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Records of the Year 2008

2009-01-20 15:18:03 | Weblog

Records of the Year
we selected 2008 Top11 Album
about Experimental music,leftfield,
wired,ambient,Glith ,sometimes /pop,and so on...

No.1
The Drift
by Scott Walker
Label: 4AD
Genre :Experimental music,leftfield


No.2
Black Sea
by Fennesz
Label:Touch
Genre :Glith/ambient



No.3
kyzyl to samarkand
by Ryuta.k+sara ayers
Label:Dark wood Records
Genre :Ambient / leftfield/Pagan




No.4
Curse of the Scarecrow
by Megaptera
Genre :Dark Ambient,
Death Industrial,Darkwave,
Noise,wired,etc


No.5
New York Eye & Ear Control
[Original recording remastered]
by Albert Ayler , Don Cherry , John Tchicai ,
Roswell Rudd , Gary Peacock




No.6
Third
by Portishead
Label: Mercury Records
Genre :Trip hop




No.7
Black Ice
by AC/DC
Label :Columbia





No.8
Cosmonautical
by The Transmissionary Six
Genre :Alternative
http://cdbaby.com/cd/transmissix4





No.9
Kafka/Toward minor trivial
by Various Artist
Genre : International,
Folk Singer-Songwriter, Alternative,
Easy Listening, Electronic Ambient,
Middle East, 20th Century ,



No.10
The Crying Light
by Antony and the Johnsons
Label: Secretly Canadian



No.11
And Winter Came
by Eithne Patricia Ni Bhraonian
Genre :New Age/pop





you can also see Records of the Year 2006~2007

“Golden Warrior Prince” of the Saka

2009-01-11 17:31:32 | Weblog
Link
A thousand years before the Christian era, the nomadic Skythian-
Saka civilization prospered on the Central Asian steppes. Many
of their cultural monuments have survived till present days. The
most impressive are tools and things of everyday life made in gold
and bronze in the “wild animals style” extracted from burial
mounds in different regions of Kazakhstan. The royal tomb of the
“Golden Warrior Prince” of the Saka civilization, found in the
ancient town of Issyk close to Almaty, is famous for its integrity,
beauty, elegance and craftsmanship. The motifs of this cultural
treasure have become the basis of the modern Monument of
Independence erected in Almaty in 1990s.

In later centuries, the steppes were home to a powerful state
formed by the Huns. Their empire greatly influenced the
geopolitical map of that time. The Great Roman Empire in Europe
eventually fell from the blows of the Attila the Hun’s daring warriors.

Later, the Huns were replaced on the steppes by Turkic tribes.
They founded several large states known as “kaganats” stretching
from the Yellow Sea in the East to the Black Sea in the West.
These states were distinguished by a culture progressive for that
time. They were based not only on a nomadic economy but also
on an oasis urban culture with rich trade and handicraft traditions.
During this time, cities and caravanserais were founded in the
oases of Central Asia, the territory of South Kazakhstan and
Central Asia. They stood along the famous trade route known
as the Great Silk Road which connecting Europe and China.
Other trade routes were also important including the route along
the Syr Dariya River to the Aral Sea and the South Urals as well
the so called “Sable Road” from South Western regions of Siberia through Central Kazakhstan and the Altai region. It was through trade on the “Sable Road” that the Middle East and Europe were supplied with expensive furs. Major cities and trade centers founded on these routes included Otrar (Farab), Taraz, Kulan, Yassy (Turkestan ), Sauran, and Balasagun.

The Great Silk Road not only stimulated
the development of trade, it also became
a conduit for progressive scientific and
cultural ideas. For example, the great
philosopher Al-Farabi (870-950) was greatly
influenced by the culture of the trade routes.
Born in the Farab district, Al-Farabi was
dubbed in the East “the Second Teacher”
after Aristotle for his profound researches in
philosophy, astronomy, musical theory and
mathematics. The outstanding scholar of
Turkic philology Mahmud Kashgari lived
here in the 11th century. He created the
three-volume “Dictionary of Turkic Dialects”
which summed up Turkic folklore and
literature heritages.

In the 11th Century, Yusup Balasaguni of
the town of Balasagun, a famous poet and
philosopher, wrote “Kutaglu Bilig” (“A
Knowledge that Brings Happiness”) which
is recognized as having played an important
role in the development of modern social,
political and ethical conceptions. The Sufi
poet Hodja Ahmet Yassaui, who lived in the
12th century, wrote a collection of poetic
thoughts “Divan-i-Khikmet” (“Book of Wisdom”).
He is famous throughout the Muslim world.

Part of the cultural legacy of that period is the elegant urban architecture. Examples such as the mausoleums of Arystan Baba, of the great Sufi Hodja Akhmet Yassaui in Turkestan
and Aisha Bibi in Taraz are among the
best preserved. Apart from this, the most
ancient nomads of the region invented
the “yurt”, a dome-shaped easily
dismantled and portable house made
from wood and felt, ideal for their
nomadic life and beliefs.

"American Composer" column

2009-01-10 16:17:16 | Weblog

Theories of Minimalism Still Welcome
This might be a timely moment to reiterate that the deadline for submissions to the second international conference on minimalist music, which is being held at the University of Missouri at Kansas City September 2-6, is January 31. We're prepared for more papers than we've received so far, so if you're interested, give us a try. We've gotten almost no papers from Europe yet, but it was our European colleagues who asked to have the date extended, so maybe their proposals will all arrive at the last minute. We're honoring Charlemagne Palestine, Tom Johnson, and Mikel Rouse, and the barbecue's going to be to die for. E-mail your proposals to me () and David McIntire (compositeurkc@sbcglobal.net). The economy's making the money hard to come by, but as I told David: "We're minimalists - if we can't hold a conference in this economy, nobody can."

January 11, 2009 10:41 PM | Permalink | Comments (0)
January 10, 2009

Freedom Caught in Notation
I wrote my "American Composer" column for Chamber Music magazine this month - though it won't be out till March - on John Halle, one of the eight composers of the Common Sense collective. And, as often happens, I obtained a generous influx of his music, so I uploaded seven pieces to PostClassic Radio. John's vocal music employs political texts - from Project for the New American Century, Larry Summers, D.C. activist Sam Smith - that sound pretty shocking when set to music with seeming innocence. (Much the way, I suppose, that Allan Kozinn once wrote that Custer's hate-spewing memoires sound in my Custer and Sitting Bull.) My real interest, though, is in John's rhythms, a typical example given here from his 1997 piece Spooks (the instruments are flute, oboe, violin, cello, and two guitars):

Halleex.jpg

Look at that: triplets moving to dotted quarters in the flute, septuplets grouped in sixes in the oboe, triplet quarters grouped in fives and fours in the violin, five-beat patterns in the cello and first guitar, over a dotted-quarter pulse in the second guitar. Pure totalism. You can tell me no such style exists, and I'll bury you with examples. Call it whatever you want, I don't care. Metametrics. And that doesn't at all mean that John's music sounds like Michael Gordon's, Ben Neill's, Evan Ziporyn's, Mikel Rouse's, Art Jarvinen's, mine, and so on. He's got his own fresh way of speeding up and slowing down through lines nonsynchronously over a pulse that ties everything together, more jazz-sounding than the other totalists (he started out as a jazz pianist), and the music would sound improvised if the harmonies didn't fit together so snugly. Amazing stuff.

John Halle is a man after my own heart. He used to be an alderman in New Haven, and his political writings are fearless. One of the first things Google attributes to him is an article on the wealth tax, and over at his humble-looking web site, he's got some excellent articles on musical politics, including the best debunking yet of Joseph Straus's MQ article claiming that the 12-toners never wielded any power in academia, and a report on the nefarious dealings of Mario Davidovsky. The kind of stuff that, were I to post it here, 20 people would write in to cry foul - and yet it's god's own truth. God bless 'im.