留学生作业代写：The interactivity of modern art design

下面为大家整理一篇优秀的paper代写范文- The interactivity of modern art design，供大家参考学习，这篇论文讨论了现代艺术设计的交互性。现代艺术设计的“交互性”注重于文化归属感、认同感的发掘与关注。随着国际设计风格受到受众的质疑与抵制，以强调个性化、民族风和文化认同的艺术设计成为设计的理念。本土文化在不断的积累和沉淀中融入了风格迥异的人文情结，各个地域在不同的历史阶段孕育了特有的审美情趣、审美理想和审美追求，表现出了独特的地域和本土化特征，这些鲜明的本土性格、精神和认同是每个人拥有的情感需求。

With the constant change and development of the social context, it becomes more and more important to inspire the humanistic thinking and the emotional resonance of the audience in contemporary art design. "User-research" User research in art design and "human-centered design" are the people-centered research, which has become the focus of art designing field. The concept and category of "interactivity" in the field of art design is closer to the essence of the concept of "interaction"-"mutual", and the "interactivity" of art design expands to the communication category of the audience interaction feedback.

"Interaction" as an imported word, translated as "mutual". This concept is widely used in computer application, its meaning is mainly the object of participating in activities, can communicate with each other and interact with each other. In other areas of research, the definition of "interactivity" is more widely defined, and the meaning of interactivity in different research categories differs. Baidu Encyclopedia explains this concept: interactivity is mainly used in computer and multimedia fields. Human-Computer Interaction: The study of the design, evaluation and implementation of interactive computing systems for people to use and research on these phenomena. Man-machine interface: It is the media and dialogue interface between man and computer to transfer and exchange information, and it is an important part of computer system.

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In English, the meaning of "interactive" is interaction and influence. In the field of modern art design, the "interactivity" of art design is introduced with the concept of communication science, and the concept of "interaction" in the field of software and web design is the first, which is widely used in the field of modern art design. With the help of modern art design semantics, we can deeply experience the "interactivity"-Design of modern art design as the organization of symbol and symbol structure, is the ' coding ' process, which is given to ' meaning ', and the user is viewed as ' decoding ', so that ' meaning ' passes through the decoder ' Objects ' reach the decoder, the design is ' the composer ', the user is ' the reader ', as people communicate through language. The degree of real-time participation is closely related to the audience's willingness to participate and the organizational process of artistic design. To observe the generation of artistic design works from the whole process, it has the following development path: The designer of art works sends the message to the audience through the work, and according to the audience to the message acceptance degree to judge the design effect; The audience accepts the designer's message and determines the acceptance and feedback of the message through its own initiative. Through this issue-acceptance-feedback path, the designer has to establish a relationship with the audience through the "interactivity" of the work, and the level of the connection is presented as a material relation. As an example of the art design works as a material relation, art designers should first grasp the match between the work strap and the user's wrist, the work pointer and the user's eye angle from the ergonomics point of view, The user is the audience through the use of behavioral interaction and as a matter of the design of the link between the work. The other level is the spiritual relationship, is it Rolex? or Omega? or Shanghai? Foreign? or local? These factors make it in the spiritual level and the audience to establish a different relationship and different corresponding significance, this meaning, value and emotion to meet the visual conspicuous consumption of consumer identity, is the spiritual level.

Therefore, the end of the process of artistic design in a broad sense should be understood as: when the "meaning" given by the "performer" and "Code" is received and fed back by the "recipient", then the entire art design process can be called a success. The "interactivity" of design can not only influence the function of art design ontology, but also expand the extension of design in modern art design. For example, the people of art design--pay attention to the communication of people's feelings, the concept and culture of art design--pay attention to the exchange of spirit expression, pay attention to the expression and communication of native culture of art design, ecology and development of art design--pay attention to communicate with nature, pay attention to Thus, "interactivity" plays an important role in the design and expression of modern art.

The core of the participation and experiential demand of modern art design is to reserve the symbol and space for the audience to participate in the art design planning, and the symbol and space of the participatory experience are as follows:

In "Buy the senses, the belief brand" Martin Lins once said: "By the vision, hearing, smell, taste, touch understand the brand, can even directly determine the consumer subconscious purchase behavior." In the field of art design, the designers ' works and audiences ' feeling, the more participants experience the communication, the easier it is to establish intimate contact with the audience, the more they will be able to win the recognition of the audience, the value of art design and the audience's feeling of the art design in the experience. Thus, the participatory experience symbol, which is mainly played by audio-visual experience, tactile experience and taste sensation, is an important part of the expression of "interactivity" in contemporary art design.

The audience experience as the center, and the audience in the interactive product design expected to reach a broad consensus of art design can not be ignored an important part. User experience becomes the central element of art design. Wu Zhohao in the China Interactive Design experience Day event, said: Now we are in a new era of design with users, which shows that modern art design should pay attention to the interactive participation experience of the audience, and the application and development of virtual reality technology for art design to create a participatory experience provides a broader space for development, Direct participation allows the audience to fully appreciate the sense of communication and interaction, to become an art design positive feedback and participants. For example, more and more participatory interactive window display design, museum and pavilion interactive experience display design. Therefore, the full use of modern technology from the perspective of user experience to achieve the audience and art design works of full interaction and communication, more fully realize the artistic design of "interactive" expression.

The art designer needs to establish the close contact with the audience through the "interactive" content design of the works, which needs to consider the elements of "emotion" in the design, and pay attention to the construction of emotional resonance in the design, by injecting the emotion participation experience to arouse the audience's sympathetic psychology, So that the audience in the emotional participation experience to generate emotional and emotional satisfaction of emotional communication and expression. As Ziba President Thoreau Rod Fansjie, the great design work is the ability to bridge the relationship between people and their feelings, and to design great works is the process of helping people build bridges. Through the establishment of a wide range of emotional foundation and communication in the art design works, it can promote the audience to enhance the recognition and acceptance of the design brand in use, such as Google, Tencent, Baidu in the interface and home page using the audience for the holiday and traditional Chinese holiday emotional concern for the cover content design, The relationship between the people and the audience is narrowed by the emotional communication of the common sense of belonging to the national traditional culture.

Art design, in a sense, is committed to the people's life style guidance and navigation, it is not only to the present life style to give thinking, but also to the future way of life search. The core of modern art design and future communication lies in solving the development of human society in the future. The concrete manifestation is: In the art design work integrates the innovation element, carries on the innovative artistic design.

Innovative Art design is a new design thinking, combined with the creative ability of art designers, the use of human beings have mastered the relevant technology and technological achievements of the concept and creation, design in line with the current human life of the novel, Scientific, practical art and design practice activities. Creative art design comes from people's thinking about the problem and life, it relies on people's life style, and solves problems by thinking problem to build people's future life style, leading and changing people's life style. This is evident in the design work of Charles Eames and Ray Eames. From the long recliner to the multi-functional fiberglass once-forming seat, the design of Charles Ims and Renee Eames changed the way people "sit" in the 20th century. It is even possible to think that Eames's approach to sitting and the way in which everyone obeys sits.

The "interactivity" of modern art design is also embodied in the exploration and attention to the sense of cultural belonging and identity. With the international design style subject to the audience's questioning and resistance, to emphasize personalized, national wind and cultural identity of the art design has become the concept of design. Local culture in the accumulation and precipitation of the different styles of the humanities complex, each region in different historical stage has bred the peculiar esthetic appeal, the esthetic ideal and the esthetic pursuit, has manifested the unique localization and the localization characteristic, these distinctive native character, the spirit and the approval is each person has the emotional demand.

The development of global economic integration and information communication technology has made the regions pay more attention to the construction and development of national native culture in the face of international cultural shocks. From another point of view, art design is the culture of life, in the era of visual culture impact, art design works more through with the audience to establish a sympathetic region, in the communication of empathy to realize the consumption of visual local culture. Coca-Cola, for example, has incorporated the Chinese New Year's reunion elements in its art design since 2005, until now in the art of the introduction of the New Year's special edition-"reunion on this smell" "three strokes to get the Sangu of the Spring Festival" and so on in the art design has not only realized the emotional factors of humanism, but also greatly integrated the local culture. Therefore, in the design of modern art through the establishment of an effective "interactive" expression of the local culture, art design can unite a strong vitality and competitiveness.

The "interactivity" of modern art design has caused people to think about the environment and inheritance, further development of future life and space, thus paying close attention to the exchange of natural ecology in modern art design and providing further possibility for human development. The communication with the natural relationship originates from people's thinking about the future living environment, its core point is based on the sustainable development of human being, and introduces the concept and requirement of green and ecological environment protection, taking environmental performance as the starting point and destination. As one sentence: "The world created by architects should be a harmonious world that tries to weave together the past and future of life, and the most basic latitude and longitude for weaving is the line of human emotions and the natural line of people, including human beings." At present, the increasingly deteriorating environment and energy shortage under the competition of human existence has attracted more and more attention in the world, which has made it more and more important to pay attention to the "interaction" of the natural relationship in modern art design, and make it become the trend of development and the mainstream principle gradually.

In summary, in the Modern art design, "interactive" design language and expression has irreplaceable position, by paying attention to the art design of participation and experience, focus on and future exchanges, pay attention to the exchange of local culture, The core elements of modern art design, which focus on communication with natural ecology, become the indispensable part of establishing good relationship and extensive contact between art designers and audiences.

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写好Essay的“四部曲”

虽然说Essay写作比其他类型的论文作业容易，但要写好Essay还是有一定难度的。在写作Essay时，你需要翻阅大量专业论文，还要用自己的话转述，免得被当作是抄袭。其实，写好Essay只需要四个步骤，下面就给大家分享一下。

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第一步：审题

和在国内的写作要求一样，essay写作提出的第一步也是要审题。拿到你的题目后，先读一遍，把重点词圈出来。比如：analyzing, discuss, describing, evaluate, explain。然后开始联想老师上课时讲过的内容。

这一点非常重要，导师是强调不许抄袭，但是essay写作的观点最好是已经存在的，而不是你自己凭空提出来的。自己提出的观点乍看之下非常厉害，但是在导师眼里却不是这么回事。所以，审题不只是看题目，还要把题目和学过的内容联系起来。

第二步：阅读

一定要读recommend reading。如果老师没有给你阅读书目，自己可以去搜索。

怎样挑选合适的文章来支撑你的观点是一门很深的学问。简单来说，没有专家、实验、案例证明的观点在导师和考官眼里是属于没有依据的胡编乱造。所以，想写一篇高分的essay，一定要多查多读相关的论文，采用其中相关的观点。

如果想上一点提到的那样，自命不凡，老师给的reading你一个也没有用，这样子写出的论文极大可能性是跑题的，就算不跑题，老师也会觉得你上课没听课，所以给你低分。

第三步：注意细节

这里所说的细节是指你的这篇essay要做好对应的参考目录和注释，有时候长篇的essay甚至需要附录，这样既能使你的essay看起来有理有据，又方便导师查看你所提到的研究、支持材料和参考依据的真实性。

第四步：运用技巧

写essay就和议论文是一样的，目的是表达你的观点，说服你的读者，所以结构要清晰，表达要简洁。首先，可以写一句总领句，提出你的观点。然后，马上进行分条缕析的拓展，用论据来支撑你的观点。要注意，每段只能写一个观点，段与段之间要有灵活的过渡帮助读者理解。最后，用一个简洁的结尾段总结你的所有论点。

以上就是关于Essay写作的讲解， 这也是一种比较常见又十分有用的写作方式，essay写作想拿高分，这四步缺一不可。

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Paper代写：Semester system of Chinese and American universities

下面为大家整理一篇优秀的paper代写范文- Semester system of Chinese and American universities，供大家参考学习，这篇论文讨论了中美高校学期制度。高校学期制度是高校管理制度的一个方面，合理的学期制度不仅能提高高校的教学效率，也增加高校学生的知识面，促进提高学校教学质量及水平的上升。由于中美两国高校教育发展的历史背景不同，社会环境不同，高校学期制度的差别较大。大部分美国高校采用的学制是学期制和学季制，学年一般从当年的8月末或9月初开始至次年的8月结束。而中国的各类高校普遍实行两学期制，一学年分为上、下两个学期。

The term system of colleges and universities is one aspect of university management system, and the reasonable term system can not only improve the teaching efficiency, but also increase the students ' knowledge and promote the improvement of the quality and level of the school teaching. On the basis of analyzing the management system of American colleges and universities, this paper analyzes the semester system and the academic season system and its pros and cons, analyzes the present situation and reform status quo of Chinese university semester system, and puts forward some suggestions for further sending Chinese college semester system.

The semester of colleges and universities is the stage of the teaching year, which is divided into several stages of a teaching year, which is a unit of the class time, and has corresponding opening time and holiday time each semester. Different countries have different semester systems, and different schools also implement different semester systems. Because of the different historical backgrounds of the development of university education in China and the United States, the different social environment has a great difference.

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As we all know, American colleges and universities have a high degree of autonomy in administration, and the term system is different in each school. Most American colleges and universities use the semester system and quarter system, the school year generally from the end of August or early September to the next year of August, but each school according to their own characteristics of the school year registration, teaching, graduation and other matters. If subdivided, there are like trimester, mini-semester, etc., but in the United States these are semester system improvements or complementary forms.

This semester system is the most commonly used term system in American universities, with about 60% and more universities adopting this type of schooling. One school year in semester system is divided into two semesters, a fall semester and a spring semester, and a 15~16 study week per semester. Fall semester is usually from the end of August to the end of December, spring semester from the beginning of the New Year's Day of January to the end of April to the beginning of May. The semester system School also has summer session arrangement, some universities also call summer semester, approximately has several study weeks, the student may take the summer course freely, also may carry on the social practice or the vacation.

University of Florida is a semester system. From the school's 2015―2016 school year arrangement, the fall semester begins in August 2015 24 and ends on December 18, 2015, with the spring semester starting from January 5, 2016 to April 29 and most of the courses scheduled for the fall semester and the spring semester. The school also arranges summer courses ranging from 6 weeks to 10 weeks. Many students take advantage of summer school credits, internships and jobs.

American colleges and universities adopt a less term system, about 20% of which are used by schools. The school season system divides one school year into autumn Quarterwinter quarter, Spring Quarter and Summer quarter, each semester about 10 weeks. The fall semester is from September to December, the winter semester is January to March, the spring semester is April to June, and the summer semester is July to August.

Schools using the school season system are mostly in the West coast of the United States, including Oregon State university, university of Washington, stanford university, universities of California. such as Stanford University to implement the school season system. From the school's 2015―2016 school year arrangement, the fall semester starts from September 21, 2015 to December 11, and the winter semester begins on January 4, 2016 to the end of March 18, and the spring semester starts from March 28, 2016 to June 8. Summer Semester courses from June 20 to the end of August 13, in the middle of the semester will be scheduled for each semester registration, achievement recognition, award degrees and so on.

To sum up, the various semester systems of American universities have advantages and disadvantages. Semester system of each semester is relatively long, students can learn more in-depth courses, each semester there is a week or so of the review time students can get higher grades, while with the classroom professors for better communication. In contrast, the school season system is more compact, students need to complete the 3~4 course in about 10 weeks of study week, while the semester-system schools in 15 study weeks to complete the same number of courses. Therefore, the grades of students in the school season system can not be equated with the grades of school students in the semester system, and the same GPA cannot be obtained. However, from the angle of the students ' financial burden, the students of the school season system can pay tuition fees three times a year, and the school semester system needs to be divided two times, so the economic pressure is relatively small.

In the management system of Chinese universities, it is the management system to plan and supervise the affairs of colleges and universities. Chinese colleges and universities are divided by the ministries and local governments to manage the relevant colleges and universities. The competent departments at all levels guide the development direction of universities, formulate relevant policies and supervise the related affairs of colleges and universities. Therefore, the Chinese university semester system's autonomy is relatively weak.

The two-semester system is widely practiced in all kinds of universities in China. The school year is divided into the upper and the next two semesters, the first semester from the end of August September to the second half of January, from the end of February March to the beginning of July. 20 teaching weeks are usually arranged for each semester. Chinese college students in the school time is relatively concentrated, the national college opening and vacation time is also relatively unified.

In the arrangement of each semester, strict rules from freshman to senior students of different grades need to learn content, as long as the same professional students in the same grade of the content is consistent, this and American colleges and universities students to choose the course of choice is different. As a result, Chinese colleges and universities have a very regular enrollment and graduation, except for a very small number of students, will be in the school minimum age of graduation.

With the development of social and economic situation, Chinese colleges and universities began to enlarge the enrollment quantity in 1999, and the scale of colleges and universities began to become huge. The rapid expansion of university scale has aroused the concern of all circles of society, and some universities have begun to reform the teaching system including semester system.

In the term system reform, most Chinese colleges and universities adopt the "three-semester system", namely "two long and one short" semester system. This three-term system divides one year's school year into three semesters, the first semester from mid-September to the beginning of two weeks before the Spring Festival, the second semester from the end of February to the end of June, and the third semester from July to September. This makes the original teaching arrangements for time to become compact, increase the daily class time, such as the original 10 classes into 12 classes each day, winter vacation length remains unchanged, the length of the summer vacation, that is, the original summer into the third semester. From the course arrangement, the first and second semester of the main curriculum planning basically unchanged, increased the third semester teaching content. From the situation of the participating colleges and universities, some schools arrange public elective courses, frontier or cross courses in the third semester, such courses generally do not require students to master a solid knowledge, only need to understand the content can be, and some schools have arranged practical courses, scientific research, etc. Arranging students to practice in the social practice base or the school laboratory; some schools have arranged the lectures and open classes of famous scholars at home and abroad.

The reform of the term system of colleges and universities in China has its positive significance. First of all, after the reform of the semester system, the degree of freedom of elective courses is increased and the students ' interest is increased. Second, the term system reform, so that students can have more opportunities to participate in practical activities, exercise students practical ability. Finally, the three-semester system reform in colleges and universities will provide experience for the further reform of semester system, and provide more experience from the adjustment of school curriculum and the integration and utilization of teaching resources.

But this kind of reform also has many drawbacks. One is that the term system reform is only a formality, but the teaching period has changed, but in the teaching content and effect unchanged. For example: Some colleges and Universities third semester course is mandatory, therefore, appears one months "to deal with the point to, to deal with the homework, with the teacher to plead, with the score game" and so on phenomenon. The other is that the term system reform does not take into account the actual development needs of students, such as some students want to travel but because of the third semester was forced to cancel, some students of foreign laboratory projects because of this third semester course was delayed, and the students prepare to take an examination can not concentrate on time to study.

According to statistics, there are more than 50 colleges and universities in the three-semester system in China, although the proportion of the total number of universities in the country is not large, but also for the college semester system reform carried out an effective attempt.

Chinese colleges and universities in the semester system reform has carried out a tentative reform, accumulated some successful experience, in the future further reform should pay attention to the following points.

The reform of college semester system is not simply to shorten the length of the long process, nor to reduce which one to increase the problem, it is a university or even a management department to use a comprehensive sense of planning issues. The change of a teaching semester in colleges and universities, in addition to the students to change the study time, the more important thing is to adjust the relevant teachers, the university teaching auxiliary departments, the Logistics Department of the working hours, including people, Wealth, materials, information and co-ordination arrangements.

The reform of semester system should be in parallel with the reform of other universities ' management system, especially the credit system, curriculum examination System, admission and graduation system, tuition fee system and so on. From the United States semester system situation, the change process is mainly concerned with the social needs and student needs and the development needs of colleges and universities, because the flexible use of different semester system, to reduce students ' economic and learning burden, to provide more people with the opportunity to receive higher education.

Many domestic colleges and universities semester system reform is a formality, follow the leadership of the performance, this reform is harmful and not benefit. Therefore, the reform of the term system should be substantive, from the actual needs of students, to cultivate high-level talent-oriented, reasonable arrangement of teaching resources, set the relevant semester teaching content, improve students ' scientific and technological literacy.

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Paper代写：Chinese and Japanese cherry blossom culture

下面为大家整理一篇优秀的paper代写范文- Chinese and Japanese cherry blossom culture，供大家参考学习，这篇论文讨论了中日樱花文化。樱花，在中日文化中存在着不同的内涵，不同的意象。在美学意义上，中日的樱花文化中，都体现着一种纯洁、壮烈和高洁的美感，但是中日樱花的意象在文化上的传达还是有着一定区别的。

For the contemporary Japanese, if say "flower", that is refers to the cherry blossoms, can be seen in the eyes of the Japanese cherry is how unique. The Japanese nation's blood is constantly surging in the cherry blossom complex, and as a national symbol, has been deeply rooted into the Japanese culture, forming a variety of unique images.

In China, cherry blossoms have a long history of planting, in the ancient books, we can find the cherry blossom point of trace. "Cherry" A word, the earliest seen in the Tang Dynasty of Li Shangyin's verse: "Where the sad Zheng with the emergency tube, Cherry Wing Lane hung Yang Shore", since also a poet repeatedly mentioned. However, it is a kind of cherry blossom, but there are different connotations and different images in Chinese and Japanese culture.

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Cherry blossom is the national flower of Japan, but also one of the representative aesthetic signs in Japanese culture. The Japanese sense of beauty is closely linked to cherry blossoms.

"Ancient and modern" is Japan's first and song collection, included in the "Wanyae set" after the outstanding and song about 1100, the song focus on the exact number of Sakura and song has been controversial, but can be summed up the cherry blossom intention of roughly four species, respectively, is a chant alone, with the spirit of Japanese bushido linked together, The collective consciousness of the Japanese nation and the sigh of life impermanence of the four categories.

Early in the Japanese Nara period, the peace period, many people began to use cherry blossom as a wide range of subject matter and was recorded in a large number of songs, but the early cherry blossom in Japan is far less popular than the plum Blossom, "Wanyae set" in the poems included cherry blossom theme is far less than plum. To the shogunate period, the Japanese Bushido spirit began to prevail, Sakura became the symbol of the spirit of Japanese Bushido, died and died became a unique image of the cherry blossom in Japanese culture. In the Edo period, because of the widely acclaimed Japanese sinology, cherry Blossoms began to take root in the soil of Japanese culture and national spirit, for example, Japan's special attack aircraft also named Cherry Blossom, and many Japanese songs also reflects the theme of cherry blossoms, such as "the ability of the infantry", "Ah, red blood in the Burning", "the same period of Cherry" and other songs , are the full reflection of the cherry blossom theme.

"Ancient times and songs," The Cherry song, the image of the cherry blossom in the "impermanence of Loneliness" on the level of more, most of the performance is four layers of content, the first is the impermanence of love, the second is the perishable of good things, the third is not appreciated, four is lonely. In the song focus, for the cherry blossom Close-up does not do a specific description, most of the cherry blossoms are depicted as a whole, and almost no independent image.

Until Sakuma Xiangshan wrote "Cherry Fu" appeared, the mountain Cherry has an independent image, and this image from the aria into a self-conscious, which is mentioned above "not be appreciated, unable to exert political ambition", but from the overall description of the cherry blossoms, can also be seen in the collective consciousness of the Japanese, of course, in Japanese culture, the image of cherry blossoms, There is also the nature of the chant of grief. In the "Flat Home", the rise and fall of the flat clan description, cherry blossom, cherry blossom fall, are representing a kind of feelings of grief. Edo era of the National Sinology home Xuanchang on the chant: "People ask the island Yamato Heart, Asahi Brilliant Mountain Cherry", is the cherry blossom as a "thing mourning" as the keynote of the Japanese spirit of the specific example.

Cherry can also borrow refers to the beautiful woman, in the original West Crane's "green vegetables shop owner's story" Inside, the protagonist Abi compared to the cherry blossom, although it is premature withered, but is the United States to the extreme, began a new era of cherry culture. Du Watanabe's "cherry Tree" borrowed cherry blossom to describe the feminine, and the use of sex demon beauty, demon charm to carry on the finger, so from a number of Japanese novels, cherry Blossom can also refer to love, beautiful woman.

According to the Japanese authoritative monograph "Sakura da Jian" records, cherry blossoms, originated in China, native to the Chinese Himalaya. Therefore, Chinese culture is not without a description of cherry blossoms, although it may not be many, but the cultural imagery it represents is relatively distinct.

The Western Han Dynasty fu everybody Yang "Shu is endowed" has "be to cherry, plum, tree to Mulan" record, here cherry and does not mean. But Plum blossom, Mulan in ancient China has been a noble, elegant representatives, so will cherry and plum, Mulan with the column, you can also see the ancient bestowed on the cherry blossom Quality, is noble and elegant. In the Southern Dynasties of song, Wang Yunda Poetry: "When the first cherry Move Yan, good algae Fai Fang, Zuxiang leaves do not open bud, Safflower has been glowing," this poem has no sentimental meaning, and the expression is a beautiful spring under the joy of mood.

There are more cherry blossoms in the Tang Dynasty, for example, Li Shangyin and Bai Juyi are more fond of describing cherry blossoms, which can be seen in the courtyard of the Tang Dynasty. Bai Juyi has a poem "Small garden new species of red cherry tree, busy around the flowers easy to swim, the meaning of the small garden in the home of a new species of red cherry trees, leisure to go around the garden in the park to walk on the outing when the outing, describing a leisurely complacent garden feelings, expressed is also a kind of appreciation of the natural leisurely attitude. However, in his "Untitled Four", Li Shangyin Cherry blossom has become another image, representing a decline of the scene, the whole poem is sad, Cang, sad, will cherry blossom and wind and rain, such as the sad Zheng, but also represents the cherry blossom although very beautiful, but the beautiful but not much of such a pity.

Li Yu "Shei Wen" mentioned the cherry blossom, it is obvious that acacia, loneliness and other maudlin. In the Southern Song Dynasty Choshi's "picks Mulberry Son" to the cherry blossom carries on the description, is the whole piece to carry on the description, with color and "hundred" to describe the appearance of cherry blossoms, the use of the overall image, to express the beauty of the cherry blossom, but after a hopeful, suddenly changed a turn, began to hurt the mood of spring. Su's "Gift of the singer" in the selection of cherry blossom as a singer singing a vivid expression of a backing, here, the image of the cherry blossoms is soft and loving, a kind of thing that is softer than the song, and the poet's praise of the beauty of the Cherry blossoms is also expressed here.

Although in the aesthetic sense, China and Japan's cherry blossom culture, embodies a kind of pure, heroic and noble beauty, but the image of the Chinese and Japanese cherry blossoms in the cultural communication still has a certain difference. Chinese and Japanese Cherry blossom cultural image of the same point: the pity of the cherry blossom itself presents the feeling of regret. In the "Yin" praise, Tanizaki Matsuura once showed his attitude to Sakura, "even if a solitary cherry, is also very beautiful." As long as the flowers bloom "," as long as the heart, why train, tram fatigue, can be described as the end of the sea where there is no grass. This also fully shows the author of the Cherry Blossom attitude, he thought that no need for empty ritual, as long as can feel the beauty can, this is a typical oriental aesthetics, and different from Western aesthetics to obtain beauty. This is also expressed in Chinese poetry about cherry blossoms, in fact, is a feeling of sentiment, such as the former mentioned Bai Juyi has a poem "Small garden new species of red cherry tree, busy around the squid easy to swim", such as Shirion's poem so described, "February grass Fifi, mountain cherry blossom is not sparse." The Golden Pond Wind Day is good, where does not depend on each other, these are the Oriental esthetic sense to form a kind of sentiment beauty image.

In Japanese literature and art, the theme of eternal chant is to enjoy flowers, and cherry blossoms are also the most perfect imagery expression in this theme. The beautiful and perishable life image of cherry blossoms has brought great influence to the development of Japanese literature and art, and in the current Japan, there are still many people who have pinned their life feelings on Japanese culture. From the sadness to the whole process of mourning people, Japanese literature and art, often sing the praises of flowers to protect flowers cherish the voice. The ancient Japanese song once had a song cloud: "Cherry blossom so the crown, meaning that the beauty of the cherry blossom is the United States in her can not be long, but also the" take off your shoes to bed today, do not know whether the Ming dynasty can wake up "of the ancient song, which contains a unique Japanese people, the tragedy and compassion for things. This kind of sadness and compassion can be interpreted as compassion, pity, touching, feeling, compassion, and magnificence.

Kawabata gave this sad sympathy to the heroine of his work, especially the lower-class women. He put their sadness, description of pure and transparent, not mixed with a hint of distracting thoughts, molded a moving image of artistic beauty. And in China, the southern Tang Yu once wrote, Good night promotion, incense dust green, soul to fan, tan eyebrow half convergence worry low. No, the heart first swallow, want to language feeling difficult to say. Out of the grass, road things. Swing sleeve Li, Spring breeze, cherry blossom willow rain. The Japanese will see Sakura as the embodiment of the great, is the symbol of spring, but also reflects the Japanese people a lot of cultural connotations, such as Sakura, cherry, such as the rain, such as the Japanese national language is a relatively unique phenomenon, but also embodies the Japanese to cherry blossom aesthetic feelings. Cherry Blossom in Japan is the embodiment of beauty, is a flower like the existence of God, so the Japanese once called "flower" refers to cherry blossoms.

Japan's Bushido spirit and the sudden fall of the cherry blossom link, there are many Japanese young men and women feel it at the best time wither, very beautiful. And in China, because the life values with Japan are very different, in China, pine and cypress and other plants to symbolize life, so in different values, Chinese culture of the cherry blossom enthusiasm from the indifferent quality of enthusiasm, such as cherry blossoms are often falling in a moment, no worries. And the cherry blossoms are usually small flowers, lovable, also more demure elegant. The Japanese love the beauty of cherry blossoms, love the purity of cherry blossoms, love the short of cherry blossoms, and experience the sadness of life's short and sad, sigh decidedly heroic and poignant exit. such as Kawabata's "ancient capital", with a faint sadness of the Giangio, depicts the joy of the sisters and tears scene.

The Japanese often associate cherry blossoms with warriors, the Japanese believe that there are several characteristics of cherry blossom and samurai characteristics are very similar, such as the collective spirit, the Japanese pay great attention to the collective spirit, and earlier some cherry Blossom song collection, poetry, the image of the cherry is a piece, a piece of description makes the cherry blossom appears to be a collective, in this Common. The Japanese people think that the cherry blossom is very splendid, alive and dead should be like the cherry blossom-like brilliant, and cherry blossom in the most beautiful time falling, is a high praise of life, and the Japanese Bushido Spirit also believes that the group withered is a kind of no yet glorious, is embodied the cherry blossom to Japanese culture, the bushido of the collective unity, The influence of the thought of glorious suicide. In "Ancient and modern times and songs" in the Yong Ying and song began to see the withered cherry blossom as a kind of beauty, and by the fall of the cherry blossom of the beauty to express the impermanence of life and death of the feeling, from this can be spied on this beauty consciousness of the embryonic.

Although the Chinese also love the beauty and net of cherry blossoms, but more love her holding group Qi put the Spirit of solidarity, love her scattered into the mud of dedication, from her experience of the millennium honed a kind of tenacity, from her wish to put down all in the Sheng feel that indifferent transcendent realm.

Through the text of the writers such as ancient and modern, Watanabe, Li Shangyin and so on, the author analyses the Cherry Blossoms and their implied cultural imagery, compares the differences between the cultural images of Chinese and Japanese cherry blossoms, and concludes that the aesthetic images formed in Oriental aesthetics, The pity image of the cherry blossom and the appreciation of the spring of the cherry blossom is consistent between China and Japan. The main differences between the cultural imagery of Chinese and Japanese cherry blossoms are: Japan embodies the spirit of Bushido, the mentality of grief, collectivism and the unique concept of life and death of Japanese in the image of cherry blossoms, while China embodies a pure aesthetic in the image of cherry blossoms, which is more present: unity, noble, gentle and indifferent beauty of tranquility.

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Essay代写：The artistry of luxury goods

下面为大家整理一篇优秀的essay代写范文- The artistry of luxury goods，供大家参考学习，这篇论文讨论了奢侈品的艺术性。奢侈品的艺术性，即奢侈品中的感性力量或审美价值，要对此进行论述，我们就必须对美学进行重新认识。因为传统美学强调的是一种艺术的或美学的自律，强调审美的纯粹性，按照传统美学的原则，为功用性而设计的商品是不可能具备审美价值或艺术性的。但是，不可置疑的是，消费社会下的众多商品，尤其是奢侈品，是存在着摄人心魄的感性冲击力量，而这种感性力量对人的击中，正是艺术的力量。

It is a modern phenomenon that luxury goods enter art galleries and exhibition halls. To this phenomenon, the existing research is mainly based on the extensional analysis, the lack of the ontology of luxury goods, can not face the aesthetic value of the form of luxury. This paper attempts to look at luxury goods in terms of the function of design, the sense of object and the value of meaning, analyze its value composition, and highlight the perceptual power of luxury goods. And with the extensive connotation of art and the Art of modernity as the starting point, to demonstrate the artistry of luxury goods and the rationality and legitimacy of the entry into the museum.

In recent years, the phenomenon of luxury goods entering museums and art galleries has been popular for many people. People's attitude towards this phenomenon is mixed: affirmation, questioning, negation, criticism, etc. The controversy over whether luxury goods can enter art galleries, enter art galleries, and whether luxury goods can already belong to art is opinions.

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In fact, China has become a global consumer of luxury goods, China's overseas luxury consumption in 2010 amounted to 50 billion U.S. dollars, in fact, has become the world's largest consumption of luxury goods. The pursuit of luxury goods has increased, although in recent years the luxury market has been sung decline, but 2015 China's luxury market total capacity will still reach 255.2 billion U.S. dollars. However, in recent years, many people questioned and dissatisfied with the exhibition of luxury goods into the art gallery. And, to the luxury exhibition caused by the public sought after, expressed puzzled and surprised.

At present, the research on luxury goods belongs to a kind of epitaxial research, such as luxury concept research, luxury consumption psychology research, luxury culture research, and so on, mostly by social criticism, cultural criticism, psychological criticism and so on. Even with moral or social ethical values, the luxury and luxury consumption of the critics, but the real luxury of the ontological study of the discussion is relatively rare.

The above shows that, on the one hand, luxury goods do have a heart-stirring quality, whether it is on the counter luxury goods or art galleries, many people have high enthusiasm for them. However, people's understanding of art and artistry is too narrow, lack of enough knowledge about the artistry of luxury goods, and the prejudice of people to luxury goods hinder the positive look and study of luxury goods.

In fact, the entry of luxury goods into the art museum is a modern aesthetic phenomenon, which is inseparable from modern democratic politics, market economy and culture. The controversy over the entry of luxury goods into art galleries involves the understanding of artistic connotation and the transformation of traditional aesthetics in modern times.

The art of luxury goods, that is, the emotional strength of luxury goods or aesthetic value, to discuss this, we must have a new understanding of aesthetics. Because traditional aesthetics emphasizes a kind of artistic or aesthetic self-discipline, emphasizes the purity of aesthetics, according to the principle of traditional aesthetics, the goods designed for the purpose of function cannot possess aesthetic value or artistry. However, it can not be doubted that the consumption of many commodities, especially luxury goods, is the existence of the impact of the emotional shock force, and this perceptual force on people's hit, it is the power of art.

Back to the original definition of aesthetics, "aesthetics originally came from the Ancient Greek word ' aesthésis ', intended to be ' sensory perception ', so aesthetics should be positioned to include all sensory connections between man and the world. In short, the perceptual interaction field of the whole sensual world. In this way, the aesthetics of things includes all aspects of the relationship between the person and the world, which not only concerns vision, but also the adjustment and interaction of hearing, touch and the whole body, atmosphere and so on. "So, as long as it is able to interact with the multi-dimensional perceptual interaction of the design or human creations, are of aesthetic value."

The luxury goods enter the art museum as a commodity, is the life world and the art world between the boundary unceasingly blurred the important embodiment. In fact, there have been several major stages between the world of life and the art world. There is no distinct separation between the world of art and the World of life in primitive societies or ancient society. The separation between the living world and the art world is a kind of modern phenomenon, whose symbol is the construction of the boundary of life and art, and the dissemination of the concept and knowledge of this boundary. In contemporary aesthetic culture, the two-yuan separation of art and life has two basic structural orders: the first is the aesthetic culture of the active region with pure artworks. The second is to have aesthetic meaning of the non-art as the carrier, with the general life of the world as the active region of the aesthetic culture. The luxury goods as a non-pure art to enter the museum of art, it is reflected the boundaries of the arts and life gradually blurred, but also reflects the aesthetic from self-discipline to "the aesthetic of everyday life."

In addition, as the design of luxury goods to have artistic or aesthetic value, in addition to the emotional strength of the article itself, but also depends on the aesthetic "practice" of society. As George Dicky's 'convention' shows, the most important thing in art practice is the custom of aesthetic attitudes. As long as there is a recognition of the industry's aesthetic attitude, there will be a common social aesthetic expectations. As long as the object is artificial, it can be called 'art'.

When luxuries are exhibited in art galleries, the functional relationship between people and luxuries translates into a relationship of appreciation and appreciation. Because of the transformation of this relationship, it leads to the appearance of the object and the direct encounter of the human feeling, which is a kind of encounter between the human's instinctive feeling and the object's form, and is the perceptual force or the emotional impact of the object's appearance. At the same time, it has broken the boundary between the daily life and the art, has impacted the traditional art system on the artistic boundary, liberated the people's artistic creation ability and enlarged the scope of people's aesthetic activities.

Luxury is an adjective, can refer to a luxury, can also refer to a service or experience. The important feature of luxury is scarcity, for example, when time is no longer freely available, a small amount of disposable time can become a luxury. The basic characteristics of luxury goods are scarce, not daily, pleasing, expensive, high symbolic value.

Several characteristics of luxury goods according to the three-dimensional coordinates of the value of the design, the scarcity of luxury materials and technology is the basis for the formation of its functional and formal aesthetic. The special texture of the material itself, as well as the appearance form design on the basis of function, all embody the opening of the luxury in the sense level, that is, the aesthetic value dimension of luxury goods. On the basis of function and form, the meaning value of cultural sense, identity symbol and style atmosphere is the meaning dimension of luxury value.

Many luxury products Choose crocodile skin, lizard skin, ostrich skin, skin, python skin and carbon fiber, glass fiber, crystal, gold, diamonds, jewelry and other rare or valuable materials, these materials choice in addition to functional considerations, but also related to the luxury value of the sense of things and meaning. In other words, the luxury of the function, the sense of things and the meaning of the three inseparable, and can be transformed into each other. For example, the alligator leather material selected for advanced leather goods, in the functional level to enhance the wear-resistant leather goods, increase the service life of leather goods, at the same time, crocodile skin showing the special texture and with the use of time, the use of different ways, and the formation of a special luster and unique sense of experience, is the form of luxury and aesthetic level and significance of the In addition, because of the scarcity of crocodile skin, resulting in the increase of production costs and sales prices, for the luxury marketing of identity symbols and cultural value of the opening provided a condition. In a word, the pursuit of the maximization of meaning on the basis of function and material sense is the main feature of luxury goods, while the sense and function make it possible to open and expand the meaning.

It is human nature to highlight a personalized ego. Traditional society, people's various aesthetic pursuits, so that the theological or ethical ethics in metaphysics, in the entry into modern times, so that the universal equality of citizenship as the cornerstone of modern society, people no longer listen to others and aesthetic, but the pursuit of personalized, liberalized aesthetic. At the same time, with the advent of consumer society, with the production of a large number of goods, commodity landscape becomes the basic landscape of the world today, we are surrounded in the jungle of goods. But, in a consumer society, the production of industrial reproduction products began to be homogeneous and homogeneous, which resulted in the people's desire to pursue the personalized aesthetic in the commodity, and the luxury goods, because of their high symbolic value and excellent functional quality, became the perfect thing to flaunt individuality and to highlight the self meaning.

Luxury goods emphasize the rarity of materials, and the form of beauty based on material and function, because of the choice of rare and expensive materials. On the one hand because the properties of these materials themselves, can meet the luxury of the pursuit of special functions, such as carbon fiber with high-strength and low weight, is to meet the super sports car speed, rugged, lightweight requirements of the choice. In addition to functional considerations, these materials are rare in the world, and some materials require complex processing processes, which creates scarce and expensive properties of luxury materials that determine the limits of the number of luxuries. This makes these luxuries only to be owned by a small number of people, thus leading to luxury in the sense of a certain identity, status and uniqueness of the characteristics. And these characteristics are the modern people diligently pursue, because this kind of uniqueness satisfies those who the luxury consumer crowd to the individuality style, the atmosphere, the sentiment request.

In addition to material, design, function, many luxury products are also fully retained or part of the retention of a feature, is the hand-made technology. Compared with industrial machinery production, handicraft is obviously a relatively inefficient production process. However, in the case of industrialization, standardization and mass production, items with manual traces are considered to have a unique, non replicable Halo. This halo has been repeatedly described as a brand myth by the merchant and accepted by the people. Based on the pursuit of personalized and unique meaning, even in the case of increasing production costs and production cycle, luxury still retain a part of the manual process, moreover, luxury goods are different from the general production of large quantities of industrial products, luxury luxuries and prices will increase with the production cost and time increases.

People's pursuit of individuality has undergone significant changes in the consumer society. On the one hand, in the consumer society commodity homogeneity increasingly serious situation, people to the individuality, the atmosphere, the meaning pursuit is more urgent, on the other hand, the consumer society and Commodity's intrinsic logic, also makes the commodity becomes the people to divide the identity the tool. For the latter, mainly because, in the consumer society, although the consumption relationship has become the foundation of all kinds of social relations, and the operation Logic of consumer society is a free, voluntary trading exchange. However, between the products due to function, the great price difference caused by the difference of the value of beauty, meaning and so on, will cause a helpless consequence: in the human and the thing, the human relations level, people will divide between the person and the identity class difference by the difference between the purchase, the use, the own commodity, Commodities at some level began to become a tool for people to divide their identities and classes freely. This is especially true of luxury goods, which is one of the reasons why the public is attacking luxury goods.

However, we should not deny the value of luxury to modern sense experience because of the identity of luxury goods. Because, the orientation and division of identity is only one kind of meaning experience. What's more, our expectation and longing for luxury goods, the anxiety and disappointment that we cannot get, and the joy and imagination we have after. These feelings and emotions are the affirmation of the perceptual subject, the affirmation of the whole existence of the subject, and the slow flowing of the emotional life.

Luxury goods, for us, is not only a matter of demand or identity and status of the pursuit, but the luxury of the form of beauty and significance of the quest, thus reflecting the needs of the modern people of the perceptual strength, personalized, stylish pursuit of the style atmosphere and the yearning for a better life, All these embody the flow and stretching of our inner life and inner feeling. In this sense, the perceptual power of luxury goods has a value and significance to our modern life ontology.

In real life, whether the producers of luxury goods, sellers, or consumers of luxury goods, researchers, they always like in the name of luxury in art, the luxury of the artistic value of the vague and generally praised as artistic, cultural, quality, noble sense, design sense. However, about the art of luxury in concrete embodiment, people are vague, the relevant exposition also appears to be vague, lack of strength.

In fact, the consumption of luxury goods in society, in addition to perfect functional, extremely high symbolic value, and its breathtaking form of beauty is also a luxurious luxury of the important material quality, this quality is also the fundamental source of the art of luxury. In the design of the value of the coordinates, the so-called moving the hearts of the form of beauty, in fact, the luxury in the physical sense of the innovation and open, that is, the affirmation and creation of new feelings, this creation represents the new sharpness of human feelings and sensitivity.

The artistic luxury of people's emotional hit, different from meditation, meditation to impress the trance, nor is it a cognitive view, but the form of goods to the human perceptual subject of the instant hit. Simply put, in the view of the moment, the form of energy to hit the emotional subject powerfully, resulting in an emotional tremor, the eyes of a bright, heart flash, this is the formal aesthetic sense of the moment subjectivity affirmation.

This affirmation, is a kind of unconscious, the form of the meaningless understanding is intuitive, is the item form to life inner feeling of whole, instantaneous hit. For example, when we see a super sports car, in front of the body is the overall design of the modern sense of quality: large area, simple, integrated streamline modeling, sharpening the smooth surface, minimalist body lines, emitting a metallic luster color, low volt, ready to send before the feeling, These are the direct impact of the car's own form on our sensibility. Not to mention the identities and status that those brands represent, lightweight car body, large engine, and very low wind resistance coefficient brought by the speed of driving experience, as well as ergonomic core of the leather driving seat, mixing and powerful exhaust noise, expensive rare carbon fiber, ceramics and other functional materials, Unique Manual traces ... These visual, auditory, tactile qualities and interaction with human body and atmosphere are the aesthetic value of luxury items as designers.

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