Prog'Sud レビュー

先日のProg'Sudコンサート・レビューがフランスのプログレ雑誌「KOID 9」 N°74と「Acid Dragon」#52に掲載されました。

・KOID 9記事


以下記事英訳です。

「I subscribe to the group.
TEE has nothing to do with the utensil that keeps the golf ball but is a contraction of The Earth Explorer.
Formed in 2005 under the name of "Euro Express" covering European rock mainly Italian prog.
Two albums to their assets, last released in late 2008 at namesake Musea and the first "First Voyage - Crazy Jam" is a live recording in December 2007. They did bring a dozen copies on sale at the venue that were gone more quickly than the time to say!
TEE will offer us a note will prog 'Symphony often close to camelien universe, this being due in part to the excellent flutist Kenji Imai, very present and that proved to be the soul of this group.
Yet the world of Focus that plunges us entry "Nomad" even though this style of flute brings John Hackett and a zest canterburien way caravan in my mind.
"Sirocco Chase" Outer Limits is in mind, developing complex rhythms to the music is very melodic. Highlighting the flute does not make us overlook the other musicians throughout the concert will show a great cohesion, avoiding unnecessary technical effects and individual. They shackle by "Col de L'Iseran" making reference to the "Tour de France". For the only time the flute sound Jethro Tull and the very catchy song at the beginning gives way almost a medieval document in any way that does not sound Japanese folk but that would illustrate both their middle ages as ours. It unfolds almost in mutating jitter and tapping avowed PFM or QVL point clearly to a superb final. (A few weeks later I still tune it in my head ...).
"Aurora" is introduced by magnificent keyboards, emphatic wish that switch on lines calm melodic guitars and piano that accompany us as film soundtracks and the final section near the beginning that takes us out of our sweet reverie.
Another nod to France with "The Blue Bird" is the name of a luxury car of the train from Paris to Amsterdam. It is a delight to hear of the simple and beautiful melodies, always on a rhythmic complexity. The guitar phrases are not too convoluted and that's good.
Put aside the famous Teru's Symphonia, I see no equivalent in the progressive landscape of Japan. A final camelien superb made the audience enthusiastically called for an encore. This will bring unreleased "Endevour", a symphonic piece as proposed by the Indonesian Discus but without making head technology.
A deserved victory for this group because of quality and sobriety. (And that's the repetition they had played "La Machine" of Eclat and the flutist had offered us 30 seconds of "Firth of Fifth"!)」


・Acid Dragon記事