Yesterday was a long-awaited # Hans Roｔt festival, bravely, with a tiny snow flickering, I went to the NHK hall! As you can see, PAAVO 's wonderful signature was added, and a revolutionary performance was born, which is exactly inspirational and should be called a historical turning point!
Paavo was very healthy!
When I first report on the autograph session, despite the difficulty of transportation due to a small snow, many Pavo fans came and a hot signature session was held.
Paavo was working together to reassure himself, but his impression of Japan 's fans' enthusiasm is a sense of incompatibility. Everyone signed smilingly, and after a while he got excited with Hans-Lot theory and the venue was filled with inspiring swirls.
I also saw Paavo for the first time in two months and was full of crumbling tears, but as soon as I saw a smile full of the kindness of Paavo, my energy came with Morimori.
And, by interpreting O (Mr. O) of Sony Music (thanks!), I was able to tell Paavo about the excitement feeling.
When saying in Japanese that "Maestro Paavo! Thank you for a wonderful performance!", Paavo was supposed to be "Chico, what are you saying today in Japanese?" So, when I said "I was moved too much!", Mr. O properly translated it.
Paavo said "Please let us hear your impressions by all means" because it was smiled nicely, so I
"I understand why Brahms first criticized the work of Hans Rott!"
Paavo was surprised and said "Why?", So I am quickly going to stop,
"Brahms could not be evaluated, this work ! I think that this work was too epochal in every way, soon I could not understand this wonderful thing!"
I mentioned it!
When I said that, Paavo's face became very bright brightly!
"Do you really think so !?"
The beautiful eyes of that blue spread widely, gazing at me kindly.
I continue
"Yeah! Anyway, this work,
It is full of human love,
There is hope for tomorrow! "
Paavo and O are surprised together and "Wow ~, it's amazing! (But not much time, so let's leave it this time!") So, in a very nice atmosphere Reunion with Paavo I was delighted.
After all, Paavo is a conductor of the roots ,What is it!
I think that I finally understood him. Until now, for Paavo, I was thinking of having a flower bouquet like mountains, inserting and giving gifts, I was willing to have pleasure, but only one word to Paavo ...
"Your conduct is groundbreaking!"
Then,
If you evaluate it properly musically, Paavo is very happy with it and it will become superkiggen!
Paavo seemed very excited, saying "Wow！I want to hear more!" It was a while, but by saying "Please come again!", The talking ended there.
But I was happy!
With Paavo, I can do music conversations without delay!
It is my ideal situation! Someday I wanted to interview him properly! It looks so exciting! ！ ! ！ !
It was worthwhile to go to Ueno's music materials room and examine Hans Rott properly!
Well, introduction of the atmosphere inside the venue ♪ Paavo finally returned to Tokyo,
NHK Hall is completely "Paavo Festival" state \ (^ o ^) /
And Mr. Mahler: Symphony No. 6 "Tragic" with the NHK Symphony Orchestra was PR Gangan PR! Those who come to the venue today, please check them!
(※ It has become a commodity subject to the signing ceremony! Moreover, not only cash, but also credit card can be used!)
Of course, Hans Lot CDs are also on sale! (※ However, please note that this is not a signature target product!)
And this is a preliminary poster. Information of the season from April to June.
Paavo will also appear in June! In May, also came Date ♪ Papa Neeme Well, the key performance review !
Richard Strauss's
"Violin Concerto 2 minor work 8"
This was a work that Strauss announced when he was 17 years old, but it is a work that is very good, excellent, good with perfection and good music beauty! I marveled at his fresh sensibility! Also, I was born in Kazakhstan, a soloist of the violin, and took my eyes on the overwhelming stariness of beautiful Aliona Baieva! It is the birth of the next generation of stars!
The first movement is Allegro. The solo performance of the overwhelming violin (hereafter, Ms. Baieva) is solo. The flute continued, just hat off to the performance of Baieva with hurt. And the performance of the orchestra will be even more exciting with the command of Paavo to support it vigorously. In a sadly, emotionally rich melody, I feel a talent that is 17 years old Strauss' s surprising, it is a word of amazement!
Paavo gently pulls out the beauty of contrabass, cello, viola, violin, each. It is sweet and painful, and the performance full of kindness continues. Even divineness drifts to PAAVO and NHKSO who sing "love" to a higher degree.
The orchestra's performance will follow here. The dramatic theme of Baruere and the orchestra can be played alternately. Paavo sings love gently and sweetly. And Baeva's transcendental technique creates the supreme moment to be called ecstasy.
Second movement Rent, Ma Non Troppo.
Dark, quiet start. Baieva plays melodies grievingly. I was impressed simply by the age of 17-year-old Strauss who cut out the melancholy moment of this life. Baruue's punishment plays the chest. Paavo seemed to be a little tearful, sometimes feeling excessive in the beauty of the performance.
3rd movement (final chapter) Rondo: Presto. This is light and looks like a whisper of a bee. A stringed instrument plucks and the fun play continues.
And the transcendental technique which should also be called Biruwa's masterpiece! Just bravo! Great! To the overwhelming finale, the place is very excited! Bravo's storm in the Tokyo audience, both Paavo and Baruewa are greatly impressed! ！ ! ！ !
Beginning a break, everyone did not stop excitement, and expressed their opinions.
I was happy that I was able to reconcile completely with my friend Paavo Fan (woman) who had a close relationship! I rejoiced for reunion!
Everyone uniformly said, "Paavo is wonderful after all! It's awesome!" How happy it is to talk about NHKSO about the wonderfulness of Paavo with your colleagues! ！ ! ！ !
And today's main program today！ Hans Rott's Symphony No. 1 ! ！ !
The first movement Ara blieve.
First of all it starts from the gorgeous beginning of the trumpet. What a beautiful, magnificent melody! Even more than heard on the CD, it is a performance of evolved N sound!
A stringed instrument is gorgeous, playing refreshing music like sunshine in the morning!
Paavo was very commanded very powerfully and was struggled greatly!
Timpani (Mr. Uematsu is awesome!), Flute, oboe (Aoyama-san), clarinet gently playing the morning fresh beauty.
Paavo highlights the cry of youth. Hot things come up to the beauty of what the spirit of soul clearly and pierced through.
It is truly "a masterpiece that was raised sing the hope for tomorrow"!
Timpani, flute, horn (Mr. Fukukawa's wonderful!), 2nd violin (Shirai-san) coloring rather clear and refreshing music. And with orchestration being high, Paavo playing the first subject dignifiedly with a strong spirit power!
Many people point out that this song by Hans Lott is very much Marella and also influenced by Brahms or Bruckner. It is true that there are some occasions such as this, It is a masterful melody of a splendid Hans-Rott who has never heard anyone! While it is easy to understand, full of originality, as it was mentioned in the title, exactly
"The utopia of music"
I am feeling the incomparable enthusiasm of young Hans Rott aiming at!
Second movement very late.
Here stringed instruments play emotionally. Paavo leads the audience to the world of euphoria, as if to honor the happiness of directing this heavenly music.
Oh, what a wonderful, beautiful, overwhelming melody it is!
This is Hans Rott's "Youth's score", which was supposed to be held at the time of a young lot,
"The desire for freedom of freedom"
It is also a symbol of.
Also,
"Great Love for Mankind"
It was overflowing everywhere and I cried if I noticed ...!
"Change the world with the power of music!"
Hans Rott who believes purely and well, in the modern 21st century, Paavo Järvi running around the world, and NHK Symphony Orchestra,
Love and trust to the classical music,
A message of love towards the world
I was pushed out with this second move, and I could not stop the overflowing tears.
A very historical moment was born! At this moment the Japanese archipelago was shaken by the completion of love, and I was impressed!
Third movement lightly, lively.
The violin solo (guest concert master Kei Shirai performs nicely!) Is beautifully played, and Pavo draws out its beauty sweetly.
Indeed,
"Genius Hans Rott and Genius Paavo Järvi,
Historical encounter " is.
Mr. Kei Shirai of the violin solo, and Mr.Shirai of Viola and Mr. Kuwata of the cello join together and produce a splendid harmony while being tense.
Orchestration is beautiful above all, it is a perfect workmanship. And, how wonderful it is unusual and unique symphony?
Normally, it is common sense of symphony making to bring a slow movement to the third movement. However, Hans Rotｔ dares to overturn its common sense, finishing this movement brilliantly and magnificently, creating a splendid symphony full of unity of the symphony, full of overwhelming vitality, everyone saw It can be said that it has created a novelty. Great!
Fourth movement very late _ actively.
Although it is such an excellent song, Brahms can also understand why he could not understand this song. In other words, until the 4th movement, I can not understand what Hans Lot intended, as Brahms does not have the tension of the original work.
Mahler, who had also lived together with Hans Rott for a while, was astonished by his talent and left as a tribute to his symphony, but by the time the historical evaluation was officially announced, this 2019 I had to wait until 9th February.
Paavo (and the Kanagawa Phil's Kawase Kentaro Maestro) lighted the ideal of the supreme music of the deceased genius, Hans Rott as a result of a tremendous musical fight with the spirit of Hans Rott, revealing the revelation Succeeded!
Horn (Mr. Fukugawa) was fine and the audience knew that he was listening to the performance and I was able to feel a urge similar to dizziness.
The flute's solo is playfully melancholic. However, Timpani and wind instruments are powerful, breaking that confusion and advocating the victory of life!
The orchestra is just beautiful. I am overwhelmed by the climax that gradually climbs up to height.
I also understand why Brahms were jealous of this song. The bluesmanship of the fourth movement where Brahms finished his own symphony No. 1 at the end of 20 years finally, Hans Lott of a weak crown 22 years old makes the most vivid and more excellent orchestment than his own melody I confirmed that I heard Paavo playing that it was nothing else because I presented the distribution.
Nobody at the time could understand the journey seeking utopia of life too young Hans Rott, too pure. But we believe that we live in the 21st century clearly recognized the sublime and richness of the spirit of Hans Rott in Japan far beyond the border and far from 10,000 kilometers away !
And Genius Paavo will be thinner than Hans Rott's soul. I felt that Paavo was speaking to me like this.
"Life is filled with a lot of hardships and trials, but humans always can pursue the truth and live freshly and win the victory of life!"
"No matter how the world changes, let us pursue the human soul and live forever!"
"Let's change the world with the power of music!"
I decided to follow Paavo's noble ideals for the rest of my life.
The NHK Symphony Orchestra sent a message of love of love from Tokyo to the world.
Indeed, I met the moment when the world's best orchestra, the world's best maestro, was born in Tokyo, I am the happiest in the world! ！ ! ！ ! ！ ! ！ !
I'm glad I came alive!
I was born and good!
Maestro Paavo, everyone of the NHK Symphony Orchestra, Mr. Hans Rott,
Thank you so much for giving me hope and courage to live! ！ ! ！ ! ！ !
After the concert, autograph end. Paavo 's fans, friends who made up reconciliation, fond of tea time in Shibuya. Hot and hot, flowers bloomed with Paavo and classical music talks. To the very pleasure we met at a historic moment, we completely forgotten the time and was eagerly speaking.
We will continue to support and respect and continue to follow PAAVO which opened up a new surface of classical music!
On the snowy night in Shibuya, quietly passed by!
