'Love Print' print fair 2014
昨日、無事に北海道版画協会５５周年記念PRINT FAIR” More global! Love Print!”を無事に終えることが出来ました。
お天気の札幌、私は地下にこもっていましたが、たくさんのお客さまと仲間に恵まれて本当にワクワクする一日を過ごせました。
イベント慣れをしていない私たちを見守り、アドバイスしてくださった(株)札幌駅前通まちづくりの担当者や喜んで作品作りに励んだお客さま、
これもそれもあれも、みんなみんな、みんなのおかげです!
ありがとうごさいました!
ナカムラアリ
☆記念展は、１５日まで開催しています♪
明後日、１０時半からプリントフェア開催です。
私は、今回コラグラフという版画技法のチームに入っています。
コラグラフ・・・説明は、当日会場にてモゴモゴ・・・
さて、ワークショップでは、エンボスという版を棒で擦ったり、銅版用のプレス機にかけたり
手も汚れず、美しい作品が作れてしまいます!
画像は、明後日の為に私が用意した版で作った作品です。
版は、かなりの厚紙とハサミとホッチキス２種類で作りました。当日は、何人もの
コラグラフ作家が小さな版を持ってきますので、皆さんそれらを自由にアレンジして作品が出
来るのです♪
夢中になるよ～
遊びに来てください!
明日の１６時からレセプションもダブルトリプル～お待ちしてます♪
すこし まじめで
すこし ゆかいで
すこし ななめで
すこし かわいい
すこし いみしん
すこし なんともない
すこし じゃまで
すこし きれい
なんとなく ばっちくて
なんとなく いたがゆい
もとむ ふみづきシャワー
＊画像 love or…./Ari Nakamura2014/ コラグラフ・エンボス・ブレダン紙
すこし ゆかいで
すこし ななめで
すこし かわいい
すこし いみしん
すこし なんともない
すこし じゃまで
すこし きれい
なんとなく ばっちくて
なんとなく いたがゆい
もとむ ふみづきシャワー
＊画像 love or…./Ari Nakamura2014/ コラグラフ・エンボス・ブレダン紙
昨日、無事に搬入おわりました。私としては、何年ぶりかの満足するインスタレーションが出来て、そぉはっぴい。手伝ってくれた清野さんに感謝です。ギャラリー３階の陳列レイアウト係りを任されたときには、自分のインスタレーションが心配で気が進まなかったけどやっぱりよかった。らっきぃ
今日から招待の韓国作家たちが来道します。コンセプチュアルアート系に見える韓国人作家作品もスパイス以上の面白さがあります。また、ギャラリー展示全体では、混みこみ度は高いですが、版画の良いところのフレーム効果で、かえって勢いと版画界に乏しい野蛮度っていうか、ロック度が高いような・・・
歓迎の意味もこめて・・・でたらめな翻訳です。
See you soon
From ARI NAKAMURA
Thing memo (7.9.2013.) to get from the exhibition except the solo exhibition
*Sense of balance to be provided from a sense of reality installation of works itself, the meeting place(gallery).
Analysis of the first impression
The thing judging from 60cm ---3m was far more and watched it.
With the personal second impression from the details , material technique With a difference from that Artist/Common point. Way of the display/Wall surface -colored of the gallery/picture mounting , the lighting/ caption calligraphy/ Preparation including the size of the gallery/ Synergy with other works/ Press review/ Class of visitors & customers/ impression of the viewer/ Review between artists
I belong to the group of print categories called Hokkaido print association for more than 10 years.
Today's most artist think that the concept called the printing block penetrates in a broad sense, but existence of that associations which I take it to me here, and mentioned specially in a print category is always interesting. Of course the person from association have Artists majoring in a print from the university, and there are many artists whom choose "a version block copy,etc… ," as a big element of the facture while bringing other technique to the mainstream and investigate.
"the art" if all including the human feelings and menstruation is a method shown by public in a concept an age ofago, I think that the sense called the plurality is more public. Complicated work to be a plurality often intervenes here. That is why leave sophisticated before it leads to completion, and the sudden passion adds to public characteristics. It is the beginning of Japan print in the modern times when it began on "an original print" that artist oneself makes "Movement from the version to print" as so-called traditional method to accomplish a plurality. I think that there is pure, important movement not to let the version production company of the hit aim go through here.
On the other hand, the artist assumes what a version from vast sketching and original energy, and the savageness degree of many works is camouflaged while they choose a medium and technique, and the energy that a work than the art work of other fields gives off is saved, and most calm down in the impression that "is stillness".
It contain "modesty not to boil over" that remain in whether "theirs version" or "the mold" is such what (medium). Whenever I feel it, I feel like a proposition called anything “... being highlighted for oneself who is the best origin of that ... “production of the place that Kazuo Nishimura of the print writer said in the teachers of the art cramming school era with "the climate".
"The origin of the production "is climate" for oneself" I feel like named proposition being highlighted for me. I remember this words from Kazuo Nishimura (teacher of the art cramming school era & member of Hokkaido Print Association) 30 years before.
Developed a modern art movement and "the substitution" of opposite poles with the public.
The Internet and digital photography and processing technique, facility of the work announcement became the bare tendency by becoming, Direction of the art that should be going to be public was more private?
In the present age when a filter of the publicity was removed, anything is hard to reproduce more, and raise the value; I am interested.
A case of "the nakedness" is just troubled with continental sense of values on publicity as the thought more whenever I feel it when letting Japanese animation and comics culture become fine arts, and one of the next-generation keys flower to do what.
A human being making "a version" and "a mold" more and more at the same time feels me attractively.
日本語バージョンは、ここです。
今日から招待の韓国作家たちが来道します。コンセプチュアルアート系に見える韓国人作家作品もスパイス以上の面白さがあります。また、ギャラリー展示全体では、混みこみ度は高いですが、版画の良いところのフレーム効果で、かえって勢いと版画界に乏しい野蛮度っていうか、ロック度が高いような・・・
歓迎の意味もこめて・・・でたらめな翻訳です。
See you soon
From ARI NAKAMURA
Thing memo (7.9.2013.) to get from the exhibition except the solo exhibition
*Sense of balance to be provided from a sense of reality installation of works itself, the meeting place(gallery).
Analysis of the first impression
The thing judging from 60cm ---3m was far more and watched it.
With the personal second impression from the details , material technique With a difference from that Artist/Common point. Way of the display/Wall surface -colored of the gallery/picture mounting , the lighting/ caption calligraphy/ Preparation including the size of the gallery/ Synergy with other works/ Press review/ Class of visitors & customers/ impression of the viewer/ Review between artists
I belong to the group of print categories called Hokkaido print association for more than 10 years.
Today's most artist think that the concept called the printing block penetrates in a broad sense, but existence of that associations which I take it to me here, and mentioned specially in a print category is always interesting. Of course the person from association have Artists majoring in a print from the university, and there are many artists whom choose "a version block copy,etc… ," as a big element of the facture while bringing other technique to the mainstream and investigate.
"the art" if all including the human feelings and menstruation is a method shown by public in a concept an age ofago, I think that the sense called the plurality is more public. Complicated work to be a plurality often intervenes here. That is why leave sophisticated before it leads to completion, and the sudden passion adds to public characteristics. It is the beginning of Japan print in the modern times when it began on "an original print" that artist oneself makes "Movement from the version to print" as so-called traditional method to accomplish a plurality. I think that there is pure, important movement not to let the version production company of the hit aim go through here.
On the other hand, the artist assumes what a version from vast sketching and original energy, and the savageness degree of many works is camouflaged while they choose a medium and technique, and the energy that a work than the art work of other fields gives off is saved, and most calm down in the impression that "is stillness".
It contain "modesty not to boil over" that remain in whether "theirs version" or "the mold" is such what (medium). Whenever I feel it, I feel like a proposition called anything “... being highlighted for oneself who is the best origin of that ... “production of the place that Kazuo Nishimura of the print writer said in the teachers of the art cramming school era with "the climate".
"The origin of the production "is climate" for oneself" I feel like named proposition being highlighted for me. I remember this words from Kazuo Nishimura (teacher of the art cramming school era & member of Hokkaido Print Association) 30 years before.
Developed a modern art movement and "the substitution" of opposite poles with the public.
The Internet and digital photography and processing technique, facility of the work announcement became the bare tendency by becoming, Direction of the art that should be going to be public was more private?
In the present age when a filter of the publicity was removed, anything is hard to reproduce more, and raise the value; I am interested.
A case of "the nakedness" is just troubled with continental sense of values on publicity as the thought more whenever I feel it when letting Japanese animation and comics culture become fine arts, and one of the next-generation keys flower to do what.
A human being making "a version" and "a mold" more and more at the same time feels me attractively.
日本語バージョンは、ここです。
