評価とは？「コマーシャルゾーン セッション 1 2 」 PUBLIC IMAGE LTD

このよーなブツが落札できてしもたん　しかもライバル無しで

COMMERCIAL ZONE　SESSION　1 2

PUBLIC IMAGE LTD

コマーシャルゾーンに関しては　25年以上前レコード屋でチラっと見ただけで即レコード屋から姿を消して
仕方なく大竹(現・教員)にカセットテープにダビングしてもーたもんを　ず～っと聴いていた

ジョン・ライドンとの仲が破綻したキース・レヴィン版のあれである

今回のこれは　しかもセッションである　知らない曲がどっちゃりこんである



元々が(レコード時代な)海賊盤的に性質を帯びていたし　今回のもCD-Rなので　
音質とか出来具合とかに関しては　全く期待はしていなくって　
なんか音らしきものが入っていたらそれでヨシとしなければならないブート博打

Yahooオークションとゆーもんは　どーゆーものかよくわかっていないのであるが
出品者の方々が　めったやたらと「評価」とゆーことにコダワリになられて
大至急「評価」の方ヨロシクお願いされちゃうのであるが

今回に関しては・・・



「商品の性質上、当方に対する評価は絶対にしないで下さい。
また落札者様にも迷惑がかかりますので、
基本的にこちらからも評価は致しませんので、
よろしくお願い致します。

また機会がありましたらどうぞよろしくお願い致します。」

(出品者様からのコメント)



なんて　まるでお子様の裏DVDの取引をこそこそしているようで　カッコエエではないか

自分はブートに関してはこれまでの人生何度もカス掴まされていて免疫ができているため　
たとえハズレだとしてもギャースカ騒ぐつもりは毛頭ないのであるが
（なんらかの音が入っているだけでヨシ　再生できさえすればエエとしょー）

破綻していく過程が聴ければエエなぁ～なんて　過度の期待もないわけではないが

人間とゆーのは　他人からの評価とゆーもんをずいぶんと気にしてビクビクしながら生きているものである(勿論小心者の僕も毎日がビクビク)
こーゆーネットを媒介としての取引も　「評価」「評価」と・・・なんかヒステリックでヤなもんがある

コマーシャルゾーンのしかもセッションもんなんて
世の中にあったかもしれないとゆー「夢」を与えてくれただけでも
「評価」は５点満点であると　ワタシは思う

（でも　カス掴まされたら　やっぱり大騒ぎしていると思うので　それは　また後日談とゆーことで）

PUBLIC IMAGE LIMITED 1980

Commercial Zone is an album of studio recordings that were released in 1983 by guitarist Keith Levene. Levene fled with the master tapes to America, where he sold the rights for the material and had several hundred vinyl pressings created without consent from John Lydon or the rest of PiL. Levene soon received a cease and desist order from PiL's record label. The album includes several songs that were later re-recorded such as "Blue Water" and "The Slab"(renamed "The Order of Death" for inclusion on This is What You Want...). Frontman John Lydon originally wanted this stripped-down acoustic version played over the end credits of Copkiller (AKA The Order of Death), a low-budget Italian film Lydon had acted in alongside Harvey Keitel.

History
In May 1981 PIL moved from London to New York City, but in October 1981 their American record contract with Warner Brothers expired and was not renewed. In January 1982 the British music press reported that PIL had tried to record a new album in New York with producers Adam Kidron and Ken Lockie, but split instead - this was promptly denied by the band in a press release the following week.

In May 1982 drummer Martin Atkins rejoined the band and PIL started recording their new studio album for Virgin Records at Park South Studios in Manhattan, with sound engineer Bob Miller co-producing. On 29 August 1982 new bassist Pete Jones joined the band in the studio, the new line-up played its debut concert four weeks later (28 September 1982 in New York City). During the summer and autumn of 1982 the band planned to form their own record label (Public Enterprise Productions) and license its releases to Stiff Records USA for the American market, but these plans never materialized.

In early November 1982 PIL announced the imminent release of a new single "Blue Water" and a six-track mini album You Are Now Entering A Commercial Zone on their new label. This did not happen, instead the band continued recording at South Park Studios for a full-length album.

By May 1983 a new track "This Is Not A Love Song" was earmarked as a new single for Virgin Records, but PIL broke up when first Pete Jones and then Keith Levene left the band. The remaining members, John Lydon and drummer Martin Atkins hired session musicians to fulfill touring commitments and carried on under the PIL name. The single "This Is Not A Love Song" (with "Blue Water" as a 12" single b-side), both from the Park South sessions, was released by Virgin Records in September 1983 and went to no.5 in the UK single charts.

In summer 1983, in PIL's absence, Keith Levene took the unfinished album tapes and did his own mix. He then flew over to London and presented them to Richard Branson as the finished new PIL album for Virgin Records, but John Lydon decided to completely abandon the tapes and re-record the whole album from scratch with session musicians. This new version of Commercial Zone became This Is What You Want... This Is What You Get in 1984.

Levene decided to put the album out himself on the American market and founded the label PIL Records Inc. for this one-off release. The first limited pressing was released in November 1983 and was heavily imported to the UK and European market. A second pressing (with the track listing changed around and a shorter mix of "Bad Night") followed in August 1984 in an edition of 30,000 copies, to compete directly with the official re-recorded album This Is What You Want... This Is What You Get. Virgin Records promptly took legal actions and stopped the distribution and any further re-pressings of Commercial Zone.

Band Line-Up
John Lydon - vocals
Keith Levene - guitar, synthesizers (bass on "Bad Night" and "Lou Reed Part 2")
Pete Jones - bass (on "This Is Not A Love Song", "Mad Max", "Solitaire", "Miller Hi-Life")
Martin Atkins - drums, percussion
Bob Miller - sound effects (on "Miller Hi-Life")
Ken Lockie was a member of PIL during the initial recording sessions, playing keyboards, but was dropped from the line-up in September 1982. His contributions, if any, were erased or not used.

Musical Style
Commercial Zone is more accessible and commercial than PIL's previous records, with some laidback Velvet Underground-style guitar on a few tracks. Tracks like "Mad Max" and "Solitaire" have Funk elements, while especially the b-side of the record has a moody soundtrack atmosphere.