下面为大家整理一篇优秀的essay代写范文- Daoist Celestial Worthy，供大家参考学习，这篇论文讨论了《道家仙人》。本文介绍的是一个来自道教的多彩釉陶俑，名为《道家仙人》，创作于大约1500年至1644年间的明朝北方。它反映了道家追求和平、和谐和启蒙的教义，这是中国明代占主导地位的宗教信仰之一。
The artwork chosen is named Daoist Celestial Worthy, which was produced approximately between 1500 and 1644 in Northern China, the Ming Dynasty. It is a multi-color glazed ceramic figure from Taoism. It reflects the Taoism teachings to pursue peace, harmony, and enlightenment, which was one of the dominant religious beliefs in Ming China. In this visual analysis, the composition, space, and color of the artwork are analyzed.
The ceramic figure features the Emperor of Heaven, one of the highest gods of Taoism. He existed before the birth of the universe, so is respect as the “initiation” (Yuan Shi). When inexorable dooms arrive, the Emperor of Heaven uses the mysterious Tao to enlighten all beings. The Emperor of Heaven in the figure is sitting on top of a blossom of lotus. His eyes are looking down while his hands are gestured as if he is preaching in front of the disciples, the many gods of the universe. The image of the Emperor of Heaven is an observational imitation of the real world as the figure seems to be inspired by real-life Taoism priests and is very much life-like. The figure is more symbolic than narrative. It obviously serves no utility purposes other than decoration. This represents the central Taoism beliefs of integrating religious beliefs into the ordinary life. It is likely that the figure was created for decorating a rich family or even for the royalty.
The three-dimensional freestanding ceramic figure is mainly composed of two main parts, the lotus seat, and the figure of the Emperor of Heaven sitting on top. The overall shape of the entire figure shows a pyramid shape, which brings a sense of harmony and stabilization. The top of the “pyramid” draws immediate focus of the viewer, showing the calm, wise, tranquil face of the Emperor of Heaven. Meanwhile, implicit power and authority is also demonstrated with the look of the figure. The bright colors of the rope and the highly complex lotus draw almost equal amount of attention. These multiple focal points make the figure extremely harmonic and balanced. Most large parts of the figure are symmetrical, yet there are also minor asymmetrical elements added into the figure to make it more lifelike, such as the different gestures of the two hands, and how the rope of the figure hangs naturally at the sides in different ways.
In terms of space, the figure does not actively interact with the space around it. It seems to be a glimpse into the dimension of the heavens. This is first achieved with the expression on the figure’s face. Since it does not look at the horizontal level, it does not actively engage eye contact with the viewer. This creates a sense of “otherness” among the viewers. In order to better engage, the viewers must look up into the eyes of the figure. This naturally determines the divinity of the figure and the religious connotations of it. The use of the lotus seat enhances the sense of disengagement. Instead of letting the figure stand alone or sit without the lotus, the addition of the lotus makes the figure more complete and independent on its own, instead of relying on the physical surroundings. These elements contribute to a unique religious and spiritual space created by the figure, making it fascinating to look at.
Color is one of the most distinguished feature of the artwork. Marigold yellow, light green, dark red, black, and white are the major colors used in the figure. Multicolored porcelain, after hundreds of years of development, finally matured in the Ming Dynasty. It presents a rich, deep, highly saturated, complicated aesthetic appeal of intertwined colors. The high saturation of the colors makes the figure stand out from its surrounding environment. The addition of the marigold yellow at the physical center of the artwork is the vital spark that lights up the entire figure. Although it may be too bright compared to other darker surrounding colors, it definitely creates a strong contrast and focal point for the viewers. Color is a major factor in creating the mood of the artwork, because Taoism believes that the five colors are able to banish evil spirits and symbolize the harmony of the heavens. This is why the saturation of the colors are much higher than the natural colors in real life.
In conclusion, the composition, space, and color of the artwork are the three most distinguishable features. The pyramid and symmetrical shape indicates harmony and stability. The look on the figure’s face and the smart use of the lotus creates an independent religious space. The combination of highly saturated colors with black and white is also balanced yet make the figure pop from real life surroundings. Overall, the artist has successfully accomplished their goal of preaching Taoism beliefs. Looking at the figure, a sense of peace, harmony, tranquility is naturally created.
51due留学教育原创版权郑重声明：原创essay代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写、作业代写服务。
51due为留学生提供最好的essay代写服务，亲们可以进入主页了解和获取更多essay代写范文 提供代写服务，详情可以咨询我们的客服QQ：800020041。
The artwork chosen is named Daoist Celestial Worthy, which was produced approximately between 1500 and 1644 in Northern China, the Ming Dynasty. It is a multi-color glazed ceramic figure from Taoism. It reflects the Taoism teachings to pursue peace, harmony, and enlightenment, which was one of the dominant religious beliefs in Ming China. In this visual analysis, the composition, space, and color of the artwork are analyzed.
The ceramic figure features the Emperor of Heaven, one of the highest gods of Taoism. He existed before the birth of the universe, so is respect as the “initiation” (Yuan Shi). When inexorable dooms arrive, the Emperor of Heaven uses the mysterious Tao to enlighten all beings. The Emperor of Heaven in the figure is sitting on top of a blossom of lotus. His eyes are looking down while his hands are gestured as if he is preaching in front of the disciples, the many gods of the universe. The image of the Emperor of Heaven is an observational imitation of the real world as the figure seems to be inspired by real-life Taoism priests and is very much life-like. The figure is more symbolic than narrative. It obviously serves no utility purposes other than decoration. This represents the central Taoism beliefs of integrating religious beliefs into the ordinary life. It is likely that the figure was created for decorating a rich family or even for the royalty.
The three-dimensional freestanding ceramic figure is mainly composed of two main parts, the lotus seat, and the figure of the Emperor of Heaven sitting on top. The overall shape of the entire figure shows a pyramid shape, which brings a sense of harmony and stabilization. The top of the “pyramid” draws immediate focus of the viewer, showing the calm, wise, tranquil face of the Emperor of Heaven. Meanwhile, implicit power and authority is also demonstrated with the look of the figure. The bright colors of the rope and the highly complex lotus draw almost equal amount of attention. These multiple focal points make the figure extremely harmonic and balanced. Most large parts of the figure are symmetrical, yet there are also minor asymmetrical elements added into the figure to make it more lifelike, such as the different gestures of the two hands, and how the rope of the figure hangs naturally at the sides in different ways.
In terms of space, the figure does not actively interact with the space around it. It seems to be a glimpse into the dimension of the heavens. This is first achieved with the expression on the figure’s face. Since it does not look at the horizontal level, it does not actively engage eye contact with the viewer. This creates a sense of “otherness” among the viewers. In order to better engage, the viewers must look up into the eyes of the figure. This naturally determines the divinity of the figure and the religious connotations of it. The use of the lotus seat enhances the sense of disengagement. Instead of letting the figure stand alone or sit without the lotus, the addition of the lotus makes the figure more complete and independent on its own, instead of relying on the physical surroundings. These elements contribute to a unique religious and spiritual space created by the figure, making it fascinating to look at.
Color is one of the most distinguished feature of the artwork. Marigold yellow, light green, dark red, black, and white are the major colors used in the figure. Multicolored porcelain, after hundreds of years of development, finally matured in the Ming Dynasty. It presents a rich, deep, highly saturated, complicated aesthetic appeal of intertwined colors. The high saturation of the colors makes the figure stand out from its surrounding environment. The addition of the marigold yellow at the physical center of the artwork is the vital spark that lights up the entire figure. Although it may be too bright compared to other darker surrounding colors, it definitely creates a strong contrast and focal point for the viewers. Color is a major factor in creating the mood of the artwork, because Taoism believes that the five colors are able to banish evil spirits and symbolize the harmony of the heavens. This is why the saturation of the colors are much higher than the natural colors in real life.
In conclusion, the composition, space, and color of the artwork are the three most distinguishable features. The pyramid and symmetrical shape indicates harmony and stability. The look on the figure’s face and the smart use of the lotus creates an independent religious space. The combination of highly saturated colors with black and white is also balanced yet make the figure pop from real life surroundings. Overall, the artist has successfully accomplished their goal of preaching Taoism beliefs. Looking at the figure, a sense of peace, harmony, tranquility is naturally created.
51due留学教育原创版权郑重声明：原创essay代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写、作业代写服务。
51due为留学生提供最好的essay代写服务，亲们可以进入主页了解和获取更多essay代写范文 提供代写服务，详情可以咨询我们的客服QQ：800020041。
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