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Paper代写:The surrealist art of Salvador Dali

2019-03-25 17:14:21 | 日記
下面为大家整理一篇优秀的paper代写范文- The surrealist art of Salvador Dali,供大家参考学习,这篇论文讨论了萨尔瓦多·达利的超现实主义艺术。萨尔瓦多·达利作为二十世纪艺术地位仅次于毕加索的艺术家,他的一生一直充满传奇色彩。达利的超现实主义艺术所追求的,是将他心目中的那种平时表现不出来的梦境,也可以说是潜意识里的东西,通过作品表现出来。所以在看达利的作品时,我们往往能看得懂画中的每一个细节,但那种整体的荒诞和离奇的景象和场面又让人困惑。这种荒诞的恐怖,不合逻辑、夸张而又如此奇妙地创造了一种梦境与现实景象相结合的艺术。

Salvador Dali was born on May 11,1904, in figueras, Catalonia, northeastern Spain. He died on January 23,1989. Dali, like many famous artists, was born in that beautiful and always strange place -- the Mediterranean Sea. The Mediterranean is the cradle of European civilization, producing countless legendary figures, many celebrities with glorious honors, and many great artists. Dali loved the beauty of his hometown, with its familiar vegetation and intoxicating Catalan coast. These peculiar scenes became Dali's best materials for later creation.

Dali can draw the mature landscape painting 6 years old, 7 years, and he has become the idea of napoleon, acting the impressionists at the age of ten, could write at the age of 15 to discuss the Renaissance Michelangelo and da ・ Vinci art review, 17 years old study fauvism style, cubism, 19, learning style, early before the age of 25 special painting style, formed its own unique sort of surprise and praise him in the art of precocious, can foresee the future achievements. He breathed the breath of nature freely in the scene he saw, unwilling and unable to be controlled by the object depicted objectively, and his mind began to run free. He eventually became the most famous representative artist of surrealism.

While surrealism was in full swing in Paris, Dali was still wandering in his own creation. In 1928, in Paris, Dali came into contact with the surrealist movement. Dali's natural imagination seems to have doomed him to be a real surrealist.

What surrealist artists pursue is to express the dream in their mind, which cannot be expressed at ordinary times, or can be said to be something in the subconscious, through their works. When we look at Dali's work, we can often understand every detail of the painting, but the overall absurdity and bizarre scenes and scenes are confusing. This absurd horror, illogical, grotesque, exaggerated and so wonderful to create a combination of dreams and reality of the art scene. Dali likes to paint the picture in a delicate way, which is so precise as to depict the pores, and even to the extent that it looks like the real one, which makes people marvel at his realistic foundation. But behind the distorted and absurd pictures full of images, there is a desolate and sunny landscape. "Surrealists place a special emphasis on reality," Dali said. When he wanted to depict a carriage, he chose a very ordinary two-wheeled carriage rather than a fancy fancy one. He USES the simplest and most ordinary things to prove to you that the world is a beautiful place. He shows our eyes what we see every day, and to them the commonplace is superior to all ideas and ideals.

Dali is a surrealist with wide influence and long duration. As the most important representative in this field of fine arts, he is constantly attracting people's attention and causing considerable controversy, which cannot be separated from his personality. Dali's eccentric personality is reflected not only in his paintings, but also in his behavior, dressing, his words, his language and even his trademark moustache.

Dali's birth three years after his seven-year-old brother died of meningitis was a great relief to his parents. But Dali was invisible to the family as his brother's shadow. Dali also couldn't rule out his jealousy of his brother, whose huge picture was still hung in the house after his death. As a result, from an early age, Dali was full of ambition and showmanship. In order to prove his existence, Dali always tried his best to do jaw-drooling things in all aspects. Even mischievous things could attract others' attention, which made him feel compensated for his personality and indulge in self-expression. "With an indomitable attitude of infinite selfishness, I had no difficulty in grasping this pleasure, and I became hurtful. No doubt that's why I survived. All his shocking words and deeds are actually derived from his strong self-expression desire, which can be said to be one of the important sources of his continuous inspiration for great artistic creation.

Dali's exhibitionist tendencies were truly shocking, and his words and deeds, which struck the average person as "crazy", seemed perfectly normal to him: "the only difference between me and a madman is that I am not crazy." He constantly propagandizes himself and expands his influence through various ways. He is eager to show any place worthy of attention in his life to others. And Dali did, and the world was astounded by his artistic talent. He was an active participant in anything that would make him famous, from decorative paintings to stamps, from movies to TV commercials. "I love self-promotion because my work is mostly 'me' and the important thing is that I create a 'Dali'." Dali believed that he was a genius and that his ideas and works were the product of genius and should be valued. This is why he used all kinds of publicity methods to become famous. He worked almost all his life to create an unknown and well-known Dali, and his strong sense of self seemed to declare that he would not allow any corner of the world to be unaware of the existence of "Dali".

Humans have an inexplicable fear of the unknown and uncontrollable. In Dali's art, the fear of time and life is also one of the sources that dominate his art and thought. Dali's works interpret his inner fear and uneasiness through many symbolic symbols, and the sigh for the short life and the helplessness of the fragile life have always been the core of this kind of artistic creation. In Dali's most famous painting the eternity of memory, we can fully experience the unusual combination of logic and emotion, reason and madness. The clock presented an incredibly soft state, and the soft and mysterious time enabled Dali to endowing life with an infinite extension from the past to the future, which was difficult to reveal the secret. American art critic abal thinks: "soft watch is unreasonable, visionary, heretical and disturbing. It silences, it confuses, it makes no sense, it is chaotic and weak -- but these adjectives are the highest praise for surrealists. From then on, soft table became the representative of surrealism painting image, and even became the nickname of surrealism.

In Dali's works, many things are not its noumenon but endowed with special meanings. Recall Dali's paintings, ants, bread, limp objects, crutches, drawers and other images frequently appear, although not the subject of the work, but particularly eye-catching. These archetypal images are richly suggestive: the busy ant is often a symbol of stress, anxiety, and aging, reflecting his fear, powerlessness, and restlessness about life. In Dali's eyes, bread, hard on the outside and soft on the inside, is a symbol of sexual desire, through which he can freely express his fantasies of sexual desire. In particular, the limp clock suggested Dali's subconscious fear and helplessness over the passage of time. The walking stick became a symbol of death and resurrection in Dali's eyes and frequently appeared in his works. For the drawer, Dali suggested that the human body with the drawer was related to freudian psychoanalysis -- that children's natural curiosity about closure drove them to open the drawer, either to satisfy their desire to explore unknown objects or to eliminate the fear that unknown objects might cause harm. Freud explained that drawers represent women's latent eroticism. In Dali's works, most of the drawers appear on the female body, perhaps fulfilling Freud's interpretation and showing Dali's fantasy of lust.

The virgin of Riga, Jesus died on the cross, Columbus discovered America, the crowned virgin, the last supper, and atomic rita are all representative works of religion, nuclear and atom in Dali's paintings. These paintings are usually large in size, and the themes and images of religious classics are placed in an environment full of scattered material elements. The pictures are magnificent and exciting, and there is also the transcendent tranquility typical of the religious world, which changes the paranoid and twisted crazy colors that permeate personal desire in the early paintings. Surrealism mainly shows the dark side of human nature, while Dali is able to sublimate the irrational elements into the noble and sacred pursuit of a better life, which is not possible for ordinary people and is also the manifestation of his genius. If Dali's works in the war period reflect the evil of human nature and his antipathy to society, which is a kind of criminal criticism, then his later religious paintings explore the goodness of human nature and praise the glory of human nature.

Dali had a colorful life, constantly making artistic attempts in many areas. He can carry in almost all the media on the creation of art, so he left to become is not only a oil painting, watercolor painting works, also includes many jewelry design, furniture design, sculpture, etc., and can be called at the time of new media art, such as movies, illustration, advertising, photography, and Dali Dali drama art gallery of the construction of the old age has always been our best, and so on. Dali is not only a master of surrealism, his life has gone through many artistic periods, from the transition period of surrealism in the early years of the school of reflection painting, cubism, separatism, to the final classical period this transition process, all confirmed that Dali is a progressive artist with the courage to explore. If Picasso's cubism opened up a whole new way of observing, describing and understanding objects in the field of painting, then what Dali sought was no longer a pure painting form, but a way to explain the world beyond the surface reality. Dali's extraordinary expression of complex and rich human nature integrates the contradiction between rationality and irrationality, reality and absurdity, reality and fantasy with the hallucinatory effect of imagination, so as to have a strong visual impact, which is exactly the true portrayal of the hidden creative source of the painter.

Dali's art is the art of individuality. Perhaps the art of individuality is the art of immortality. As Dali said, "because I am a genius, I have no right to die, and I will never die. Genius dies, and genius's work endures.

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