"De-"

Neo-postmodern-schizo
-eclectic-style.
You can't know whether rosian iconism
,at center we can find black cross
such as kajimirmalevich,
or chinese communism
,against mao Warrior ,
or late capitalism
,from description
You can see letter
"All value got demoted"
"Nothing to us"
"No music our life""De-".
You must think this is Kitsch.
(Kitsch /kɪtʃ/ is a term of German or
Yiddish origin that has been used to
categorize art that is considered
an inferior, tasteless copy of an
existing style. The term is also
used more loosely in referring
to any art that is pretentious
to the point of being in bad taste,
and also commercially produced
items that are considered trite or crass.)

休憩&rest

The Great Meireki Fireof 1657 destroyed over two-thirds of Edo's buildings, including Honganji temple in Asakusa, the enormous Kantō headquarters of the Jodo Shinshu sect. As a result, the temple site was relocated to Tsukiji, where many of the residents of nearby Tsukudajima were instrumental in its reconstruction. A number of other temples were also erected on what is now the outer marketplace. In addition, many private residences for samurai and feudal lords were constructed along the southern edge of Tsukiji. In 1869, Tsukiji was designated as an approved residential area for foreigners.
The Great Kantō earthquake on September 1, 1923, and the resultant fires which raged in its aftermath, caused incalculable damage throughout central Tokyo. A significant portion of the Tsukiji district burned to the ground, and the old Nihonbashi fish market was completely razed. In the citywide restructuring following the quake, the Nihonbashi fish market was relocated to the Tsukiji district, and after the construction of a modern market facility, reopened in 1935.Tsukiji is built on reclaimed land out of what were once lowland marshes along the Sumida River delta. Throughout the Tokugawa period, earth from the shogunate's extensive moat and canal excavations was systematically used to fill in the marshes along the river, creating new commercial districts and waterfront housing.Tsukiji (築地) is a district of Chūō-ku, Tokyo, Japan, the site of the Tsukiji fish market. Literally meaning "reclaimed land," it lies near the Sumida River on land reclaimed from Tokyo Bay in the 1700s, during the Edo period.
There are also districts named Tsukiji in Kobe and Amagasaki, cities in Hyōgo Prefecture, although neither are as well known as Tokyo's.

Ann Philippa Pearce

OBE (b. Great Shelford, Cambridgeshire, 23 January 1920; d. Durham, 21 December 2006) was an English children's author. Born in 1920, the youngest of four children, she was brought up in the Mill House in the village of Great Shelford, Cambridgeshire. Starting school late at the age of eight because of illness, she went to the Perse School for Girls, Cambridge, and went on to Girton College, Cambridge, after winning scholarship to read English and History there. After gaining her degree, she left university and moved to London were she found work as a civil servant before beginning to write and produce schools radio programmes for the BBC, where she remained for thirteen years. From 1958 to 1960 she was children’s editor at the Oxford University Press and then, 1960 to 1967 at the Andre Deutsch publishing house. She married Martin Christie in 1962, who never having fully recovered from being a Japanese prisoner of war, died two years later, shortly after the birth of their only child, Sally, who was to become a children's author herself. From 1973 until she died from complications of a stroke in 2006, the author lived once again in Great Shelford, down the same lane where she was brought up. Writing career In 1951 she spent a long while in hospital, recovering from tuberculosis; during this stay she passed the time thinking about a canoe trip she had taken many years before. This was the inspiration for her first book, Minnow on the Say, published in 1955. Like several of her subsequent books, it was inspired very clearly by the area where she had been raised, with the villages of Great and Little Shelford becoming Great and Little Barley, Cambridge becoming "Castleford" (nothing to do with the real town of the same name in West Yorkshire) and losing its university, and the River Cam becoming the River Say. Her next and most famous book, Tom's Midnight Garden (1958), has become one of the classic "time stories," inspiring a film, a stage play, and three TV versions. It was awarded the Carnegie Medal in 1959. The "midnight garden" was, in fact, based directly on the garden of the Mill House where she had grown up. She wrote over 30 books, including the shadow cage & other tales of supernatural,A Dog So Small (1962), The Battle of Bubble and Squeak (1978) and The Way To Sattin Shore (1983). The Battle of Bubble and Squeak inspired a two part television adaptation in Channel 4's Talk, Write and Read series of educational programming. Although not a prolific author of full-length books, Philippa Pearce continued to work over the decades, speaking at conferences, editing anthologies and writing short stories, as well as attending a reception for children's authors at Number 10 Downing Street – the London home of the British Prime Minister – in 2002. In 2004 she published her first new full-length book for two decades, The Little Gentleman............Ann Philippa Pearce the shadow cage & other tales of supernatural

skogsra

Whether directly or not, many subsequent novels and films are inspired by Levin's novel Rosemary's Baby... The Devil's Advocate (film) repeats Levin's plot-contrivances, in which another woman becomes a pawn for her husband's upward rise to fame; The Astronaut's Wife, is about a woman who is impregnated by an extraterrestrial-alien that has taken over the mind and body of her husband (Coincidentally, in both those films the subject wife is played by Charlize Theron). Similarly, the novels Lupe (1977) by Gene Thompson, and The Glow (1978) by Brooks Stanwood, share plot elements with Rosemary's Baby; the former story about a Hispanic hare-lipped boy who dabbles in the occult and reincarnates himself in the womb of his unwitting female host-victim, and the latter (in essence) about a coven of elderly New York City 'vampires' who prey on healthy thirtysomething joggers for their immortalizing blood serum. With the exception of Lupe (San Francisco, CA), the individual storylines of these aforementioned films and novels largely take place in New York City; the protagonist couples are young, upwardly mobile, and acquire choice residency near Central Park (as in Levin's novel, the spacious "classic" floorplan of the Woodhouse couple's Bramford apartment).
Guy and Rosemary decide to conceive their first child. On the night they plan to try to conceive, Minnie Castavet stops by with a special treat - chocolate mousse. Although Rosemary eats only a fraction of her portion, she soon begins feeling woozy and dreams that she is being raped by something not human, while her elderly neighbors watch. The next morning, Guy tells her that she just had a bad dream.
Soon after, she discovers she is pregnant; at the same time, Guy's acting career suddenly begins to thrive. The pregnancy is very difficult at first; Rosemary endures terrible, continuous pain. As the months wear on, the pains ease but Rosemary begins to suspect her elderly neighbors are not the kindly souls they appear to be. After receiving a warning from a friend, she discovers her neighbors are the leaders of a coven of witches, and she suspects they are after her child to use it as a sacrifice. However, she is unable to convince anyone to believe her. Eventually, she finds out the horrible truth, that Guy allowed the devil to impregnate her in exchange for a successful career. She is informed that she is the mother of the long-awaited anti-christ born in June 1966

妖怪道中記 "Phantom Travel Journal”

Yokai Douchuuki (, lit. "Phantom Travel Journal"), known as "Shadowland" outside Asia, is an arcade game that was released by Namco in 1987. It runs on Namco System 1 hardware and is Namco's first 16-bit arcade game.


The player controls a boy named Tarosuke who travels through "Jigoku" (the Japanese concept of Hell) fighting "yokai" (mythical Japanese monsters) on his way to his final fate, as determined by Buddha. He destroys his enemies by firing small Ki bullets, which can be charged to increase their power, though if overcharged, he is left unable to move or fight for a few seconds. During boss battles, Tarosuke kneels at a shrine to Buddha and prays, summoning "Monmotaro" (not to be confused with "Momotaro") a spirit which floats in the air and drops energy balls on the boss and any lackeys he has.

Like Dragon Buster, and Wonder Momo, Tarosuke has a life meter (labeled as "POWER"), but only one life; if the meter is empty, the game is over (unless he has a certain item). There is no score counter, but the game utilizes currency (only referred to as "MONEY"), which is used to buy items, among other things.

There are a total of 5 stages:

* "Jigoku Iriguchi" (Gateway to Hell)
* "Kugyou no Michi" (Path of Penance)
* "Yuukai" (Ghost Sea)
* "Sabaki no Tani" (Valley of Judgement)
* "Rinnekai" (Land of Transmigration)

There are multiple paths which can be taken in many stages, which may influence which of the five endings the player gets. One of the paths leads the player to a fairly racy dance hall show, after which they are given a box. If they open the box, they might get 10,000 in money, or might be turned into an old man until they buy a particular item in a shop (this is based on the tale of Urashima Taro).

The Long Rain

"The Long Rain" ― A group of astronauts
are stranded on Venus,
where it rains continually and heavily.
The travelers make their way across
the Venusian landscape to find a "sun dome",
a shelter with a large artificial light source.
However, the first sun dome they find has been
destroyed by the Venusians.
Searching for another sun dome,
the characters, one by one,
are driven to madness and suicide by
the unrelenting rhythm of the rain.
At the end of the story,
only one sane astronaut remains,
and manages to find a functional sun dome.

Manga ?)

All article you knew
about us got demotion.
we can guide you
all demoted stuff.
You got tautology.
We are just epigonen.
But we can't escape.
All article you knew
about us got demotion.
we can guide you
all demoted stuff.
You got tautology.
We are just epigonen.
But we can't escape.
You got tautology.

Russell Archives

The American philosopher and logician Willard Quine said Russell's work represented the greatest influence on his own work.Russell's first mathematical book, An Essay on the Foundations of Geometry, was published in 1897. This work was heavily influenced by Immanuel Kant. Russell soon realized that the conception it laid out would have made Albert Einstein's schema of space-time impossible, which he understood to be superior to his own system. Thenceforth, he rejected the entire Kantian program as it related to mathematics and geometry, and he maintained that his own earliest work on the subject was nearly without value.Interested in the definition of number, Russell studied the work of George Boole, Georg Cantor, and Augustus De Morgan, while materials in the Bertrand Russell Archives at McMaster University include notes of his reading in algebraic logic by Charles S. Peirce and Ernst Schröder.[38] He became convinced that the foundations of mathematics were to be found in logic, and following Gottlob Frege took an logicist approach in which logic was in turn based upon set theory. In 1900 he attended the first International Congress of Philosophy in Paris, where he became familiar with the work of the Italian mathematician, Giuseppe Peano. He mastered Peano's new symbolism and his set of axioms for arithmetic. Peano defined logically all of the terms of these axioms with the exception of 0, number, successor, and the singular term, the, which were the primitives of his system. Russell took it upon himself to find logical definitions for each of these. Between 1897 and 1903 he published several articles applying Peano's notation to the classical Boole-Schröder algebra of relations, among them On the Notion of Order, Sur la logique des relations avec les applications à la théorie des séries, and On Cardinal Numbers.Russell eventually discovered that Gottlob Frege had independently arrived at equivalent definitions for 0, successor, and number, and the definition of number is now usually referred to as the Frege-Russell definition. It was largely Russell who brought Frege to the attention of the English-speaking world. He did this in 1903, when he published The Principles of Mathematics, in which the concept of class is inextricably tied to the definition of number.[39] The appendix to this work detailed a paradox arising in Frege's application of second- and higher-order functions which took first-order functions as their arguments, and he offered his first effort to resolve what would henceforth come to be known as the Russell Paradox. Before writing Principles, Russell became aware of Cantor's proof that there was no greatest cardinal number, which Russell believed was mistaken. The Cantor Paradox in turn was shown (for example by Crossley) to be a special case of the Russell Paradox. This caused Russell to analyze classes, for it was known that given any number of elements, the number of classes they result in is greater than their number. This in turn led to the discovery of a very interesting class, namely, the class of all classes. It contains two kinds of classes: those classes that contain themselves, and those that do not. Consideration of this class led him to find a fatal flaw in the so-called principle of comprehension, which had been taken for granted by logicians of the time. He showed that it resulted in a contradiction, whereby Y is a member of Y, if and only if, Y is not a member of Y. This has become known as Russell's paradox, the solution to which he outlined in an appendix to Principles, and which he later developed into a complete theory, the Theory of types. Aside from exposing a major inconsistency in naive set theory, Russell's work led directly to the creation of modern axiomatic set theory. It also crippled Frege's project of reducing arithmetic to logic. The Theory of Types and much of Russell's subsequent work have also found practical applications with computer science and information technology.
Russell continued to defend logicism, the view that mathematics is in some important sense reducible to logic, and along with his former teacher, Alfred North Whitehead, wrote the monumental Principia Mathematica, an axiomatic system on which all of mathematics can be built. The first volume of the Principia was published in 1910, and is largely ascribed to Russell. More than any other single work, it established the specialty of mathematical or symbolic logic. Two more volumes were published, but their original plan to incorporate geometry in a fourth volume was never realized, and Russell never felt up to improving the original works, though he referenced new developments and problems in his preface to the second edition. Upon completing the Principia, three volumes of extraordinarily abstract and complex reasoning, Russell was exhausted, and he felt his intellectual faculties never fully recovered from the effort. Although the Principia did not fall prey to the paradoxes in Frege's approach, it was later proven by Kurt Gödel that neither Principia Mathematica, nor any other consistent system of primitive recursive arithmetic, could, within that system, determine that every proposition that could be formulated within that system was decidable, i.e. could decide whether that proposition or its negation was provable within the system (Gödel's incompleteness theorem).
Russell's last significant work in mathematics and logic, Introduction to Mathematical Philosophy, was written by hand while he was in jail for his anti-war activities during World War I. This was largely an explication of his previous work and its philosophical significance.

older hardcore

Inside My Brain, was one of the early hardcore punk albums to come out of the LA hardcore punk rock scene. Their seventeen minute long hardcore classic album, Back from Samoa, released in 1982, featured lyrics on such themes as the trendiness of poking your eyes out ("Lights Out") and finding Adolf Hitler's penis ("They Saved Hitler's Cock") over thrashing guitars and catchy pounding drum beats.

In the middle 1980s Angry Samoans returned to their roots in 1960s garage rock (they had always cited the 13th Floor Elevators as being their major influence) and put out two releases, Yesterday Started Tomorrow EP and STP Not LSD. Singer/bassist Todd Homer left in 1989, and formed The Mooseheart Faith Stellar Groove Band with Larry Robinson, formerly of 1970s teen pop-soul band Apollo. Turner left soon afterwards, putting out an album in 1993 with the Mistaken before forming his current band, the Blood Drained Cows, featuring autoharp player Billy Angel (nee Miller) from the Aliens. Metal Mike formed a series of bands. Vince Neil's Windshield, with Lisa Lombardo and Julia Altstatt of the Gargoyles, and Bob Fagan from Mood Swing, played mainly covers, including the The Nervebreakers' 'My Girlfriend Is A Rock' and "Slave to my Dick" by the Subhumans (from Vancouver, Canada.) Saunders' played in guitar duos named The Clash Brothers (with Fagan) and the Sons of Mellancamp (with Turner) performed around this same time as well.

The Angry Samoans continued with Saunders, drummer Bill Vockeroth, and a wide variety of other individuals, sporadically active throughout the 1990s and into the new millennium. They perform mainly along the West Coast. They have done extensive tours in the 2000s, with the likes of the infamous Dead Kennedys and other older hardcore bands. As of 2007 they are still playing weekends, usually all-ages shows in the Southern California area. Shows include a 15+ year old list of songs to beat even the oldest of crowd goer into a frenzy of chaotic slam pit madness and sing-alongs. The non-pure punk ethics of the band have remained intact with crowd participation and renditions of punk hardcore classics, pop-cultural references (Britney Spears has been a favorite) and in your face freaked out & hyper-sped covers of classic 60's protopunk "Nuggets" psychedelia (The Nightcrawlers "Little Black Egg" being an old standard cover) without losing their "1-2-3-4" abrasiveness as heard on Inside My Brain and the Back From Samoa sessions. The Angry Samoans remain an enigma from the Los Angeles, CA and surrounding area's punk rock scene to this day.

FIRLEFANZ GALLERY

FIRLEFANZ GALLERY at 292 Lark Street in Albany, NY is proud to present as the last event at the gallery "THE TOM NATTELL ART SHOW & AUCTION" on Friday and Saturday, Jan 27 and 28.

Gallery hours for those two days will be from 3pm to 9pm with a reception on Friday from 5 to 8pm for the Tom Nattel show and a potluck farewell party for Firlefanz Gallery on Saturday from 5 to 8pm.

An exhibit of the late poet-activist’s visual work will be on display with many pieces to be auctioned as a benefit for the ALBANY DAMIEN SOCIETY

TOM NATTELL has been a guiding light in the Albany poetry and activist scenes for the past five decades. His works incorporate the issues for which he advocated – social and political awareness, gardening, recycling – with forms derived from Native American art and archaeology. The result is a mixture of in-your-face messages, bright colors, found objects, trash, and home-grown gourds. Tom died on January 31, 2005.

The ALBANY DAMIEN SOCIETY is a community center for individuals and families living with and affected by HIV/AIDS. Programs and activities offered are designed to improve health, reduce stress, and increase quality of life.

Please join us to honor an unforgettable member of our community and to support a worthy cause.

Also come celebrate Tom’s life on the anniversary of his death. The TOM NATTELL MEMORIAL to benefit the TOM NATTELL PEACE POETRY PRI will be at the Lark Tavern on Monday, January 30, 2006, at 7:30. This event features an open mic for poetry and spoken word and is presented by Poets Speak Loud.

January 2, 2006: Happy New Year from Firlefanz gallery! We have closed the gallery for the season, but we're getting ready for Ionesco's "Rhinoceros!" with puppets, in a couple of weeks. January 12, 13, 14 at 7:30. Tickets will be available at the gallery the day of the performance starting at 4:00pm

AtmoWorks.com

AtmoWorks.com is a label owned and operated by Vir Unis, John Koch-Northrup, and Matt McDonough working in concert with a team of dynamic and talented individuals to bring you the best in electronic music. AtmoWorks was founded in 2001 by Vir Unis and James Johnson. James left in February 2008 to pursue sound design and composing. John and Matt joined AtmoWorks a short time later.
I find myself writing this in a mix of emotions, as I realize how
complex our feelings can be when change is amongst us. AtmoWorks has
now been in existence just a little over six years. AtmoWorks was
created in late fall of 2001 by Vir Unis and James Johnson and with a
huge amount of help from Brian McWilliams. Over the years we have
expanded and have included several other artists to our small but
growing collective. It's been an honor and privilege to facilitate
the release of such great work by some very talented artists.
AtmoWorks is dedicated to this very cause. We are designed to
expedite the process in which an independent artist or group of
artists can release music at will and without any third party agenda.
This is an honorable cause and this is our one and only goal.

This is an exciting process to be a part of. James and I built this
from the ground up out of a combined will that resulted in a very
transparent and rewarding friendship. It's this energy that carried
us over the past six years. This is the part of the emotion in which
I am proud and excited to continue. The other part is with sadness as
James Johnson has decided to leave AtmoWorks and continue on a
different rewarding path in his personal quest for artistic
achievement. However, it is with this sadness that I also have a joy
in seeing such a talented man and gifted artist follow his own muse.
A chapter of my life has been closed and a new chapter for myself and
AtmoWorks begins..I have always, from day one, planned for AtmoWorks
to be in existence as long as I live. It is such a part of my life,
that as I watch it grow and sustain my works and others, that my will
to empower it even more grows by the day.

In retaining the energy of friendship and transparent new
business model that James and I have established, I have tapped two
individuals who also share many of the same qualities. These are two
individuals that I have known since I was a teenager and have shared
countless days, years, and months working together on a variety of
artistic projects and adventures that friends share. They are like
family to me. Please welcome to AtmoWorks John Koch-Northrup and Matt
McDonough. Biographies and extended information on both will be
forthcoming on AtmoWorks.com, as there is too much to say about these
outstanding individuals in this letter. I will say that they bring an
extraordinary amount of talent and creative energy to AtmoWorks and
I'm honored that they have chosen to work with me in this every
evolving labor of love.

In the spirit of this evolution, we are in a state of upgrading
AtmoWorks.com to include several new features as well as refine some
aspects of our site that have worked well for the past six years. One
of them being is the return of AtmoWorks live radio, AtmoStreams,
which includes artists from around the world streaming live music from
their studios. In the past, we've had such notable musicians as Vidna
Obmana, Saul Stokes, DreamState, and the Elf Machine performing live
on AtmoStreams. Also planning on a series of talks and conversations
with various artists, both in music and other mediums to be streamed
either live or taped. This is truly exciting..

New music is coming! Different types of music is coming as well.
AtmoWorks, in essence is a label that has been designed to work with
ambient and electronic music.ex.((""ovdk vs bunk data""))
While retaining that essence, we are
also in the process of expanding the definition of ambient, as it
should, and including all sorts of new and eclectic music that may or
may not fit the traditional definition of "ambient'. We'll let you
decide on that one. It is you, after all, that we seek to connect
with the artists. The artist/listener relationship is a timeless and
sacred connection that is our honor to preserve.
⇔
Yours truly,

Vir Unis
February 2008

⇔

مرو
از ویکی‌پدیا، دانشنامهٔ آزاد.
پرش به: ناوبری, جستجو
مرو
اطلاعات
کشور : ترکمنستان
استان : ماری
جمعیوب‌گاه :

مَرو مرکز استان ماری در ترکمنستان است. و در انتهاى جنوبی كویر قره قوم و به فاصلهٔ نود مایلی شمال شرقى سرخس واقع و از رود مرغاب (مرورود) مشروب مى‌شود.

به ساکنان مرو در فارسی مَروَزی گفته می‌شود به معنی «زیَنده در مرو». مردم نواحى شرقى خراسان مرو را به نام مور «Mowr» (بر وزن دور به‌معنى محيط و پيرامون) و باشندگان آن را مورى (بر وزن دورى به‌معنى بشقاب) ميگويند.

[ویرایش] پیشینه

پیشینهٔ مرو به پيش از ميلاد مسيح مى‌رسد. مرو از شهرهای باستانی آریاییان و از مراکز فرهنگی ایران بوده‌است. داریوش اول درنی يكى پس از ديگرى بر اين ناحيه حكومت كردند و اهميت آن همچنان محفوظ بود.

مرو شايگان يكى از چهار شهر قديم خراسان بود كه زمانی پایتخت اين استان بوده است سه شهر ديگر خراسان نیشابور و بلخ ند جرجانیهٔ خوارزم اهل فضل در آنجا گرد می آمدند و در مدارس و كتابخانه‌هاى آنجا روزها را به فراگیری دانش مى‌گذراندند. اين شهر در ۵۵۰ ه‍ .ق. ده كتابخانهٔ بزرگ عمومى داشت كه يكى از آنها دوازده هزار جلد كتاب داشت. مردم مرو ایرانی و زبانشان فارسى بوده است.

ياقوت كه مقارن حملهٔ مغول در مرو بوده‌است مى‌نويسد از مرو در ۶۱۶ بيرون رفتم در حالی كه در حد اعلاى نيكویی بود. اين شهر داخت و شيموریان و صفویه يافته بود.

در دورهٔ صفويه و افشاریه و قاجاریه گه گاه سركشادف با روز عيد بود در موقع سلام عام مژدهٔ اين فتح را به ناصرالدین شاه دادند.

From castrated man txt

From castrated man .txt

I have ambiguous anxiety because
All-Value may be relative and demoted
Such postmodenism made define.
I found this thing in own musical texture.
so those seems confusion as almost
ordinary people have no interest .
As for musical thing,my term
A post sampling kinetic dissipative
system of sound in nonequalibrium...
This matrix no exist real but
as abstract level All -sound happen
such jon cage or Gilles Deleuze had expectation.
i pulled this term or image by complex physics.
i think these were my theme in last my works.
.....But maybe i simply like static ambient music.....i don't know
They recommended us about favorite sound
sound1
sound2
sound3
sound4
sound5
sound6

you see "Die ungust"