下面为大家整理一篇优秀的assignment代写范文- Suspense movies，供大家参考学习，这篇论文讨论了悬疑电影。悬疑电影是最受大众欢迎，也是美国最早的类型片之一。这类影片总是有着浓郁的神秘色彩。导演通过精心策划的悬念，以环环相扣的故事情节、若即若离的事件真相和主人公扑朔迷离的命运结局，激起观众强烈的好奇心和探求欲望。美国发达的电影产业为这一类型电影提供了良好的生存空间。对于悬疑电影来说，震撼人心的故事与独特的叙事技巧是影片成功的关键。
Mystery films are the most popular and one of the earliest genre films in the United States. This kind of film always has a strong mysterious color, the fate of the characters and the plot of the story is full of contingency and unpredictability. Directed by elaborate suspense, with interlocking plot, the uncertain fate of the truth and the hero end of brinkmanship, arouse the audience a strong curiosity and desire to explore. For suspenseful films, shocking stories and unique narrative techniques are the key to success. This paper analyzes the narrative strategies of American suspense movies from three aspects: narrative logic, narrative ethics and specific narrative forms.
Rigorous narrative logic is the main difference between suspense films and other genres. For films of the same theme, different filmmakers will adopt different narrative structures, which is related to the director's views on film stories, artistic imagination and image expression habits. But no matter how narrative adopts the structure of the narrative clue how to unfold, adopt what kind of the end, under the appearance of these numerous and complicated, because of strict every suspense movie narrative logic and identity are obtained.
Suspense films emphasize audience participation. Suspense interlocked to stimulate the audience's aesthetic enthusiasm, prompting the audience to explore the reality behind the appearance. Therefore, the rigorous logic is to guide the audience into the "guessing game" process of the door and road. In the period when the technology of film picture processing is not developed, strict narrative logic is especially important for suspense films. Such as black and white films 12 angry men, prosecution witness and holmes series. Twelve angry men revolves around a murder. As members of the jury, 12 men debated whether the accused boy was guilty. In addition to the court scene at the beginning of the film, there is only one set in the jury room, and the accused boy has only one side of the audience. The narrative of the film is entirely driven by the characters' language, and it is narrated in a single line in chronological order. In the course of the film's narrative development, it is the only element to attract the audience and the only way to lead the audience to the truth to analyze the case with rigorous logic. Twelve angry men thus became the representative of a typical suspense film. However, different movies have different ways to show the narrative logic. The psychology of the characters and the development of the situation can all serve as the basis for the development of the narrative logic. In fact, in today's highly developed film technology, strict narrative logic is still the most basic narrative feature of suspense films.
Second, suspense movies often end with an unexpected ending. The ending is often shocking. The result is expected to detract from most of the aesthetic effect. The unexpected results are unlikely to be endless. In "deadly magic," for example, no matter how crazy angel's imagination and how powerful his technology is, he still can't beat his opponent, borden. Much of the film is devoted to angel's obsession with magic. But it was borden who was really paranoid. The film ends with a startling revelation: boden performs a double act with his nameless twin. Both have sacrificed each other's lives, playing the same magician alternately in reality. Their lives exist only for art. That's why angel can't beat borden. It can be seen that the ending of the suspense film should be unexpected and reasonable. Only in this way can the audience be convinced as well as shocked. The aesthetic effect of "in reason" just needs the close narrative logic to cooperate. Nearly all of America's more successful suspense movies in recent years have been constructed on this principle.
In addition, for suspense films, the audience will be shocked by the unexpected ending, but its strongest aesthetic experience is still the promotion process of the whole event's ups and downs. Therefore, the narrative logic of suspense film is not only a form of expression, but also an aesthetic content. This is another sign of the difference from other movie genres. Usually the audience in the appreciation of film rarely consider the director how to structure the story, how the way of transformation of time and space, but for suspense was different, the charm of it largely comes from, is also the audience found the key clues. Nolan's "memento mori," for example, flashbacks a man with transient amnesia who seeks out a man who murdered his wife. The story itself is not complicated, but the use of flashback and sequence overlap makes the whole story confusing. The confusion of the protagonist's memory leads to different "truth", which adds a lot of fun to the film's interpretation. Such films and inception multi-threaded parallel, episodic "butterfly effect", "shutter island" in the spirit world and the real world of overlapping, collage, etc., the director by unique but rigorous narrative logic, the whole story is playing well mysterious, full of uncertainty, greatly aroused the audience's quest of the enthusiasm, the emotion also changes with the approach of the present diversity. The audience's aesthetic experience is rich and impressive.
American suspense movies have distinct ethical propositions. Under the appearance of mystery and fear, it is the expression of kinship and friendship and the interpretation of individual life dignity. Compared with other commercial movies, the individualism, moral appeal and justice advocated in American values are more obvious in suspense movies.
Individualism is the most prominent ethical proposition in American suspense movies. Traditional American suspense films mainly focus on case detection and show the wisdom and courage of the protagonist beyond ordinary people, such as Sherlock Holmes, prosecution witness, rear window and so on. Modern American suspense movies praise the creation of individual heroes more, the legend is more intense, and the characters are more and more plump. The protagonist is no longer an observer or an outsider of the event, but is enveloped in layers. In addition, while fully affirming the individual's ability, the film also affirms their sense of responsibility. The hero is in practice its responsibility at the same time, show beyond normal ability and tenacity, shows the noble character of the characters, such as the law-abiding citizen "memory fragments" and "butterfly effect" and so on, in this kind of film, the protagonist whether social elite, or ordinary little people, the life experience is full of twists and turns and suffering. Their behavior is always linked to friendship, love, family and social responsibility. Sheldon in "law-abiding citizens" becomes a lone hero in search of the killer of a loved one. In the butterfly effect, in order to change the fate of lovers and friends, Ivan goes back and forth to change real life. In "paranormal sixth sense," psychiatrist melcom struggles to help the boy, cole, out of a sense of professional responsibility and to redeem a patient who gave up treatment in his early years.
American suspense movies always hold the criticism of human desire, revealing the tragedy of life caused by greed, lust and power. This kind of criticism is often connected with various problems in the real society, and has a strong authenticity and shock power. Such as, "fruit hard candy" 14-year-old haile through a series of plans revenge pedophilia, 32, a photographer Jeff, the background is based on the modern society more and more serious sexual assault crime against minors. "Mulholland drive" although with complex and disorder of time and space, confusing the spirit world and the real life, but the story is not complicated - killings that resulted from jealousy and greed. "Fog of fog" tells the story of the disaster caused by official secret experiments and the events that injured a large number of civilians. It also reveals the human weakness of fear, selfishness and brutality in the face of death. These films are often in a social problem as the breakthrough point, revealing the violent crime, competition leads to mental crisis, political issues, such as family ethics, they to the modern society that is most sensitive nerve. Due to the film audience atmosphere of suspense, strange and fear of at the same time, in which various hot issues of cleverly into the real life, make the film more close to the audience, has more realistic significance. In addition, in many suspense films, there are calls for justice and social order reconstruction. Although such films often borrow the forms of modernism and postmodernism, but the director is rarely stay only at the expression level, these films on value pursuit, is usually bright and conservative, emphasis on good and evil have reported to the view of the world, reflected in the narrative ethics of causal integrity, even many chose to open at the end of the film, also can give the audience a relatively satisfactory result. For example, the hero of "12 angry men", Davis, has gone from fighting alone with a few supporters to thoroughly subverting the evidence of "guilt". Judge the boy guilty jurors from 11 to 1, agree to 12 people decide its innocence, turn the big end in strong emotional shock to the audience at the same time, gives the audience a real identity "we shoulder the responsibility. We have always felt that this is the virtue of a democratic society No matter what the verdict, we won't get any good or loss. That's why our country is so strong. In "law-abiding citizens," murderers are not punished by the law in order to settle cases. Sheldon tries to restore the justice of the law with his personal power. Although the audience is sympathetic to the main character, it is beyond the law to deprive others of their lives and cannot be forgiven. The hero's final ending is reasonable and just.
Suspense movies attach great importance to narrative techniques. Compared with other films, this kind of film seldom narrates in a calm and calm style. The key to its success is suspense setting. Suspense is the core content to attract and guide the audience to participate in the film's aesthetic activities. On the one hand, its attraction to the audience runs throughout the film, arousing the audience's passion to explore the truth until the film's riddle is solved. On the other hand, it is not only the communication bridge between the audience and the film creators, but also the self-exchange of the audience's thoughts. Suspense always brings negative power, so that the audience's views can be constantly revised, so that the development of the plot can not stop. This is the biggest attraction of this genre. Because of this, the narrative techniques of suspense movies must avoid the parallel narration of time and space, but choose a variety of options.
Firstly, from the perspective of narrative structure, there is always a parallel between linear narration and non-linear narration in suspense films. Linear narrative emphasizes the integrity of the story and arranges the plot in chronological order. This is the most commonly used narrative method in commercial films and the mainstream narrative form used in American suspense films. This narrative emphasizes the inherent causal logic. It is easy to be accepted by the audience and is the guarantee of the movie box office. But the traditional linear narration is difficult to mobilize the audience's aesthetic passion. This requires the addition of non-linear narrative. Although in most suspense films, non-linear narration does not occupy the dominant position, it is indispensable for the construction of suspense. For example, in the butterfly effect, although the film shows the protagonist's different life experiences, the core of the film is still his efforts to change his destiny time and again. The fragmented life of the main character makes the film full of suspense, but without the latter as the main line, the film's polyphonic narration will obviously make the audience uncomfortable. At the same time, non-linear narration is also the root of the negative power as described above. Through the change of perspective, suspense films have severely weakened the authority of the narrative subject, and the audience has also shifted their attention from the story itself to the characters. For example, there are two narrators in mulholland road, one is a real person, the other is a person in a "dream". The overlapping and collision between the two subverts each other's discourse authority. This has left the whole affair in doubt, and the audience's judgment is full of uncertainty. This uncertainty motivates the audience to explore the truth, which is the charm of suspense movies.
Secondly, ellipsis art is also a common narrative technique in suspense films. Proper omission does not harm the integrity of the film, but makes the film's narrative more flexible and the development of the film's plot more desirable. In "seven SINS", the ending time and space of the film underwent several jumps, and the key content was intentionally omitted by the director. First, the murderer John gave himself up, and police officer William believed his "seven crimes" punishment had not been completed. John had actually been to William's house before turning himself in and killed his wife, Tracy. Tracy's death was not known to the audience until her head was delivered to William. The mystery of why John turned himself in has now been solved, for he has already completed the planning of the remaining "two SINS" with a surprising and mixed ending. Visible, the movie in the narrative of omission, or do matting for the jump of time and space, with the help of this, the partial truth is covered by the director, into a key place to come to the film development, in order to realize the strong aesthetic effect. In addition, various modern and postmodern light and shadow means, such as stream of consciousness, collage, parody and open ending, are also very common in American suspense movies. This artistic approach enhances the dreaminess and uncertainty of the film. They are both the formal language of the film and the content of the film. Their existence not only makes the film more attractive, but also increases the difficulty of interpretation and enriches the aesthetic space of the film.
Since the mid 1920s, a series of films made by Hitchcock have contributed to the genre of suspense films. The developed film industry in the United States provides a good living space for this type of film. With the continuous development of film media technology and narrative art, suspense films will be one of the most attractive types of films, presenting more and more attractive forms of expression.
51due留学教育原创版权郑重声明：原创assignment代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有assignment代写、essay代写、paper代写服务。
51due为留学生提供最好的assignment代写服务，亲们可以进入主页了解和获取更多assignment代写范文 提供美国作业代写服务，详情可以咨询我们的客服QQ：800020041。
Mystery films are the most popular and one of the earliest genre films in the United States. This kind of film always has a strong mysterious color, the fate of the characters and the plot of the story is full of contingency and unpredictability. Directed by elaborate suspense, with interlocking plot, the uncertain fate of the truth and the hero end of brinkmanship, arouse the audience a strong curiosity and desire to explore. For suspenseful films, shocking stories and unique narrative techniques are the key to success. This paper analyzes the narrative strategies of American suspense movies from three aspects: narrative logic, narrative ethics and specific narrative forms.
Rigorous narrative logic is the main difference between suspense films and other genres. For films of the same theme, different filmmakers will adopt different narrative structures, which is related to the director's views on film stories, artistic imagination and image expression habits. But no matter how narrative adopts the structure of the narrative clue how to unfold, adopt what kind of the end, under the appearance of these numerous and complicated, because of strict every suspense movie narrative logic and identity are obtained.
Suspense films emphasize audience participation. Suspense interlocked to stimulate the audience's aesthetic enthusiasm, prompting the audience to explore the reality behind the appearance. Therefore, the rigorous logic is to guide the audience into the "guessing game" process of the door and road. In the period when the technology of film picture processing is not developed, strict narrative logic is especially important for suspense films. Such as black and white films 12 angry men, prosecution witness and holmes series. Twelve angry men revolves around a murder. As members of the jury, 12 men debated whether the accused boy was guilty. In addition to the court scene at the beginning of the film, there is only one set in the jury room, and the accused boy has only one side of the audience. The narrative of the film is entirely driven by the characters' language, and it is narrated in a single line in chronological order. In the course of the film's narrative development, it is the only element to attract the audience and the only way to lead the audience to the truth to analyze the case with rigorous logic. Twelve angry men thus became the representative of a typical suspense film. However, different movies have different ways to show the narrative logic. The psychology of the characters and the development of the situation can all serve as the basis for the development of the narrative logic. In fact, in today's highly developed film technology, strict narrative logic is still the most basic narrative feature of suspense films.
Second, suspense movies often end with an unexpected ending. The ending is often shocking. The result is expected to detract from most of the aesthetic effect. The unexpected results are unlikely to be endless. In "deadly magic," for example, no matter how crazy angel's imagination and how powerful his technology is, he still can't beat his opponent, borden. Much of the film is devoted to angel's obsession with magic. But it was borden who was really paranoid. The film ends with a startling revelation: boden performs a double act with his nameless twin. Both have sacrificed each other's lives, playing the same magician alternately in reality. Their lives exist only for art. That's why angel can't beat borden. It can be seen that the ending of the suspense film should be unexpected and reasonable. Only in this way can the audience be convinced as well as shocked. The aesthetic effect of "in reason" just needs the close narrative logic to cooperate. Nearly all of America's more successful suspense movies in recent years have been constructed on this principle.
In addition, for suspense films, the audience will be shocked by the unexpected ending, but its strongest aesthetic experience is still the promotion process of the whole event's ups and downs. Therefore, the narrative logic of suspense film is not only a form of expression, but also an aesthetic content. This is another sign of the difference from other movie genres. Usually the audience in the appreciation of film rarely consider the director how to structure the story, how the way of transformation of time and space, but for suspense was different, the charm of it largely comes from, is also the audience found the key clues. Nolan's "memento mori," for example, flashbacks a man with transient amnesia who seeks out a man who murdered his wife. The story itself is not complicated, but the use of flashback and sequence overlap makes the whole story confusing. The confusion of the protagonist's memory leads to different "truth", which adds a lot of fun to the film's interpretation. Such films and inception multi-threaded parallel, episodic "butterfly effect", "shutter island" in the spirit world and the real world of overlapping, collage, etc., the director by unique but rigorous narrative logic, the whole story is playing well mysterious, full of uncertainty, greatly aroused the audience's quest of the enthusiasm, the emotion also changes with the approach of the present diversity. The audience's aesthetic experience is rich and impressive.
American suspense movies have distinct ethical propositions. Under the appearance of mystery and fear, it is the expression of kinship and friendship and the interpretation of individual life dignity. Compared with other commercial movies, the individualism, moral appeal and justice advocated in American values are more obvious in suspense movies.
Individualism is the most prominent ethical proposition in American suspense movies. Traditional American suspense films mainly focus on case detection and show the wisdom and courage of the protagonist beyond ordinary people, such as Sherlock Holmes, prosecution witness, rear window and so on. Modern American suspense movies praise the creation of individual heroes more, the legend is more intense, and the characters are more and more plump. The protagonist is no longer an observer or an outsider of the event, but is enveloped in layers. In addition, while fully affirming the individual's ability, the film also affirms their sense of responsibility. The hero is in practice its responsibility at the same time, show beyond normal ability and tenacity, shows the noble character of the characters, such as the law-abiding citizen "memory fragments" and "butterfly effect" and so on, in this kind of film, the protagonist whether social elite, or ordinary little people, the life experience is full of twists and turns and suffering. Their behavior is always linked to friendship, love, family and social responsibility. Sheldon in "law-abiding citizens" becomes a lone hero in search of the killer of a loved one. In the butterfly effect, in order to change the fate of lovers and friends, Ivan goes back and forth to change real life. In "paranormal sixth sense," psychiatrist melcom struggles to help the boy, cole, out of a sense of professional responsibility and to redeem a patient who gave up treatment in his early years.
American suspense movies always hold the criticism of human desire, revealing the tragedy of life caused by greed, lust and power. This kind of criticism is often connected with various problems in the real society, and has a strong authenticity and shock power. Such as, "fruit hard candy" 14-year-old haile through a series of plans revenge pedophilia, 32, a photographer Jeff, the background is based on the modern society more and more serious sexual assault crime against minors. "Mulholland drive" although with complex and disorder of time and space, confusing the spirit world and the real life, but the story is not complicated - killings that resulted from jealousy and greed. "Fog of fog" tells the story of the disaster caused by official secret experiments and the events that injured a large number of civilians. It also reveals the human weakness of fear, selfishness and brutality in the face of death. These films are often in a social problem as the breakthrough point, revealing the violent crime, competition leads to mental crisis, political issues, such as family ethics, they to the modern society that is most sensitive nerve. Due to the film audience atmosphere of suspense, strange and fear of at the same time, in which various hot issues of cleverly into the real life, make the film more close to the audience, has more realistic significance. In addition, in many suspense films, there are calls for justice and social order reconstruction. Although such films often borrow the forms of modernism and postmodernism, but the director is rarely stay only at the expression level, these films on value pursuit, is usually bright and conservative, emphasis on good and evil have reported to the view of the world, reflected in the narrative ethics of causal integrity, even many chose to open at the end of the film, also can give the audience a relatively satisfactory result. For example, the hero of "12 angry men", Davis, has gone from fighting alone with a few supporters to thoroughly subverting the evidence of "guilt". Judge the boy guilty jurors from 11 to 1, agree to 12 people decide its innocence, turn the big end in strong emotional shock to the audience at the same time, gives the audience a real identity "we shoulder the responsibility. We have always felt that this is the virtue of a democratic society No matter what the verdict, we won't get any good or loss. That's why our country is so strong. In "law-abiding citizens," murderers are not punished by the law in order to settle cases. Sheldon tries to restore the justice of the law with his personal power. Although the audience is sympathetic to the main character, it is beyond the law to deprive others of their lives and cannot be forgiven. The hero's final ending is reasonable and just.
Suspense movies attach great importance to narrative techniques. Compared with other films, this kind of film seldom narrates in a calm and calm style. The key to its success is suspense setting. Suspense is the core content to attract and guide the audience to participate in the film's aesthetic activities. On the one hand, its attraction to the audience runs throughout the film, arousing the audience's passion to explore the truth until the film's riddle is solved. On the other hand, it is not only the communication bridge between the audience and the film creators, but also the self-exchange of the audience's thoughts. Suspense always brings negative power, so that the audience's views can be constantly revised, so that the development of the plot can not stop. This is the biggest attraction of this genre. Because of this, the narrative techniques of suspense movies must avoid the parallel narration of time and space, but choose a variety of options.
Firstly, from the perspective of narrative structure, there is always a parallel between linear narration and non-linear narration in suspense films. Linear narrative emphasizes the integrity of the story and arranges the plot in chronological order. This is the most commonly used narrative method in commercial films and the mainstream narrative form used in American suspense films. This narrative emphasizes the inherent causal logic. It is easy to be accepted by the audience and is the guarantee of the movie box office. But the traditional linear narration is difficult to mobilize the audience's aesthetic passion. This requires the addition of non-linear narrative. Although in most suspense films, non-linear narration does not occupy the dominant position, it is indispensable for the construction of suspense. For example, in the butterfly effect, although the film shows the protagonist's different life experiences, the core of the film is still his efforts to change his destiny time and again. The fragmented life of the main character makes the film full of suspense, but without the latter as the main line, the film's polyphonic narration will obviously make the audience uncomfortable. At the same time, non-linear narration is also the root of the negative power as described above. Through the change of perspective, suspense films have severely weakened the authority of the narrative subject, and the audience has also shifted their attention from the story itself to the characters. For example, there are two narrators in mulholland road, one is a real person, the other is a person in a "dream". The overlapping and collision between the two subverts each other's discourse authority. This has left the whole affair in doubt, and the audience's judgment is full of uncertainty. This uncertainty motivates the audience to explore the truth, which is the charm of suspense movies.
Secondly, ellipsis art is also a common narrative technique in suspense films. Proper omission does not harm the integrity of the film, but makes the film's narrative more flexible and the development of the film's plot more desirable. In "seven SINS", the ending time and space of the film underwent several jumps, and the key content was intentionally omitted by the director. First, the murderer John gave himself up, and police officer William believed his "seven crimes" punishment had not been completed. John had actually been to William's house before turning himself in and killed his wife, Tracy. Tracy's death was not known to the audience until her head was delivered to William. The mystery of why John turned himself in has now been solved, for he has already completed the planning of the remaining "two SINS" with a surprising and mixed ending. Visible, the movie in the narrative of omission, or do matting for the jump of time and space, with the help of this, the partial truth is covered by the director, into a key place to come to the film development, in order to realize the strong aesthetic effect. In addition, various modern and postmodern light and shadow means, such as stream of consciousness, collage, parody and open ending, are also very common in American suspense movies. This artistic approach enhances the dreaminess and uncertainty of the film. They are both the formal language of the film and the content of the film. Their existence not only makes the film more attractive, but also increases the difficulty of interpretation and enriches the aesthetic space of the film.
Since the mid 1920s, a series of films made by Hitchcock have contributed to the genre of suspense films. The developed film industry in the United States provides a good living space for this type of film. With the continuous development of film media technology and narrative art, suspense films will be one of the most attractive types of films, presenting more and more attractive forms of expression.
51due留学教育原创版权郑重声明：原创assignment代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有assignment代写、essay代写、paper代写服务。
51due为留学生提供最好的assignment代写服务，亲们可以进入主页了解和获取更多assignment代写范文 提供美国作业代写服务，详情可以咨询我们的客服QQ：800020041。
※コメント投稿者のブログIDはブログ作成者のみに通知されます