Virtual Bass VST VST3 Audio Unit EXS24 KONTAKT. Electric/Acoustic/Synth Basses: Syntheway Bassesland
Virtual Bass VST VST3 Audio Unit EXS24 KONTAKT. Electric/Acoustic/Synth Basses: Syntheway Bassesland
Bassesland: Electric, Acoustic and Synth Bass VST VST3 Audio Unit EXS24 + KONTAKT: Picked, Fingered, Fretless, Slapped, Muted, Slides, Synth Basses.
_______________________________________________________________________________________
http://bassesland.syntheway.net - Bassesland is a virtual bass that emulates a wide range of sounds of electric, acoustic and synthesizer basses. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS. Also available in EXS24 and KONTAKT Sample Libraries.
The sounds ranging from several electric bass guitars, including harmonics, slides, slaps, muted, wah effect and fills, going by an upright acoustic double bass, an electro acoustic bass to synth bass emulations based on vintage synthesizer like ARP 2600, Clavia Nord Lead, Kawai K3, Korg 01/W, Minilogue, MS2000, Memorymoog, Micromoog 2090, Minimoog Model D, Little Phatty, Minitaur, Prodigy, System 55, Taurus Bass Pedal, Oberheim OB-Xa, OSC OSCar, Roland Juno-60, Juno-106, JX-3P, JX-8P, MC-909, TB-303 and Yamaha DX7.
Features
• Quick selector to switch between different preset sounds:
Timestamp from Youtube https://www.youtube.com/watch?v=tvEQMh8Uuqk
01 • Upright Acoustic Double Bass 0:00
02 • Upright Acoustic Double Bass (Pizzicato) 0:50
03 • Electro Acoustic Bass 1:14
04 • Picked Electric Bass and Harmonics 1:46
05 • Fingered Electric Bass and Harmonics 2:40
06 • Fretless Electric Bass 3:28
07 • Jazz Electric Bass 4:08
08 • Funk Groove Electric Bass 4:15
09 • Fuzz Overdrive Electric Bass 5:00
10 • Wah Electric Bass 5:31
11 • Muted Electric Bass 6:15
12 • Slapped Electric Bass 6:37
13 • Bass Slides 7:19
14 • Bass Slides and Fills 7:26
15 • ARP 2600 Bass 7:54
16 • Clavia Nord Lead Acid Bass 8:25
17 • Kawai K3 Reso Bass 8:57
18 • Korg 01/W Bass Suite 9:25
19 • Korg 01/W Xpress Bass 10:00
20 • Korg Minilogue Dirty Bass 10:19
21 • Korg MS2000 Synth Bass 10:47
22 • Memorymoog Bass 11:13
23 • Micromoog 2090 Bass 11:45
24 • Minimoog Model D Bass 12:01
25 • Moog Little Phatty MoogPerc 12:30
26 • Moog Minitaur Reso Bass 12:52
27 • Moog Prodigy Bass 13:26
28 • Moog System 55 Modular Synth 13:51
29 • Moog Taurus 1 Bass Pedal 14:24
30 • Moog Taurus 2 Bass Pedal 15:29
31 • Moog Taurus 3 Bass Pedal 16:05
32 • Oberheim OB-Xa Buzz Bass 16:36
33 • OSC OSCar Bass 17:06
34 • Roland Juno-60 Sub-Bass 17:35
35 • Roland Juno-106 Fat Bass 18:10
36 • Roland JX-3P Juicy Funk 18:44
37 • Roland JX-8P Synth Bass 19:23
38 • Roland MC-909 Acid Bass 19:52
39 • Roland TB-303 Bass Line 20:28
40 • Yamaha DX7 Velo Bass 21:06
• Tremolo Section: The low-frequency oscillator knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo to a huge variety of acoustic, electric and synthetic emulations available. Enabling 'Destination' by selecting 'Panning' mode applies a rhythmic variation in amplitude in the stereo field.
• Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
• Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
The following combo boxes settings adds motion or variability to sounds:
• WaveForm: Switches between ‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
• Source: Switches between ‘Modulation Wheel’, ‘Aftertouch’ and ‘Velocity’.
• Destination: Switches between ‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
• Attack determines the time it takes for the note to get to the maximum level.
• Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
• Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
• Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
• Pitch Bend center position: is normal pitch.
• Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
• Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
• Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
• High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
• None: No filter is applied.
• Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:
• Amplitude range (low) - sets amplitude range, lower bound (dB)
• Amplitude range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
• Spatial auralization: Synthesizer emulations brings a stereophonic sound panning to increase the audible perspective, even without using the built-in reverberation or LFO pan effect.
• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
_______________________________________
Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10: 32 bit (x86) or 64 bit (x64) platforms.
• 500 MHz Processor (Pentium®, Celeron® AMD® or equivalent) minimum.
• RAM: 512 MB or higher recommended.
• VST / VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 32 bit or 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and much more ...
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
Requirements for macOS:
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
• The AU Component, VST and VST3 plug-ins are distributed via Internet in an Apple Disk Image DMG file and compatible with macOS and all previous OS X.
_______________________________________
Syntheway Virtual Musical Instruments
http://syntheway.net
http://syntheway.com
_______________________________________
• VST is a trademark of Steinberg Soft- und Hardware GmbH
• ARP 2600 is a trademark of ARP Instruments, Inc.
• Little Phatty, Memorymoog, Micromoog 2090, Minimoog Model D, Minitaur, Prodigy, System 55 and Taurus Bass Pedals are trademarks of Moog Music, Inc.
• Kawai K3 is a registered trademark of Kawai Musical Instruments Mfg. Co., Ltd.
• Korg 01/W, Minilogue and MS2000 are trademarks of Korg Inc.
• Nord Lead is a registered trademark of Clavia Digital Musical Instruments
• Juno-60, Juno-106, JX-3P, JX-8P, C-909 and TB-303 are registered trademarks of Roland Corporation.
• OSCar is a trademark of Oxford Synthesiser Company
• OB-Xa is a trademark of Oberheim Electronics.
• Yamaha DX7 is a registered trademark of Yamaha Corporation.
• These trademarks are not affiliated or associated with Syntheway and are mentioned only to describe the types of sounds emulated by Bassesland Virtual Bass.
______________________________________________________________________________
Bassesland, Bass VST3, Virtual Bass, Electric Bass VST, Bass Audio Unit, Bass KONTAKT, Bass EXS24, Bass nki, Acoustic Bass VST, Upright Bass VST, Bass VST, Double Bass VST, Slapped Bass, Fuzz Bass, Wah Bass, Sub-Bass, Fat Bass, Acid Bass, Fingered Bass VST, Picked Bass VST, Electro Acoustic Bass, Fretless Bass VST, Bass Synth, Synth Bass, Velo Bass, Reso Bass, Dirty Bass, Bass line, Jazz Bass, Funk Bass
#Bassesland #BassAudioUnit #BassKONTAKT, #BassEX24 #BassNKI #BassVST3 #VirtualBass #ElectricBassVST #AcousticBassVST #UprightBassVST #BassVST #DoubleBassVST #SlappedBass #FuzzBass #WahBass #SubBassVST #FatBass #AcidBass #FingeredBassVST #PickedBassVST #ElectroAcousticBass #FretlessBassVST #BassSynth #SynthBass #VeloBass #ResoBass #DirtyBass #Bassline #JazzBass #FunkBass
Bassesland: Electric, Acoustic and Synth Bass VST VST3 Audio Unit EXS24 + KONTAKT: Picked, Fingered, Fretless, Slapped, Muted, Slides, Synth Basses.
_______________________________________________________________________________________
http://bassesland.syntheway.net - Bassesland is a virtual bass that emulates a wide range of sounds of electric, acoustic and synthesizer basses. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS. Also available in EXS24 and KONTAKT Sample Libraries.
The sounds ranging from several electric bass guitars, including harmonics, slides, slaps, muted, wah effect and fills, going by an upright acoustic double bass, an electro acoustic bass to synth bass emulations based on vintage synthesizer like ARP 2600, Clavia Nord Lead, Kawai K3, Korg 01/W, Minilogue, MS2000, Memorymoog, Micromoog 2090, Minimoog Model D, Little Phatty, Minitaur, Prodigy, System 55, Taurus Bass Pedal, Oberheim OB-Xa, OSC OSCar, Roland Juno-60, Juno-106, JX-3P, JX-8P, MC-909, TB-303 and Yamaha DX7.
Features
• Quick selector to switch between different preset sounds:
Timestamp from Youtube https://www.youtube.com/watch?v=tvEQMh8Uuqk
01 • Upright Acoustic Double Bass 0:00
02 • Upright Acoustic Double Bass (Pizzicato) 0:50
03 • Electro Acoustic Bass 1:14
04 • Picked Electric Bass and Harmonics 1:46
05 • Fingered Electric Bass and Harmonics 2:40
06 • Fretless Electric Bass 3:28
07 • Jazz Electric Bass 4:08
08 • Funk Groove Electric Bass 4:15
09 • Fuzz Overdrive Electric Bass 5:00
10 • Wah Electric Bass 5:31
11 • Muted Electric Bass 6:15
12 • Slapped Electric Bass 6:37
13 • Bass Slides 7:19
14 • Bass Slides and Fills 7:26
15 • ARP 2600 Bass 7:54
16 • Clavia Nord Lead Acid Bass 8:25
17 • Kawai K3 Reso Bass 8:57
18 • Korg 01/W Bass Suite 9:25
19 • Korg 01/W Xpress Bass 10:00
20 • Korg Minilogue Dirty Bass 10:19
21 • Korg MS2000 Synth Bass 10:47
22 • Memorymoog Bass 11:13
23 • Micromoog 2090 Bass 11:45
24 • Minimoog Model D Bass 12:01
25 • Moog Little Phatty MoogPerc 12:30
26 • Moog Minitaur Reso Bass 12:52
27 • Moog Prodigy Bass 13:26
28 • Moog System 55 Modular Synth 13:51
29 • Moog Taurus 1 Bass Pedal 14:24
30 • Moog Taurus 2 Bass Pedal 15:29
31 • Moog Taurus 3 Bass Pedal 16:05
32 • Oberheim OB-Xa Buzz Bass 16:36
33 • OSC OSCar Bass 17:06
34 • Roland Juno-60 Sub-Bass 17:35
35 • Roland Juno-106 Fat Bass 18:10
36 • Roland JX-3P Juicy Funk 18:44
37 • Roland JX-8P Synth Bass 19:23
38 • Roland MC-909 Acid Bass 19:52
39 • Roland TB-303 Bass Line 20:28
40 • Yamaha DX7 Velo Bass 21:06
• Tremolo Section: The low-frequency oscillator knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo to a huge variety of acoustic, electric and synthetic emulations available. Enabling 'Destination' by selecting 'Panning' mode applies a rhythmic variation in amplitude in the stereo field.
• Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
• Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
The following combo boxes settings adds motion or variability to sounds:
• WaveForm: Switches between ‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
• Source: Switches between ‘Modulation Wheel’, ‘Aftertouch’ and ‘Velocity’.
• Destination: Switches between ‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
• Attack determines the time it takes for the note to get to the maximum level.
• Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
• Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
• Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
• Pitch Bend center position: is normal pitch.
• Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
• Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
• Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
• High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
• None: No filter is applied.
• Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:
• Amplitude range (low) - sets amplitude range, lower bound (dB)
• Amplitude range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
• Spatial auralization: Synthesizer emulations brings a stereophonic sound panning to increase the audible perspective, even without using the built-in reverberation or LFO pan effect.
• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
_______________________________________
Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10: 32 bit (x86) or 64 bit (x64) platforms.
• 500 MHz Processor (Pentium®, Celeron® AMD® or equivalent) minimum.
• RAM: 512 MB or higher recommended.
• VST / VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 32 bit or 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and much more ...
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
Requirements for macOS:
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
• The AU Component, VST and VST3 plug-ins are distributed via Internet in an Apple Disk Image DMG file and compatible with macOS and all previous OS X.
_______________________________________
Syntheway Virtual Musical Instruments
http://syntheway.net
http://syntheway.com
_______________________________________
• VST is a trademark of Steinberg Soft- und Hardware GmbH
• ARP 2600 is a trademark of ARP Instruments, Inc.
• Little Phatty, Memorymoog, Micromoog 2090, Minimoog Model D, Minitaur, Prodigy, System 55 and Taurus Bass Pedals are trademarks of Moog Music, Inc.
• Kawai K3 is a registered trademark of Kawai Musical Instruments Mfg. Co., Ltd.
• Korg 01/W, Minilogue and MS2000 are trademarks of Korg Inc.
• Nord Lead is a registered trademark of Clavia Digital Musical Instruments
• Juno-60, Juno-106, JX-3P, JX-8P, C-909 and TB-303 are registered trademarks of Roland Corporation.
• OSCar is a trademark of Oxford Synthesiser Company
• OB-Xa is a trademark of Oberheim Electronics.
• Yamaha DX7 is a registered trademark of Yamaha Corporation.
• These trademarks are not affiliated or associated with Syntheway and are mentioned only to describe the types of sounds emulated by Bassesland Virtual Bass.
______________________________________________________________________________
Bassesland, Bass VST3, Virtual Bass, Electric Bass VST, Bass Audio Unit, Bass KONTAKT, Bass EXS24, Bass nki, Acoustic Bass VST, Upright Bass VST, Bass VST, Double Bass VST, Slapped Bass, Fuzz Bass, Wah Bass, Sub-Bass, Fat Bass, Acid Bass, Fingered Bass VST, Picked Bass VST, Electro Acoustic Bass, Fretless Bass VST, Bass Synth, Synth Bass, Velo Bass, Reso Bass, Dirty Bass, Bass line, Jazz Bass, Funk Bass
#Bassesland #BassAudioUnit #BassKONTAKT, #BassEX24 #BassNKI #BassVST3 #VirtualBass #ElectricBassVST #AcousticBassVST #UprightBassVST #BassVST #DoubleBassVST #SlappedBass #FuzzBass #WahBass #SubBassVST #FatBass #AcidBass #FingeredBassVST #PickedBassVST #ElectroAcousticBass #FretlessBassVST #BassSynth #SynthBass #VeloBass #ResoBass #DirtyBass #Bassline #JazzBass #FunkBass