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Essay代写:The shelly

2019-02-18 18:24:50 | 日記
下面为大家整理一篇优秀的essay代写范文- The shelly,供大家参考学习,这篇论文讨论了电影《谢利》。影片《谢利》的成功不仅以社会妓女的敏感话题有无真情为其电影的抒情基点,还以印象主义绘画那些美的特质为其依托,将观众的审美视野放在法国浪情的调子上来展示。在光影朦胧、色泽炫目的画面中,人的情志和思想完全被震慑,被征服。该电影属于法国经典的印象派手法,追求形式的美比表现内容显得更为主要。

Telling the story in the context of painting is one of the most successful elements of the British film Shirley. Stephen frese, the British director, is famous again for his masterful use of language and impressionistic flickering images, following the queen, which he directed. The success of the film "Shirley" not only depends on whether the sensitive topic of social prostitutes has true feelings or not as the basis of its lyrical film, but also relies on the aesthetic characteristics of impressionistic painting to display the audience's aesthetic vision in the tune of French wave. In the hazy, blinding picture of color, people's feelings and thoughts are completely shocked and conquered.

The artistic charm of film art generally follows two principles. First, the story is full of ups and downs, which is very touching. First, the picture is exquisite, wonderful. Following the winning rules of this film, the British films such as Tess, Jane eyre, wuthering heights and Elizabeth all achieved success. In the past art blockbusters in the UK, the two main lines of parallel scenes and plots have never changed, but the film composition is slightly classical and solemn, lacking vivid color blocks and flowing perspective of the picture. Stephen frese's 2009 film "Shirley" breaks away from the long-standing tone, and places the characters and the plot of the story in a kind of staggered color, dim light and shadow, colorful picture and muddy impression, which gives people excellent aesthetic effect. The film vocabulary expressed in the film "Shirley" is romantic and has the aesthetic characteristics of impressionistic art. In this film, beautiful scenes and pictures are elegantly connected with characters. The film's composition was taken to an unprecedented level by the director. Film belongs to the French classic impressionism, the pursuit of beauty in the form is more important than the performance of the content. According to current film critic Louis janetti, "formalist films are basically the works of directors, and the personal marks of the author are usually very obvious.

Film of French impressionism in the explorer is not only Stephen Fraser, one person at home, French director gonzalo, wheels, DiLvKe "fever" drucker's "Spanish festival" and so on, are all in the name of impressionism, and at that time, the French original film classic beauty system by unprecedented challenges, in a dizzy chaotic light for its development under the new camp sadly arisen.

To understand the picture language of director Stephen frese, we need to apply light ink to the principles of French impressionist painting. Impressionism is a kind of international art language, which creates a little-known painting vocabulary on the basis of pursuing "outdoor sketching" and opposing the inherent color in the painting circle. Rally in under the flag of impressionist art not only has a beginning, manet, monet, van gogh, gauguin and others, and music of Debussy, ravel, photography in the "soft tone photography technique, Paul Paul verlaine hazy literature in literature context, Japan's" art of float world draw ", etc., they are both controlled by the impressionism of aesthetic theory. The rise of impressionism in the movie in the 1920 s, the French film and stronger momentum and German film American film, exhaustion, to Abraham, okada, zhe min, drucker, and a new generation of its representative of innovation sent, trying not to beat, set foot on the French impressionist painting in rotating between light and shadow, looking for a new film language. Thus, monet et al. 's efforts to capture the vague and fleeting artistic feeling in painting became a new breakthrough in the French film industry. At the same time, Debussy on the music in the harmonic vocabulary he created, that kind of sway sway feeling also came into being. Impressionist aesthetic standards is not clear at first, the depressed block against Louis xvi of France since the official group of painting style, began in 1874, recognized monet exhibition "impression, sunrise", some strange strange light, colour and lustre turbidity paintings are the Louvre kicked off the door, the young people unwilling fall after they work in the Paris avenue to say, passers-by, to set more and more public security police finally use hoses to disperse the crowd. In any case, at the beginning of impressionism, there was little deviation from the inherent French painting style, and the enterprising spirit of breaking away from it brought these French young people to a new height, a beauty that had not been achieved before. Film "xie li" what aim at, it is impressionism such aesthetic line. Film after Lea to visit her former prostitute industry competition, the old rival Charlotte, sat a British car, through the ancient country road, fast car with fields and crops vegetation formation are dim shadow on the road, look look, a color flashing - golden, green, dark purple, light pink colour superimposed together, such as bouncing color, formed under the sun under the irradiation of light, people will see eye to set up their own colour into the audience. The director Stephen frese is familiar with the theoretical principle of impressionistic painting. He places the perspective of the audience in the nature, thus producing a shot similar to the aesthetic feeling of impressionistic painting.

Based on a novel by French writer Colette, the film "Shirley" is a simple story about a young rich man who falls in love with his mother's friend, a prostitute in her late twenties in Paris. Shelley's mother forced her son to give up the six-year relationship. After marrying another woman, shelly still couldn't forget the man who taught her how to "love", and finally chose to flee to a fantasy world and end her young life with a gun. Movie opening are arranged in the back garden of the family reunion Xie Ligu, characters completely wrapped by lush vegetation, there are French phoenix tree, the aloe, Japan cloves, asparagus, China director of trying to build a kind of tonal symphony, like manet was that colour "grass" riches and honour, blackish green, deep green, and flowers white color contrast with people, let the viewer in shadow when people talk about those boring homely, visual won't feel tired. Paying attention to visual aesthetic experience is one of the most prominent features of contemporary European films. For example, becoming Jane Austen, beautiful angel, road to the red world and brokeback mountain are all pleasing to people with their images, which is also one of the key points for many Oscar winners. Mark rothko, an American art philosopher, said in an exploration of art beauty, "the decorative nature of art is spiritual and philosophical, and it insists on and displays its basic principles. We want a happy signpost, not an ugly presence. However, at present, many directors do not care about the feelings of the audience, they put the dialogue of the characters casually in a simple place, the aesthetic pleasure of the picture of the thoughts in the film often gives way to the tedious word games, the audience does not buy it, failure is inevitable. Shelley, the hero in the movie, is a rare handsome man with deep-set eyes, dark eyebrows and a high nose. His whole face looks like the sculpture beauty of an ancient Greek god. In addition, his clothes also is to have cultured, maroon suit foil by white underwear, slender figure and then put on a black trousers, a hand holding a cup of red wine, talking to lean body, the eyes contain deep lasting appeal when watching leia, wan ku is a woman will be his deputy and charmed by a little provocative look. From the character selection of the leading actor to the clothing selection, all show the film director's superb aesthetic perception and interest, which is combined with the director Stephen frese to express the impressionist painter's aesthetic thinking of one standard. Beauty, as the main narrative of the film "Shirley", has a collision with the aesthetic appreciation of the audience. Along the film refers to the art road signs, we came to the birth of impressionism in the French high society, feeling the extraordinary years of rouge powder. Since the fall of German thought, Paris has been a rallying point for the world's cultural heavyweights. In the mid-19th century, Chopin of Poland came to France by boat from the nieper river to join liszt of Hungary. He met Hugo and George sang in the French salon. Chopin is music on the talent, has been regarded as the apple of the eye of the French high society of female celebrities. His association with George sang, who was six years his senior, was bound to raise eyebrows. Forced by embarrassment, two people avoid the vision of the Paris media, fled to the outskirts of a called mallorca island to survive in the wild, the wave of this kind of love has been France's upper class hot speculation. Critics have suggested that the aunt and nephew's romance in "Shirley" was also learned from Joe and shaw. Paris is not only a place of emotional vortex, but also a cradle of world-class artistic talent. Hugo, merimee, Balzac, dumas, dumas, delacroix, van gogh, gauguin, Sartre, maupassant, voltaire, Berlioz, Debussy these art and ideological heavyweights are from Paris. Many viewers will ask, why does this land have so many music masters, painting leaders, giants of thought, literary giants? It's all about love and romance in Paris, about the fact that this land can produce artistic genius and also allow dirt. "Xie li" is also a shot to the society's most dirty abortion prostitutes, let her moral collapse and his poor generation boy xie li mix, after a period of passion, the human nature of the conscience was awakened, resolutely and resolutely break up with him, just cause xie li shot suicide human tragedy. Impressionism was born out of the vast and misty dust. How can it stop in today's complicated and mixed society?

Film is the language of vision. Only when the eyes are stretched can we better express the meaning of film. Therefore, the design of characters and scenes in the film is crucial. "The visual emphasis on the scene is an important reflection of the director's style." The aesthetic feeling shown by "Shirley" starts from the beautiful picture, and then shapes the beautiful figure of the characters and gradually enters the story itself. Without the ingenious arrangement of director Stephen frese and his tacit cooperation with the photographer, this much-mashed literary script would have caused the world to scoff at the fact that "Shelley" once again tackles such sensitive social issues as prostitution. In the movie, shelly is leia temptation to go to bed, the camera turned to him and the practice that a boxer, leia standing on the bridge use wreath range, looked at her lover with boxer standoff, lens using overlooking the Angle shot up, flowers of Bridges, water flowers, CARDS and colonnades, with flower, beautiful leia all the sight of the audience. Especially in the sun shining glow, the lens produced shadow, the water appeared golden cross wave light, an impressionist visual aesthetic picture arises spontaneously. Impressionism is known in France as the "moment of emotional expression", the capture of fleeting impressions. Truth, as long as a little knowledge of painting appreciation all know, manet, monet, van gogh how to create a beautiful painting, in the path of beauty, the artists climbed the highest mountain art, see the most beautiful scenery. Zheng feng, a contemporary romance novelist, wrote in the book "angels love Paris" that "genius is accomplished at one stroke, striking the world with one action, and brilliant, just like van gogh and Chopin. Stephen Frears rose to the top of British cinema in the 1980s with his keen visual awareness and engaging storytelling. Ignoring the criticism of the current public opinion, the director directly aims his film lens at the prostitute, who is not clean. With the beauty of the beautiful picture and the profound philosophy that is worth thinking, the original sincerity and kindness of human nature are opened. When Shelley was arranged by her mother to marry young Edmee, leia finally realized that the time had come to break up with Shelley. After she gets married and starts a new life with Shelley, she deliberately gives him the cold shoulder and even flees to the seaside alone. The director intentionally arranges for her to have a brief encounter with the muscular and androgen equally developed private boxer, and then goes to bed, gets together with him and makes no sense. However, when leia finally realized that she could not live without shelly, she immediately returned to her hometown and met shelly. However, she looks different with shelly again feeling as before, her body hidden love of a mother's love look noble virtue, said her repressed inner true feelings: "forgive me, I will love you until I die, you are in my heart has been to for a long time, I forgot you still have to shoulder the task of the their own home, the young wife, there may be a child. So, you're going to suffer, you're going to think of me, and use reason and tolerance, and try not to hurt other people... "A touching words has let the audience bring tears, this period of sincere, to the heart of words, will soon be remembered, that forget her in his garden for massage therapist said:" it's strange that I couldn't describe the feeling, just like with African and Chinese people to go to bed, not to say that I have that experience." To win the understanding of African and Asian cultures, American and British directors often add some dialogue without answering questions in their films, which results in cozying up to harm. Perhaps I'm not quite sure why director Stephen frese included this line here. The film "" shelly" "is moving at the end. Shelly left after hearing lya's final farewell, a walk that never returned to lya, nor did he return to this planet. The news of Shelley's suicide was told by the film's narration to the audience. In a sad and beautiful music, the film saw the figure of Shelley disappearing gradually, leaving the world with space for reverie and thinking.

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