Kami no naseru waza, hiroma ni kaisuru bu: Mononofu,-domo wa omodearu shōgun no kishoku o usuusu dewa aru ga kidzuite iru.-Sen: Chikadjika ni yū ran ya!
This film depicts the appearance of Japanese houses in minute detail. The author calls this the "magic of autumn leaves."
Originally, it was in the olden days when light was precious. It was just past dusk, and the inside of the mansion was dimly lit, making it impossible to see the faces of the people in the back. That's why the red, black, and sky lights visible behind the person sitting in the top seat stand out even more.
Yes...that resembles the hall of Ruriko-in Temple in Kyoto. Originally, when Ieyasu assigned the vassals of his rival, Takeda Shingen, to his subordinates, he had them wear red armor, which he himself admired.
When a war breaks out, all the vassals are dyed red, just like the light that dyes the hall where a reception is currently being held, and also after the war is over.
However, the color of the red red leaves increases with the shogun's control, but the color of the autumn leaves does not change under the shogun's power.
Changing the red color of the autumn leaves is only a skill of the gods, a martial art that can be used in the halls.Everyone is aware, however dimly, of the aura of their master, the shogun.
Some soldier say "War: Not coming soon ?" "Yes! It coming gradually ! Can't you feel it ?"
Utage to iu no ni, hiroma wa seijaku ni michite iru. Koreha-sen no mae ni moyōsa reru `maeiwai'deari sen ni nozomu ketsui to omo e no chūgi o katameru gishiki demoaru. Shōhei ichidōnikaisuru no wa, osoraku kore ga saigo de, deaeru no wa tatakai ga owatte, ikinobite itara… no hanashi to naru. Son'na Chū, kaiwa wa koe o hisomete okonau, kono ba de no shigo wa, heisotsu ni wa yurusarenai, imishin'na hanashi ga togire togire ni kikoeru. Heisotsu mo sōdaga, shichō-sha mo omowazu kikimimiwotateru, sōshite shichō-sha wa itsunomanika, shutsuen-sha to onaji kūkan ni hippari koma reru nodearu. Sō sō, koreha terebibangude wa aru ga, kibun wa eigada to omotta kata ga yoidarou. Naraba tsugi ni suru koto wa wakarudarou. Tomoshibi o otosu ka, akaru-sa o kurame ni shita kata ga yoi. Akumade, o iken ni shika suginai.
Although it was a party, the hall was filled with silence. This is a ``pre-war celebration'' held before a battle, and it is also a ritual to solidify one's resolve to fight and one's loyalty to the Lord. This is probably the last time that all the soldiers will meet together, and the only time they will meet again is after the battle is over, if they had survived...
Meanwhile, the conversations are held in hushed voices, private speech is not allowed for private soldiers here, and the meaningful conversations can be heard intermittently. Just like the soldiers, the viewers can't help but listen, and before they know it, they are drawn into the same space as the performers.
Yes, this is a TV show, but it feels more like a movie. Then you know what to do next. It is better to turn off the lights or reduce the brightness.
This is just your opinion.
Everyone reading this may find the darkness of the Shogun's screen somewhat unpleasant, but in the past our lives were poor in light. Even in the early days of the Lumière brothers' movies, the lights were dim. People have come to take this for granted, and have begun to show scenes that are too bright at night. But in the end, that is a lie.
Originally, it was an entertainment work, so it was natural that there were very few documentaries about historical facts, so one or two lies became commonplace, and they were based on a lie and told more and more false stories.
But I won't denounce that as a lie. Such people will just get bored and become obsolete...Three Japanese masters said no to that.
Akira Kurosawa, Kenji Mizoguchi, and Yasujiro Ozu.
Akira Kurosawa's realism was especially thorough. It also probably stood out in terms of its spectacular panorama, mainly set against the backdrop of nature. These Japanese films, especially the Kurosawa films, attracted people such as George Lucas and Steven Spielberg.
This is a ``latest work that is very beautiful and close to historical fact'' that was created by exploring the limits of what modern technology can do to capture the story in a more realistic way, closer to historical fact, and more beautiful.
You starred in it, you produced it, you directed it, you did the angle of view, you did the film check, you handled the press...you guys! Are you planning to kill Hiroyuki Sanada by overwork?
However, in this day and age, there is only one person who can do it: Hiroyuki Sanada.
The Shogun is not just a piece of work. It is Hiroyuki Sanada's masterpiece, a masterpiece of his own work, and it is the life of Hiroyuki Sanada.
Why do they say, ``I can't wait for the next work''? Well, if you don't keep him away from petty liberals and political correctness and at least let him grow in his inner world, he'll seriously die!
