Surrounded by sea, Japan has a long and narrow territory, an obvious maritime climate and frequent natural disasters, thus forming its unique view of nature. This view of nature makes Japanese people more sensitive to the changes of the natural environment and more in awe of nature, which we can intuitively feel from the film. Based on the description of natural scenes shown in the movie Sweet Red Bean Paste and the Japanese nature concept expressed by the director, this paper analyzes the Japanese view of nature that attaches importance to the harmony between human and nature and listens to nature.
The movie Sweet Red Bean Paste was directed by a famous Japanese female director naoki kawase and starred by famous actor shu shilin. The movie not only reflects the helplessness of life and the warmth of human nature, but also shows Japan's unique view of nature from the shooting techniques and natural themes reflected in the movie. Under the influence of this view of nature, Japanese people have a respect for nature, which needs us to study and learn.
The film in a causeway burning shop under the cherry blossom tree as a clue, the manager qiantaro because debt had to work in the causeway burning shop; Junior high school students if food often go to the causeway burn shop to take causeway burn defective products to fill the stomach;
hostess gongdejiang wife because very want to work in the causeway burn shop, take yourself to do the bean paste stuffing touched the qiantai manager, finally made the qiantai manager agreed to let more than 70 years old lady dejiang in the shop, the story began. Because of Mrs. DE jiang's bean paste stuffing, causeway burn shop business hot. But the good times did not last long. The story that Mrs. Dejiang had been a leper spread. Finally, Mrs. Dejiang with her love, quietly changed the store manager and ruocai future life road.
Although the film is a heartwarming work, there is a touch of sadness lingering in the whole film, which is a kind of helplessness and sadness to the reality mixed with warmth. The Japanese love this kind of heart-warming story with light bitterness and sadness. It is like the sweet candy that can be tasted only after the shell of another layer of pain is removed. It is the sweet taste of sugar that can be slowly felt with the bitter taste remaining on the tongue. The plot of the story did not let a person very much contradiction, but only light described such a sad and warm, it also reflects the Japanese quiet gentle in human nature, they believe that things are not only simply good or bad side, the peaks and valleys in life are not set in stone, so whether they are in pain or sweet, are based on common heart to treat, and this attitude will affect Japan's view of nature, form a kind of seeking quiet indifferent, harmonious and unified view of nature.
In the movie Sweet Red Bean Paste, cherry blossoms are very common. At the beginning of the film, there are cherry blossoms all over the branches. The film even USES cherry blossoms to imply the changes of the four seasons and the passing of time. In the movie, cherry blossom is integrated with Mrs. Tokugawa. Every appearance of Mrs Tokugawa is accompanied by the appearance of cherry blossoms, cherry trees issued a "shasha" sound, as if to the manager of the shop said "Mrs Tokugawa! At the end of the film, Mrs. Dejiang planted a cherry tree for her as a memorial because she liked cherry blossoms before her death. In fact, it is the incarnation of Mrs. Dejiang. When the spring breeze blows next year, it seems that Mrs. Dejiang can enjoy all the beauty of nature in the beautiful spring scenery as before. In this film, the cherry blossom is nature, and Mrs. Tokugawa's posthumous commemoration of the cherry tree is also a reflection of the Japanese wish for man and nature to become one. Japanese people believe that human and nature are not opposites, and emphasize the integration of human and nature. They like to use natural things to reflect their emotions. They believe that just like natural things, they change with the change of seasons.
Another important natural thing in the film, the red bean, is the key to the film. The story begins with red bean, which connects the hero and heroine, and embodies the Japanese "craftsman spirit" and deep feelings for nature. The film focuses on the scene when the hero and heroine make bean paste stuffing for the first time: Mrs. Dejiang earnestly "treats" each red bean, refuels them, takes good care of them, and is full of respect for the little red bean. At the end of the film, Mrs. Dejiang tells the store manager: "when I cook the red bean, I listen to its whispers carefully and imagine the rainy days and sunny days it has experienced. What kind of wind brings the red bean here? I would listen to them tell their stories. Because I believe that everything that exists in the world can speak. So listen to the words, even the sun, the wind, will talk to you. The Japanese believe that everything is reiki, is full of respect and love of natural thing, they respect nature and understand the nature, whether it's nature of clayderman or natural decline state of litter, they can feel the beauty of nature itself, seriously do natural viewer and listener, revel in the beauty of nature and imagination of nature. At the same time, they also know that the laws of nature cannot be changed, and the beauty of nature is fleeting, so they always enjoy these beautiful scenery with a faint sense of disappointment, which is also the reason why the Japanese have a love for nature.
Sweet Red Bean Paste is the work of Naomi kawase, a well-known Japanese female director. Therefore, from the shooting method of the movie, we can feel the Japanese women's exquisite feelings for nature.
First of all, we can find that the background sounds in the whole work are very noisy and rich. During the dialogue between the hero and the heroine, we can hear the faint voice of passers-by outside the scene; when we eat in a restaurant, we can hear the sound of cooking in the kitchen. On the road, you can always hear the noise of pedestrians and the wind rustling leaves. In the process of showing the story line, the director did not ignore the sound of nature, but added the sound of nature into the film. When the story was unfolding, the sound of background came into the audience's ears, making the story and the sound of nature perfectly integrated. The film creatively adds the sound of nature to the whole film, so that nature can be perfectly integrated with characters and plots. At this point, it is easy to find Japanese very care about fusion of man and nature, like to use reserve ways of expressing emotions of nature, they are loyal to the voice of the nature itself, and the Japanese love is also a very tiny things in nature, for a small thing, poor thing to show their love and protection, can also reflect the Japanese view of nature.
Japan is rich in seasonal changes throughout the year, and people have the unique pleasure of appreciating them. Nature is a peaceful thing, and by no means an object to be conquered. In order to describe the special beauty of this seasonal change, Japanese people observe the four seasons in a very delicate way. Just like the shooting of cherry trees throughout the year in the movie, they not only show the passage of time, but also show the Japanese people's love for cherry blossoms to the audience. While filming scenes of cherry blossoms, we can see the white space in a lot of, this and the Japanese people love "incomplete beauty" has a lot to do, they always uphold the "nine points is insufficient, so the extra" concept, and this kind of incomplete, perhaps only in this way, can manifest the Japanese love for the secrets of the natural reservation. Instead of focusing entirely on the characters, the film shot intersperses many natural scenes for a long time like a natural scenery documentary, which is quite different from the films we usually watch. This has a great relationship with Japanese people's attention to nature. And the cherry blossom in the lens is not the lively scene of colorful flowers, but the simple and quiet sadness, which gives people a feeling of loneliness and desolation although the cherry blossom is blooming with vigor and vitality. Therefore, this kind of Japanese sensitive to nature, thin, simple and thin emotion, is the proof of Japan's unique view of nature.
From the movie, we can see that Mrs. Dejiang is a gentle and lovely old lady who likes to observe and talk with nature. She will wave goodbye to the trees. Will listen to the wind; There will be expressions like "father sun" and "get up as early as a bird"; Observing and reveling in the changing seasons of the cherry tree, Mrs. Tokachi is a perfect example of the Japanese love of nature. Most Japanese observe and love nature in this way. They are sensitive to the subtle changes of the seasons and feel the rhythm of natural things. They communicate with nature, get along with nature, sit and watch the regular changes of nature, and return to nature, which in their eyes is one of the great pleasures of life. "We were born to see the world for ourselves and to listen to it," she wrote. So, even if we don't become something, we all have something to live for. This sentence reflects the Japanese attitude to nature, that is, "sit and see the surging clouds" view of nature. They are to follow the law of nature, intoxicated in nature, in nature to express themselves, and in this process, they also become a part of nature, and the harmony of nature together, this is the Japanese pursuit of beauty and realm.
On the other hand, we can also see that Japanese people are full of gratitude and respect for nature. When the hero and heroine cook red beans, Mrs. Tokugawa always treats red beans gently and slowly, because she wants to "hospitality" these very not easy to come to them in front of red beans, such attitude, is the Japanese world famous "craftsman spirit". No matter in the process of cooking or building, they try their best to keep the original appearance of nature. It is a very important process for them to work slowly and carefully. They pursue a "sense of nature" in their works and regard the "sense of nature" of things as a symbol of high-grade comfort. Japanese people are not to transform nature, but to pursue the harmony and unity of man and nature, so that there is human nature in nature, human life and nature, this is the Japanese view of nature.
How did Japan's negative view of nature, which is full of respect for nature and pursues harmony and unity, come into being?
The view of nature is a nation's view and attitude towards nature and is the basis of national culture. The formation of national culture is firstly related to the natural geographical environment. The long and narrow land distribution in the north and south directions makes Japan an island in the temperate seas of the north Pacific Ocean with slow and regular seasonal changes. Such geographical environment breeds Japan's peaceful attitude towards nature and is very sensitive to the seasonal changes. At the same time, is located in the Eurasian plate and Pacific plate and the demise of boundary lead to natural disasters in Japan, strong earthquakes, volcanic activity, make the Japanese realized the human in the small and weak in front of nature, therefore has a fear of psychology, on natural think nature has its own rules, is difficult to change nature, overcome natural and human should be full of respect to nature. Moreover, Japan's land area is equivalent to China's yunnan province. In such a small land, the land resources are barren, and the terrain is mainly mountainous and hilly, resulting in the scarcity of food, vegetables, fruits and other natural resources. Therefore, Japanese people cherish the things in nature very much, appreciate the blessings of nature, and believe that the things with "natural sense" in life are sacred symbols. All these natural and geographical factors have influenced the formation of Japanese view of nature. In today's highly industrialized world, when the global forest coverage rate is only about 22%, Japan still maintains 67% forest coverage rate, which is inseparable from the Japanese view of nature.
When it comes to the formation of Japanese view of nature, we have to mention Japanese traditional culture. It is well known that Japan began to learn from the tang dynasty, the heyday of ancient China, in the 6th century, but why didn't Japan spread the grand Chinese aesthetic ideas of the tang dynasty to Japan? The answer is that Japan cannot. Ancient China has been under the rule of feudal centralization for a long time. However, before modern times, Japan had never established a unified state power, because Japan's small land area and mountainous terrain were prone to generate feudal separatist daimyos, and the state power was actually controlled by the daimyos of various regions, which could be said to be a feudal confederation. Without abundant natural landscape and unified state power, Japan cannot produce a magnificent and magnificent view of nature. They can only express their feelings in the small natural landscape around them, and express their own delicate and sensitive emotions.
The formation of this view of nature in Japan also has a lot to do with Japanese religion. Japanese shrines have a great influence, from the Japanese prime minister to the general public, they will visit the god on festivals, which shows that religion occupies a large proportion in Japanese culture, and religion is also influencing the formation of the concept of nature. Japanese religion originated from the worship of nature. They combined god with nature and believed that "nature is full of gods". No matter the rivers, mountains or animals, they can all be tangible carriers of the gods in their eyes, which is undoubtedly influenced by the "pantheism" concept in Buddhism. Therefore, whether it is a grain of rice or a drop of water, they should be seriously treated, not casually. In essence, the Japanese reverence for nature is actually a reverence for the gods. And this view of nature is full of awe of nature is also in the fear of the gods to form and continue to this day.
To sum up, the pursuit of harmony between man and nature and reverence for nature are the generalisations of Japan's view of nature. Since ancient times, Japanese people have felt the insignificance of human beings in front of nature while appreciating nature, which has formed their sensitivity to the changes of nature and their mentality of melancholy when appreciating nature.
This paper focuses on the analysis of this Japanese view of nature because in the more and more modern contemporary, a lot of development is to destroy the natural environment as the premise of the acquisition. And in the modern era of dramatically reduced resources, should we reconsider the relationship between man and nature? Has the book of changes, the earliest treatise on the harmony between man and nature, been forgotten by most Chinese people in their daily life? The corresponding developed western countries have the global resources and wanton destruction of nature behavior, although now convergence but no substantial change. So we should all be worried about where humanity is heading in the near future. At present, the Japanese people under the guidance of this view of nature have left precious resources for their next generation. Therefore, this view of nature in Japan is worth learning from.
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