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Essay写作高分法则

2019-11-22 17:34:26 | 日記
想必经过一段时间后,留学新生们都已经学会了怎么去写Essay,所以接下来大家要做的,就是想办法写好Essay,拿到高分,提升成绩。当然,要想写好Essay并没有那么容易,在写作中有很多需要注意的地方。下面就给大家分享一下Essay写作高分法则。

1、关注相关问题的重点词汇

Essay写作的时候,术语的选择非常重要。对于需要探索的问题,重点标注关键词汇,并且灵活运用相关或者类似的词汇,这样会让你在写作的时候大大提高效率,也能帮助避免写作的时候重复使用词汇。这是你学术能力的重要体现,展现你对此问题的理解程度。

2、Provide a clear structure

对于全文的布局要有明确的把握。比如写美国大学Essay最常见的结构就是五段式。

其中包括:开头段Introductory paragraph,三段主体段落和结尾段落。需要注意的是,第二、三、四段是全文重点,一定要注意内容的可读性。不管你选择什么样的写作结构,你只需要按照以下的思路来构思就可以:

1、Tell what you’re going to tell them (Introduction)

2、Tell them (body)

3、Tell them what you told them (conclusion)

3、Build a strong case

你所写的论点不能连自己都说服不了,而且要有强有力的论据去证明他,你不能只说这个东西好,到底好在哪要说清楚。不要太主观的说我觉得这个现象就是好,然后没有一点理由。

4、Use formal language

写Essay写得好是可以发表的,写Essay也不是平时唠嗑,你想怎么说就怎么说,在Essay中,一定要用正式的词句,不要写的太随意。不要用缩写。

5、Pay attention to presentation

在写作的过程中不要给自己今后答辩挖坑,毕竟答辩也占分数,分析可能在答辩中需要解释的点,提前准备好。

6、Beware the ditto simplicities

关于什么是抄袭,只要是句子里不管你是直接引用还是把别人的句子paraphrase了,你都要做cite就是标注出处,不然都算抄袭。而且你引用别人的话不标注,你要证明这句话到底对不对的,如果标注了就不用,一定要牢记写英文论文要在文章内标注出处。

写Essay时,有一些绝对不能犯的错。

1、没有证据就不要形成意见

写Essay的时候,如果你发表自己的想法,需要做调查,有实际数据支撑才可以写出来。不能凭空出现自己的观点。你的观点是一定要是合乎逻辑的,并且有现有研究和事实的支持。

2、不要提交初稿

有的同学在deadline前才写完草稿,然后就匆匆提交上去了,这也是不可取的。要留出足够的时间来修改你的草稿。Essay的标点符号、语法和其他方面都会是打分的标准,这就是为什么你要注意细节,在定终稿之前一定要好好检查你的草稿。

3、不要使用陌生的单词和短语

避免使用过于复杂的单词和短语,如果你不明白它们的用法,以及它们该放置于哪一上下文内,这会让你避免以不恰当或不正确的方式提及事情。

4、不要把事情拖到最后一分钟

无论如何,做好准备总比不做好准备好。尤其是像Essay这样重要的事情。许多人把文献引用留到最后一分钟,以为不会花那么长时间。

然而,文献引用往往会占用大量的时间,最后导致Essay提交被延迟。如果你为Essay熬到很晚,你可能会很累,更有可能犯错误。所以,及时完成任务,给自己留出足够的时间来应对任何意外事件。

以上就是关于如何写好Essay的技巧,同学们可以把这些学会,运用到自己的写作当中。

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更多关于代写的内容,点开主页栏目,即可快速获取代写相关资讯,如果各位有美国作业代写需求,可以咨询24小时客服QQ:800020041,为您详细解答。

Risk society and Internet new media

2019-11-22 17:33:43 | 日記
下面为大家整理一篇优秀的paper代写范文- Risk society and Internet new media,供大家参考学习,这篇论文讨论了风险社会与互联网新媒体。新媒体对于风险社会的建构有一定的作用。风险社会的种种理念可以通过新媒体的传播,输送到广大的受众群体之中。这个概念首先会被受众群体接触到,然后可以慢慢理解消化,补充完善,从而渐渐成为受众头脑中的认知。另外,新媒体也会成为风险产生的预警。新媒体会迅速传播出社会中的危险信号,从而使得公众能够快速做出反应,得以有准备地应对风险。基本功能,会对媒介的发展有一定的影响作用。


The concept of "risk society" was put forward by ulrich beck, a German anthropologist and sociologist, in his book risk society, and gradually improved the risk society theory in his subsequent works. The concept of "risk" has existed for a long time, but it has not been realized by people because of objective factors such as cognition and technology. Baker's "risk society" theory has created a new perspective for our cognitive society: breaking the traditional thinking mode of "technology worship" and cultivating people's introspection consciousness instead, which is called "the third way" by scholars. The rapid development of new media based on Internet technology in recent years makes it occupy the dominant position in the media market. How does the concept of risk society spread through new media and what is the relationship between them?

The concept of "risk" can be analyzed from different perspectives, such as anthropology, economics, statistics, etc. Each discipline will have different definitions of the same concept due to different perspectives of its own concern. In the world risk society, ulrich baker clearly pointed out that risk is a modern way to predict and control the future consequences of human behavior. Therefore, "risk" should refer to the possibility of insecurity, crisis, turbulence or disaster caused by modernization. The risk defined by beck is a modern thinking paradigm, which is endowed with a special social status. Its content has become the core concept of beck's risk society theory. It can be seen that the risk in baker's definition is closely related to modernization, so the focus is more on the problems arising from modernization and the ways to deal with them. But different scholars study the domain, the Angle is different and divides the risk society theory into the following several schools.

School 1: the realism school of "new risk" theory represented by lau believes that the emergence of risk society is caused by the emergence of new and more influential risks or local emergencies that can lead to or cause potential social disasters. In modern society, there are more social risks in the new era, such as irrational fermentation of public opinion, and social panic caused by unrest in a certain place. Newer and greater risks lead to wider coverage and more influential consequences, thus forming the concept of risk society.

School 2: the school of risk culture represented by Hansen, preetwitz and rush: they believe that risk society is caused by the increase and intensification of people's awareness of risk, and they regard risk society as the result of people's subjective consciousness.

School 3: institutionalism represented by risk society builders, baker, giddens, etc. : their definition of risk is mainly from the social structure and institutional level. The risk in the society is analyzed from the deeper level of social structure and system, so as to obtain a certain understanding of the risk society.

According to the risk society theory of beck and giddens, modernity and reflexive modernity are the core contents of the theory. Modern risk as the basic concept and theoretical cornerstone, and reflexive modernity provides another way for the theoretical breakthrough of risk society, in a word, is the core content of risk society.

Giddens' traditional risks are mostly external risks, such as floods, typhoons and so on. However, modern risks are mostly corresponding to man-made risks, such as SARS and bird flu, which are often more harmful and uncertain. Modern society is dominated by modern risks, which are mainly man-made risks. The author believes that modern risks are more uncertain and technology-related, and are often closely related to the development of technology and the progress of human cognition, so they are more destructive than traditional risks.

In baker's opinion, the endogenous, fair, global and knowledge-dependent characteristics of modern risks, as well as the origin of modern risks summarized by giddens in "the result of long-term maturity of modern system", unpredictability, global nature of serious consequences, ambiguity and duality, have all roughly discussed the basic characteristics of modern risks. Modern risk is related to scientific and technological knowledge and modern system, and it is difficult to predict, and its serious consequences often affect the whole world, which shows that the formation of the theoretical system of risk society is closely related to the change of modern technology and the possibility of widespread dissemination, that is, modern risk theory is based on modernization.

Reflexive modernity refers to the self-confrontation, self-change and self-harm of modernization. The risk society is reconstructed from two perspectives: one is the emergence of individual society. Reflexive modernity gradually dissolves the traditional concepts of class consciousness and gender in the society, which is similar to the role of deconstruction in communication studies. The trend of "decentralization" makes the individualized society come. In individualized society, individuals are more independent and free, pay more attention to individual rights, and always hold a skeptical attitude and questioning spirit towards concepts such as authority. Second, subpolitics replaces the dominant position of politics. Baker argued that industrial societies were shaped primarily by institutions and institutions from above, and that subpolitics meant shaping society from below. The power of organizational society is increasingly shifting from the political sphere to the sub-political sphere -- media, science, etc., and ngos are taking the lead in traditional politics. The power of government organization and social organization in the original political field is being transferred to each sub-political field, and the power of the emerging organizational society should not be underestimated.

First, risk allocation has two logical features: one is hierarchical and the other is non-hierarchical. Non - class nature is fundamental, class nature is relatively minor. Risk in modern society is no longer limited to a certain class, but rapidly spreads to the public, causing profound effects or causing panic. Economic conditions and advantageous conditions such as power can resist the harm caused by risks to some extent, but cannot affect the direction of risk allocation. Sex at the same time, the class is embodied in the lower people in life will take on more risk from high-level elite, this is also a sign of social inequality, as we have entered an unpredictable and uncontrollable, inexpressible situation, this situation will make the survival of all life on the earth are all faced with potential dangers. The second aspect of risk allocation is also regional and global. The distribution of risks does vary from region to region. Developed countries will transfer risks to less developed countries by virtue of their economic strength, but the objectivity of risks makes it spread globally rather than concentrated in some regions.

Second, "organized irresponsibility" is another characteristic of a risk society. The so-called "organized irresponsibility" refers to a social situation in which a modern society is surrounded by increasingly serious risks and people feel that legislation and institutional perfection should be strengthened when exploring the reasons for self-care, but no social organization or group is responsible for the risks that occur. We are accustomed to using the old risk standards to evaluate the existing social risks, so we cannot define the responsible subject and relevant organizations to bear the consequences. Therefore, we should establish new risk evaluation standards to redefine the responsible subject and responsible party of the risks. The reason for this is that, as baker points out, "the key to the explanation of this state is a mismatch between the contributing society, the dangerous or perceived uncertain nature of the post-industrial society, and the general definitional relationship between structure and content rooted in a different nature from that of the previous century".

UNESCO has defined new media: new media is network media. Tsinghua university professor xiong chengyu believes that the so-called new media, or digital media, network media, is built on the basis of computer information processing technology and the Internet, play the transmission function of the media. Professor huang shengmin of communication university of China thinks network TV, terrestrial mobile TV and mobile TV are regarded as the three major parts of new media. Kuang wenbo, a journalism professor at renmin university of China, put forward the definition of new media based on the above remarks: the carrier that transmits information with the help of computers. Therefore, in the face of the definition of new media, there are still many debates in the academic circle and the industry, and there are still multiple viewpoints and no unified conclusion.

New media information dissemination has the immediacy, once the occurrence of the event is spread to the Internet will spread quickly. Compared with the update frequency of traditional media by days and weeks, new media has accelerated the update frequency to hours or even minutes or seconds. Moreover, the update cost is low, and the information can be transmitted to users quickly through convenient terminals, which makes it easy for new media to occupy a large number of markets. The "asynchronous nature of acceptance" makes it easy for the audience to receive it anytime and anywhere. ... Also can make the audience not limited by the media transmission time limit, according to their own needs to receive information at any time.

It covers a wide range of areas, spreads globally, breaks through geographic boundaries, and has low costs for transnational communication. Information transmission covers a wide range of areas, and the original time and space boundaries of communication are completely disrupted and reorganized. The world becomes a whole, and the Internet and internet-based new media become a communication platform for cross-cultural communication.

The pertinence of information dissemination is strong, the accuracy of audience placement is greatly enhanced, and audience type differentiation is more obvious but not fixed. Different from the traditional media before, the classes they spread are relatively fixed and stable, with mutual exclusion between classes. However, the target audiences of new media are more personalized and hardly mutually exclusive. The relationship between groups is more equal and has strong mobility, which will promote the further development of focus communication and minority communication. For example, the group manager of the fan group may be the branch President of the photography enthusiasts' association. There is little mutual exclusion between groups.

There are fewer gatekeepers with high degree of information freedom and high degree of information dissemination, and the role of "gatekeeper" almost disappears. The freedom of information in new media communication is greatly enhanced, and the role of gatekeepers in new media is gradually reduced. On the one hand, it can promote the spread of diversified information; on the other hand, it is also a powerful channel for spreading rumors and other untrue opinions.

The information received by the audience is relatively fixed. With the development of Internet information technology, the classification of audience groups is more obvious. "Information cocoon room" refers to the phenomenon that people in the field of information will be habitually guided by their own interests, thus restricting their lives to the "cocoon room" like a cocoon. "Information cocoon room" phenomenon in weibo, more concerned about their favorite blogger or areas of interest and other information filtering, easy to cure his original views and cognition, not have different opinion or rarely contact point of view, and thus become more extreme, closed related community also easily and the social environment gradually from open, is not conducive to know the actual objective external world.

Speed up the flow of information between classes. In traditional media, the information flow is slightly difficult due to the solidified class. However, with the development of new media, the boundary between the classes is increasingly blurred, the information channels increase, the speed of information exchange is accelerated, and the mobility is stronger. Therefore, all social strata have more channels to obtain information and the frequency of information exchange is enhanced.

From the perspective of communication constructivism, walter lippmann believes that "mimicultural environment" is a social environment created by media, while we tend to regard the mimicultural environment as the objective environment itself. There are generally three conditions in the real world and in our minds. The second is the subjective perception of the external world that we construct in our mind, which can be called the world in our mind. The third is the "mimicry environment" created by the media, which is generally a bridge between the objective environment and the construction in the mind and consciousness to help us perceive the external world and form the construction of the world in the mind. New media also plays a role in the construction of risk society. Various ideas of risk society can be transmitted to the vast audience through new media. This concept will first be touched by the audience, and then it can be slowly understood and digested, supplemented and perfected, thus gradually becoming the cognition in the minds of the audience. Therefore, the media plays a great role in the construction of the concept of risk society. It can even be said that without the dissemination of relevant concepts by new media and other media, the concept and consciousness of risk society can hardly resonate and reach consensus among the audience, so the concept of risk society can hardly be understood and accepted.

In luhmann's social organization form of functional structuralism, media is internalized. The world is filled with many elements. The media integrates various elements to form a system. Due to the change of the system, they are constantly debugging, decomposing or recombining, so as to produce the next communication. Thus, communication is in fact a synthesis of options. By sorting and integrating various objective and different forms of elements, new media reconstructs the concept of a risk society and spreads it to the audience.

And new media also can become the early warning that the risk produces. New media will quickly spread the danger signal in the society, so that the public can react quickly and be prepared to deal with risks. "The cultural blind spots of everyday life cannot be fundamentally changed in terms of threats to modern civilization; But through cultural symbols, the news about skeletons skeleton tree or seal of the dying imagination has opened the eyes of people, make the threat to the public, and to arouse the attention to detail, in people's own living space - these are the eyes of the culture, through it, citizens' blind 'to win back their own autonomy. The referee"

There are many other effects of new media on risk society. On the surface, in the face of the Internet to realize the risk is still told, response, and other functions, is only present information transmission speed, expand coverage areas, information capacity increasing, and the flow of information is more complete, technical characteristics, such as, in fact, it can achieve the function as social monitoring "internalized" against the risk of "endogenous", in a wide range of cohesion and real-time against risk, "ductile" to the openness and transparency of information make class opinions openly, promote common decision...

On the one hand, new media is still more or less influenced by interest groups and plays a leading role in the discourse power. In the end, the framework of risk society is likely to be used as a medium or a tool for interest groups to transfer risks, which is not conducive to social equality. On the other hand, the risk society as a media environment will have an impact on the media growing in it to some extent. As a result, the development of media is more inclined to risk prediction, risk notification and related contents, not only focusing on basic functions such as information dissemination, but also has certain influence on the development of media.

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英国学期论文怎么写

2019-11-22 17:31:40 | 日記
同学们在英国留学期间,肯定会遇到学期论文的。学期论文是留学期间非常重要的一次考核,跟平时的Essay写作不太一样,不管是写作要求,还是逻辑性,都会难上一层。那么英国学期论文该怎么写呢?下面就给大家讲解一下。

英国学期论文怎么写?

但是只要是这门课是有一些文字性的,一定是要写论文的。无论是毕业论文,还是一学期要写两三个的叫做期中论文,还是说一学期写一个大的叫做学期论文,总之你肯定要写的,所以写作对于咱们在英国留学的学生是非常重要的。

虽然一个学期论文它只有1500到3000字,这样不太长的篇幅,可也为难了不少留学生。想要在不到2000字或者2000来字这样的空间内,把你的思想完全写清楚,并且有相应的引用,有并严格的按照引用格式和严格的学术论文的书写格式,还是有一定难度的。因为每一个学科它涉及的写作的内容,写作方式是有区别的,所以我们不是特别的展开。

这里大概讲一下,就是写学期论文的时候,你需要做的一些准备工作和一些需要注意的事项。

首先是周期

一般来讲一篇论文,你需要给自己准备3到4周时间来做准备,如果说是一学期一次的这种大的论文的话,可能要准备一个半月的时间来去准备。

我们说这么长时间我们再干点什么,首先你要准备大纲,你要想一下你要写什么,因为我们这学期想学的东西,比如说我们学习的是商业管理,那样的话你肯定老师是会给一个范围的,你一般来讲的话,老师会给一个范围,你根据这个范围来去自己重新拟题。

其实这个是稍微好写一些,为什么?

因为在范围内去准备这些东西是有自己的挥发发挥的一些空间的,但是有时候老师会直接命题,这时候就不太好写了,你直接命题的时候,你的发挥空间是比较小的。而这样的话他就要完全按照老师给的意见来写,那样话就不是特别好操作。所以像我说了,基本上需要三周到五周时间来去做准备。一般咱们准备一篇论文是要经过大纲、草稿,第一稿、第二稿,至少四遍的修改才是可以的。有的时候还会经过第三稿才能真正交给教授。

所以如果你写了一篇论文,然后你也没有打大纲,如果说你已经很有想法了,这是没有问题,直接进入草稿状态。而写完草稿以后的话,你一定要经过大修和精修这两个环节,

什么叫大修?就是你要把要看一下你写的东西它的逻辑是否严谨,它的核心是否清晰,他是否得围绕你老师给出的要求给出的核心来写的。精修,就是说你使用的语言语,它的语法用词,还有一些文字的结构是否合理,所以一篇文章一定要经过这三稿来修改,你才可以交给教授。

否则,教授是很容易看出来你这是一个草稿。而他认为你是草稿,那你这篇论文的得分一定不会超过它总数的70%。因为教授还是很反感这样的学习态度,所以大家要在这一点上是非常注意的。还有就是当你在写论文的时候,一定要尽可能的寻求帮助,像刚才我们说你说有草稿,在修改后的第二稿,基本上你就可以拿给老师或者是咱们学科的助教,由他们来帮你大概看一下,看看你有哪里修改错了。

其次是立题

尤其是看一下咱们引用的论点是否是合适。实际上一篇论文它如何来判定是否是篇优秀的论文,如何能让你这篇论文能拿到他总分的80%以上的?它基本上就是看第一就是你的立题,是否适合老师的要求是一样的。第二就是你想讲的内容,他是否真正的是一个有内容的一个展开。

所以我这么来给大家建议,就是1500字的论文,你可以先写个400字到500字做一个核心。如果说你能写出一个400字的核心的话,这篇文章加上相应的引用,加上一些过渡、加上一些基本的常识,最后达到1500字是可以的,一般来讲的话,学期论文就是在2000字左右,很少超过2500字的。所以如果说是他是2500字左右的,你可能有主论点和副论点,这两个合在一起应该有一千字。如果说他是在1500字左右的话,只需要有个400到600字的一个主论点就可以了。

所以大家在写之前先要想这个事情,就是要先写大纲,先写出来你的核心是什么,论点是什么,然后你的架构,然后就可以去找你的reference.关于引用,我给大家格外说一下,首先就是格式非常的重要。如果咱们引用的时候,咱们用的格式是格式错,是很有可能被判处为学术作弊或者学术剽窃的,这样的话不但这篇论文没有分数,这个课程,可能也会没有分数,甚至你可能会背上一定的学术处分,那这样是绝对得不偿失的,尤其如果你不是非常的主观去犯错的话,所以这样的话大家第一点要注意格式,一般来讲的话,论文写作,尤其是在英国分为APA和MLA这两种格式,分别是针对于商科和理科的学生和针对于学人文社科的学生的。

以上就是关于英国学期论文的写作讲解,希望对大家的写作有所帮助。

想要了解更多英国论文写作技巧或者需要英国代写,请关注51Due英国论文代写平台,51Due是一家专业的论文代写机构,专业辅导海外留学生的英文论文写作,主要业务有英国代写、essay代写、assignment代写、paper代写。亲们可以进入主页了解和获取更多关于英国代写以及英国留学资讯,我们将为广大留学生提升写作水平,帮助他们达成学业目标。如果您有英国代写需求,可以咨询我们的客服QQ:800020041。

Paper代写:Tragic aesthetics in photography

2019-11-22 17:30:41 | 日記
本篇paper代写- Tragic aesthetics in photography讨论了摄影艺术中的悲剧美学。悲伤、悲剧和崇高都是具有“悲伤”意义的审美价值观,与“美”有着显着的差异。当代摄影师的许多概念摄影作品都是基于感官世界中各种情绪的发泄,以及对社会当前一些情况的讨论。散乱的辐射创造了大量反映社会现状的“短篇小说”。通过表现出无助和极端的笑话,将整个摄影作品的画面安排成舞台表演的状态,用一种近乎荒诞的展现方式,突出了这种悲情。人物面目呆滞,周围景物市井且破旧,整体色调压抑,观者能感觉到的悲伤感是由外及内的。悲剧美学不是字面意义。这是美学的一种特殊的表现形式,也正是两者之间的反差形成了更加别致的美感。本篇paper代写由51due代写平台整理,供大家参考阅读。

The destruction of the things of life and the destruction of the good are sad. Tragedy in real life cannot be regarded as a direct aesthetic object, otherwise people are inhuman. The realistic tragedy only has the aesthetic essence of tragedy in the aspect of objectivity. Because the tragedy of art form establishes the psychological distance between the tragic event and the aesthetic subject: from the real tragedy to the tragic art, there is a time interval, which makes the aesthetic subject no longer fall into the reflection of the reality. At the same time, having a space gap reveals different, unfamiliar or somewhat strange Spaces and makes it difficult for the aesthetic subject to join in.

Many of the conceptual photography works of contemporary artist and photographer ma liang are based on the venting of various emotions in the sensory world and the discussion of some current social conditions. Scattered radiation creates a large number of "short stories" that reflect the current situation of society. Ma liang performed one drama after another for us with the scenes and characters he "made", creating more dramatic absurd effects with the illusion of creation and the reality of photography. In his 2004 work my circus, you can see that people enslaved by life must play vivacious and fragrant. The man in the picture seems to be smiling and sinking into himself.

The helplessness of everyone living in this world is very tragic, and ma liangze, by showing this helplessness and extreme jokes, arranged the whole picture of his photography works into a stage performance state, with an almost absurd display way, highlighting this tragedy. The characters are dull, the surrounding scenery is shabby, the overall tone is depressed, the audience can feel the feeling of sadness is from the outside to the inside.

When Hans holbein, a German portrait artist, was 23 years old, he created an oil painting, 200cm long and 30.5cm wide, that showed the dead Jesus lying in a stone coffin, without any of the usual religious paraphernalia, such as a weeping angel or a virgin. A lot of people at that time would draw religious subjects, they would draw Jesus and they would often draw him on the cross with clouds and angels in the background, or the people at the bottom taking him down from the cross, showing the greatness and holiness of Jesus. However, this painting by little holbein is different from other paintings. The body of Jesus is rigid, and the whole picture is dark and gray. The face and skin of Jesus are not shining at all. Russian writer Dustoevsky once said, "to see this picture is enough to make anyone lose faith." The light in the picture comes from below. Few artists have dealt with the end of a heartless death so vividly, deeply, calmly, and openly. Greenlewater, also a German painter, painted the crucifixion of Jesus and other altars of similar scenes, and his paintings are probably the most gruesome of these. But greenlewater's Christ, though terrifying, has a strong suggestion of the possibility of resurrection, a suggestion that does not exist in holbein's paintings, which are much less emotionally charged. It was not holbein's lack of religious feeling, but the fact that his style reflected a calm, objective, realistic state of mind, completely different from greenlewater's peculiar mental and spiritual concern.

Contemporary photographer zhang wei's conceptual photography work "portrait of a certain dead man" is through the expression of this tragic aesthetic technique of Hans holbein, which USES the special size of the picture to show the sense of oppression in the coffin, and the characters are replaced by hot figures in contemporary society. For example, doctors, miners, vagrants, etc., highlight the helplessness and desolation of these people. Each of the characters lay quietly on the platform, their clothes neatly combed. The atmosphere of sadness is highlighted more reversely. Photographer zhang wei replaced the concept of sanctity by posing models in different costumes. The author once said that he wanted to reveal the sickness under the healthy dress, and the helplessness, fear and anxiety in the blank expression. Many discordant natural combinations together to warn people, in fact, each person in the society is playing their own role, but after all, are superficial, temporary, and maybe even meaningless tragedy. This special form of expression becomes the entry point for the audience to better interpret the work.

Many contemporary works of art use the expression of tragic aesthetics and even more use contemporary photography. This paper only cites the works of teacher ma liang and teacher zhang wei for elaboration. I would like to express my gratitude to these two teachers. Tragic aesthetics has not only existed in western dramas, but also in the creation of art works by contemporary Chinese artists. Photographers are good at using "beauty in sorrow" to show their ideas and express the other side of a better life. Aristotle once said: "the purpose of art is not to express the appearance of things, but to express the inner meaning of things". Contemporary photography art is not only a record, its function is to expose events to attract widespread social attention. Conceptual photography not only shows the photographer's concept, but also represents the photographer's cognition of the society. However, most photographers choose to create with the expression of tragedy, which proves that there are many tragedies that need our attention in the society.

Tragic aesthetics is not literal. This is a special form of aesthetics, and it is the contrast between them that forms a more unique aesthetic feeling.

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Essay代写:Management of natural gas in European and American countries

2019-11-22 17:28:58 | 日記
下面为大家整理一篇优秀的essay代写范文- Management of natural gas in European and American countries,供大家参考学习,这篇论文讨论了欧美国家天然气的管理。欧美国家在天然气行业上是允许第三方进入自然垄断区域的,所有的天然气行业都可以使用基础设施,这对于建立有效的竞争模式有着直接的作用。随着近些年,欧美国家的天然气市场基础设施得到了不断的完善,欧美也普遍经历了从谈判到混合再到强制的发展过程,所以,在天然气行业的管理上,有着足够大的优势。他们主要的做法就是加强天然气供应商之间的竞争。另外,在自然垄断区域,欧美国家主要实施的是经济监督。

What Europe and the United States have implemented in the natural gas industry is to allow a third party to enter in the natural monopoly area, that is to say, all natural gas industries can use infrastructure, which plays a direct role in establishing an effective competition mode, but China has not done so far. Generally, the entry of a third party has three forms, namely, negotiated entry, mandatory entry and mixed entry. Among the three forms, the first type of negotiation is the most conducive to creating a harmonious competitive environment, is conducive to maintaining the interests of the existing natural gas companies and both sides, and is the manifestation of fair competition. Determinants of third party access mainly infrastructure conditions and maturity of natural gas market, as in recent years, Europe and the United States of the country's natural gas market infrastructure has been constantly improved, Europe and the United States generally experienced from negotiations to mix to the development of the compulsory, so, on the management of the natural gas industry, has the advantage of large enough.

In this piece, the practice of European and American countries mainly is to strengthen the competition between gas supplier, gas suppliers mainly can be divided into two kinds of wholesalers and retailers, wholesalers are restrained by their national resources and the market competition, the developed countries such as America and Britain's abundant natural gas resources, the market is relatively mature, compared to the rest of the country, they have more superior domestic natural gas producers. Therefore, the supply of imported natural gas is also limited to some extent. In this way, they can regard the country itself as the legal basis to strengthen the competitiveness between suppliers and suppliers, which is an effective measure to ensure the security of supply. In order to enhance the competitiveness of retailers to a greater extent, each country has implemented corresponding measures. Some countries have phased out the dominant retailers, while some countries have gradually dispersed market share to retailers to promote competition.

In the region of the natural monopoly, mainly on the implementation of the European and American countries is economic supervision, for part of the transportation market forces formed between dealers and distributors, is bound to affect the price and the quality of the entire natural gas industry, and it also have to discount the possibility of affiliated enterprise, leading to the emergence of unfair competition. Therefore, the regulator of the natural gas industry is the government, which must have the responsibility and obligation to supervise and manage the price of natural gas transmission and distribution services, so as to ensure to the greatest extent that the legitimate rights and interests of natural gas users are not infringed by monopoly power.

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