まもなく発売の新譜「crossroads」、Jazz Life誌10月号にレヴューが載りました。
富澤さん、今回で担当されるのは4回目かな？相変わらずの鋭い視点で、独特の言い回しが冴えておりました。ここでもやはり「Trio Music」なのか？３誌揃っての同様のレスポンスにちょっと驚くとともに、にわかに嬉しさが込み上げてきます。
因みに、「挑戦的」というのは富澤さんなりの最大級の賛辞の言葉です。
以下はレビュー後半の英訳です。
Nowadays, with the advancement of digital technology, the interpretation of ``the work of fitting it into the framework of a song'' is vastly different from the analog era.At the same time, composers have gained a vast range of possibilities, and at the same time, the point of contact with the audience has expanded to a vast range of possibilities. This means that you have to find it among them. This work is created by Hiro Ogawa, who reigns as the darling of the times, randomly picking up images and ideas for combinations of instruments that come to mind, and especially the experimental music concept that reflects the multiple personalities titled Trio Music and Works. I felt that this song was challenging in terms of ``points of contact with the audience.'' In addition, the beauty of the piano stands out, which is interesting as it reveals his origins as an artist
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