Soprano Saxophone VST VST3 Audio Unit EXS24 KONTAKT - Preset #1/#2 from Saxophus Virtual Saxophone

Soprano Saxophone VST VST3 Audio Unit EXS24 KONTAKT - Preset #1/#2 from Saxophus Virtual Saxophone


Soprano Saxophone VST VST3 Audio Unit EXS24 KONTAKT - Preset #1/#2 from Saxophus Virtual Saxophone.

http://saxophus.syntheway.net - Saxophus is a soprano, alto, tenor and baritone saxophone VST, VST3 and Audio Unit virtual instrument plugin that can be used in wide range of musical styles including classical music (chamber music, orchestra), jazz, rock, blues, soul, funk, R&B, marching bands and popular music. Also available in EXS24 and KONTAKT Sample Libraries.

Features

• Quick saxophone SATB selector to switch between different sax preset sounds:

1. Soprano Saxophone 1 (Range: Ab2-C6)
2. Soprano Saxophone 2 (Range: Ab2-C6)
3. Alto Saxophone 1 (Range: Db3 to Ab5)
4. Alto Saxophone 2 (Range: Db3 to Ab5)
5. Tenor Saxophone 1 (Range: Gb2 to B5)
6. Tenor Saxophone 2 (Range: Gb2 to B5)
7. Baritone Saxophone 1 (Range: B1 to Eb6)
8. Baritone Saxophone 2 (Range: B1 to Eb6)

• The saxophone instruments features the following chromatic range (where Middle C equals C4):
• Soprano Sax: 41 chromatic notes from Ab2 to C6 MIDI range.
• Alto Sax: 32 chromatic notes from Db3 to Ab5 MIDI range.
• Tenor Sax: 36 chromatic notes from Gb2 to B5 MIDI range.
• Baritone Sax: 53 chromatic notes from B1 to Eb6 MIDI range.

• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
• Attack determines the time it takes for the note to get to the maximum level.
• Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
• Sustain determines the level of the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
• Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.
• LFO Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
• LFO Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

• Reverb Room built-in.

• Filter Type. Combo box to switch between the following options:
• Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
• High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
• None: No filter is applied.
• Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.

• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:
• Amplitude range (low) - sets amplitude range, lower bound (dB)
• Amplitude range (high) - sets amplitude range, upper bound (dB)

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control.

• MIDI CC Automation


Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10: 32 bit (x86) or 64 bit (x64) platforms.
• VST and/or VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 32 bit or 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, etc.
• Best Saxophone VST with MIDI Controller Device.

Requirements for macOS:
• Operating System: macOS Sierra, macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur. We do not officially support older systems such as PowerPC or deprecated versions of Mac OS X. However our plugins may work, but we cannot guarantee any performance on such old systems. In all cases, always we encourage you to test the free demo version of the software.
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer.
• MIDI Controller Device.

#Saxophus #SaxophoneVST #SaxophoneVST3 #BestSaxophoneVST #SaxophoneKONTAKT #SaxophoneNKI #SaxophoneEXS24 #SaxophoneAudioUnit #SopranoSaxVST #AltoSaxVST #TenorSaxVST #BaritoneSaxVST #SaxVST

Best Accordion VST. Virtual Hohner VST VST3 Audio Unit Accordion, Bandoneon, Harmonica EXS24 KONTAKT

Best Accordion VST. Virtual Hohner VST VST3 Audio Unit Accordion, Bandoneon, Harmonica EXS24 KONTAKT


http://akkordica.syntheway.net - Akkordica is a virtual accordion, concertina, bandoneon, harmonica and melodica instrument that covers a wide range of sounds and combines a traditional hand-held bellows-driven performance and modern digital functionality. This squeeze box and free reed wind instrument is suitable for different musical styles, be it traditional, popular or classical. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS. Also available in EXS24 and KONTAKT Sample Libraries.

Features

• Quick selector to switch between different preset sounds:

Timestamp from Youtube at https://www.youtube.com/watch?v=BIV962EjZkc

01 • Anglo Concertina 0:00
02 • Chemnitzer Concertina 0:54
03 • Hohner Accordion 1:47
04 • Strasser Accordion 2:38
05 • Musette Accordion 3:50
06 • Bandoneon (Tango Accordion) 4:36
07 • Bayan (Chromatic Button Accordion) 5:37
08 • Melodeon (Diatonic Button Accordion) 6:24
09 • Steirische Harmonika (Styrian Accordion) 7:05
10 • Piano Keyboard Accordion 7:45
11 • Accordina (Harmonicon) 8:45
12 • Harmonica (Natural) 9:18
13 • Harmonica (Vibrato) 10:06
14 • Melodica (Pianica) 10:37

• Akkordica allows you to reproduce many different accordion types (diatonic and chromatic) for various genres of musical styles such as Folk, Rock, Blues, Jazz, Polka, Tango, Bal-musette, Cajun, Zydeco, Classical, Schrammelmusik, Klezmer, Levenslied, Sevdalinka, Boeremusiek, Forró, Merengue, Cueca, Milonga, Chamamé, Cumbia, Vallenato, Norteño, Tex-Mex, Saltarello, Tarantella, Ceol, Basque Trikitixa and Inuit music.
• The harmonica (known as a French harp or mouth organ) comes with two modes: natural and vibrato, to be used in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock and roll.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
- Attack determines the time it takes for the note to get to the maximum level.
- Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
- Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
- Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
- Pitch Bend center position: is normal pitch.
- Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
- Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.
- Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
- Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
- Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
- High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
- None: No filter is applied. 
- Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:
- Amplitude range (low) - sets amplitude range, lower bound (dB) 
- Amplitude range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), breath controller for harmonica, melodica and accordina presets (CC#2), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
With Akkordica you can choose from a wide selection of accordion, concertina, bandoneon, harmonica and melodica sounds, playing and feeling the traditional sounds as well as the new vast array built-in effects for the digital age.

_______________________________________

Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10: 32 bit (x86) or 64 bit (x64) platforms.
• 500 MHz Processor (Pentium®, Celeron® AMD® or equivalent) minimum.
• RAM: 512 MB or higher recommended.
• VST / VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 32 bit or 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and much more ...
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.

Requirements for macOS:
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
• The AU Component, VST and VST3 plug-ins are distributed via Internet in an Apple Disk Image DMG file and compatible with macOS and all previous OS X.

_______________________________________

Syntheway Virtual Musical Instruments

http://syntheway.net
http://syntheway.com
_______________________________________

• VST is a trademark of Steinberg Soft- und Hardware GmbH
• Pianica is a registered trademark of Yamaha Corporation.
• Strasser Accordion is a trademark of Harmonikaerzeugung Strasser GmbH.
• Hohner Accordion and Melodica are a trademark of Hohner Musikinstrumente GmbH.

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Accordion VST, Akkordica, Accordion VST3, Harmonica VST3, Melodica VST3, Bandoneon VST3, Bandoneon VST, Chemnitzer Concertina, Steirische Harmonika, Styrian Accordion, Concertina VST3, Virtual Accordion, Virtual Harmonica, Harmonica VST, Virtual Bandoneon, Harmonicon, Bayan Accordion, Concertina VST, Accordina, Melodeon VST, Piano Accordion, Button Accordion, Accordion Audio Unit, Bandoneon Audio Unit, Bandoneon EXS24, Bandoneon KONTAKT, Harmonica Audio Unit, Melodica Audio Unit, Accordion KONTAKT, Harmonica KONTAKT, Melodica KONTAKT, Accordion EXS24, Harmonica EXS24

#BestAccordionVST #AccordionVST #BandoneonVST #AccordionVST3 #BandoneonVST3 #BandoneonKONTAKT #ChemnitzerConcertina #BandoneonAudioUnit #Akkordica #VirtualAccordion #VirtualHarmonica #HarmonicaVST #VirtualBandoneon #HarmonicaVST3 #TangoAccordion #ConcertinaVST #Accordina #BayanVST #MelodeonVST #ConcertinaVST3 #ButtonAccordionVST #BayanAccordion #SteirischeHarmonika #StyrianAccordion #AccordionAudioUnit #HarmonicaAudioUnit #MelodicaAudioUnit #AccordionKONTAKT #HarmonicaKONTAKT #MelodicaKONTAKT #AccordionEXS24 #HarmonicaEXS24

Best Accordion VST. Virtual Hohner VST VST3 Audio Unit Accordion, Bandoneon, Harmonica EXS24 KONTAKT

Best Accordion VST. Virtual Hohner VST VST3 Audio Unit Accordion, Bandoneon, Harmonica EXS24 KONTAKT


http://akkordica.syntheway.net - Akkordica is a virtual accordion, concertina, bandoneon, harmonica and melodica instrument that covers a wide range of sounds and combines a traditional hand-held bellows-driven performance and modern digital functionality. This squeeze box and free reed wind instrument is suitable for different musical styles, be it traditional, popular or classical. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS. Also available in EXS24 and KONTAKT Sample Libraries.

Features

• Quick selector to switch between different preset sounds:

Timestamp from Youtube at https://www.youtube.com/watch?v=BIV962EjZkc

01 • Anglo Concertina 0:00
02 • Chemnitzer Concertina 0:54
03 • Hohner Accordion 1:47
04 • Strasser Accordion 2:38
05 • Musette Accordion 3:50
06 • Bandoneon (Tango Accordion) 4:36
07 • Bayan (Chromatic Button Accordion) 5:37
08 • Melodeon (Diatonic Button Accordion) 6:24
09 • Steirische Harmonika (Styrian Accordion) 7:05
10 • Piano Keyboard Accordion 7:45
11 • Accordina (Harmonicon) 8:45
12 • Harmonica (Natural) 9:18
13 • Harmonica (Vibrato) 10:06
14 • Melodica (Pianica) 10:37

• Akkordica allows you to reproduce many different accordion types (diatonic and chromatic) for various genres of musical styles such as Folk, Rock, Blues, Jazz, Polka, Tango, Bal-musette, Cajun, Zydeco, Classical, Schrammelmusik, Klezmer, Levenslied, Sevdalinka, Boeremusiek, Forró, Merengue, Cueca, Milonga, Chamamé, Cumbia, Vallenato, Norteño, Tex-Mex, Saltarello, Tarantella, Ceol, Basque Trikitixa and Inuit music.
• The harmonica (known as a French harp or mouth organ) comes with two modes: natural and vibrato, to be used in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock and roll.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
- Attack determines the time it takes for the note to get to the maximum level.
- Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
- Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
- Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
- Pitch Bend center position: is normal pitch.
- Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
- Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.
- Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
- Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
- Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
- High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
- None: No filter is applied. 
- Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:
- Amplitude range (low) - sets amplitude range, lower bound (dB) 
- Amplitude range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), breath controller for harmonica, melodica and accordina presets (CC#2), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
With Akkordica you can choose from a wide selection of accordion, concertina, bandoneon, harmonica and melodica sounds, playing and feeling the traditional sounds as well as the new vast array built-in effects for the digital age.

_______________________________________

Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10: 32 bit (x86) or 64 bit (x64) platforms.
• 500 MHz Processor (Pentium®, Celeron® AMD® or equivalent) minimum.
• RAM: 512 MB or higher recommended.
• VST / VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 32 bit or 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and much more ...
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.

Requirements for macOS:
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
• MIDI Controller Device: A MIDI Controller is required to play this VST instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
• The AU Component, VST and VST3 plug-ins are distributed via Internet in an Apple Disk Image DMG file and compatible with macOS and all previous OS X.

_______________________________________

Syntheway Virtual Musical Instruments

http://syntheway.net
http://syntheway.com
_______________________________________

• VST is a trademark of Steinberg Soft- und Hardware GmbH
• Pianica is a registered trademark of Yamaha Corporation.
• Strasser Accordion is a trademark of Harmonikaerzeugung Strasser GmbH.
• Hohner Accordion and Melodica are a trademark of Hohner Musikinstrumente GmbH.

______________________________________________________________________________

Accordion VST, Akkordica, Accordion VST3, Harmonica VST3, Melodica VST3, Bandoneon VST3, Bandoneon VST, Chemnitzer Concertina, Steirische Harmonika, Styrian Accordion, Concertina VST3, Virtual Accordion, Virtual Harmonica, Harmonica VST, Virtual Bandoneon, Harmonicon, Bayan Accordion, Concertina VST, Accordina, Melodeon VST, Piano Accordion, Button Accordion, Accordion Audio Unit, Bandoneon Audio Unit, Bandoneon EXS24, Bandoneon KONTAKT, Harmonica Audio Unit, Melodica Audio Unit, Accordion KONTAKT, Harmonica KONTAKT, Melodica KONTAKT, Accordion EXS24, Harmonica EXS24

#BestAccordionVST #AccordionVST #BandoneonVST #AccordionVST3 #BandoneonVST3 #BandoneonKONTAKT #ChemnitzerConcertina #BandoneonAudioUnit #Akkordica #VirtualAccordion #VirtualHarmonica #HarmonicaVST #VirtualBandoneon #HarmonicaVST3 #TangoAccordion #ConcertinaVST #Accordina #BayanVST #MelodeonVST #ConcertinaVST3 #ButtonAccordionVST #BayanAccordion #SteirischeHarmonika #StyrianAccordion #AccordionAudioUnit #HarmonicaAudioUnit #MelodicaAudioUnit #AccordionKONTAKT #HarmonicaKONTAKT #MelodicaKONTAKT #AccordionEXS24 #HarmonicaEXS24

Virtual Strings, Brass, Flute, Timpani VST VST3 AU: Gladiator/The Battle (Hans Zimmer) EXS24 KONTAKT

Virtual Strings, Brass, Flute, Timpani VST VST3 AU: Gladiator/The Battle (Hans Zimmer) EXS24 KONTAKT


Gladiator, The Battle (Hans Zimmer) Synthphonica Strings, Aeternus Brass, DAL Flute, Drumwavy Timpani VST VST3 Audio Unit EXS24 KONTAKT
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http://syntheway.net - 'The Battle' theme from 'Gladiator' film (Hans Zimmer) cover/intro* with Aeternus Brass, Synthphonica Strings, DAL Flute and Drumwavy Percussion Timpani VST VST3 Audio Unit Plugins. EXS24 and KONTAKT Sample Libraries (Windows and Mac)

VST VST3 AU Instruments:

1.- Synthphonica Strings
http://synthphonica.syntheway.net

2.- Aeternus Brass (Tuba, Trombone, Trumpet, French Horn, Orchestral Ensemble, Brass Section 1)
http://aeternusbrass.syntheway.net

3.- DAL Flute and Woodwinds
http://dalflute.syntheway.net

4.- Drumwavy Percussion (Orchestral Timpani)
http://drumwavy.syntheway.net

* The Oscar-nominated score was composed by Hans Zimmer for 'Gladiator', a 2000 British-American epic historical drama film directed by Ridley Scott.

Software Descriptions:

1.- Synthphonica Strings is a virtual ensemble of strings consisting of sections conformed by violin, viola, cello and double bass, which can also be played as solo instruments. It includes sampled articulations like staccato, marcato, spiccato and legato as well as bowing techniques such as pizzicato and tremolo. Complementarily introduces four analog strings based on classic polyphonic synthesizers. Available in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS.
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2.- Aeternus Brass is a virtual musical ensemble and solo trumpet, trombone, tuba, French horn, flugelhorn and cornet instruments. It includes brass sections, orchestral ensemble and sampled legato and staccato articulations. Additionally introduces four analog brasses, based on classic polyphonic synthesizers. Available in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS.
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3.- DAL Flute & Woodwinds is an orchestral and ethnic woodwind virtual instrument collection, consisting of flute, oboe, clarinet, bassoon, piccolo, cor anglais (English horn), recorder, paixiao, dizi bangdi, shakuhachi, shinobue, quena, siku, nai, ney, ocarina as well as a small orchestra ensemble and woodwind section. Available in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS.
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4.- Drumwavy is a collection of percussion instruments designed for creating orchestral and ethnic percussion, with a wide array of African, Arabic, Asian, Brazilian, German, Indian, Irish, Japanese, Latin American, Spanish, Tibetan and Turkish percussion. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS.

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Syntheway Virtual Musical Instruments

http://syntheway.net
http://syntheway.com

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Virtual Choir VST Salvator Mundi I (Thomas Tallis Motet) Magnus Choir VST3 Audio Unit EXS24 KONTAKT

Virtual Choir VST Salvator Mundi I (Thomas Tallis Motet) Magnus Choir VST3 Audio Unit EXS24 KONTAKT


Salvator Mundi I (Thomas Tallis) Motet For 5 Voices with Magnus Choir VST VST3 Audio Unit plugins plus EXS24 and KONTAKT Sample Libraries for Windows and Mac.
http://magnus.syntheway.net

* Note: Also set as "Arise O Lord" "With All Our Hearts", Salvador Mundi is an Antiphon at Holy Unction and for the Exaltation of the Holy Cross by English composer Thomas Tallis (c. 1505 – 23 November 1585). Tallis flourished as a church musician in 16th century Tudor England. He occupies a primary place in anthologies of English church music, and is considered one of England's greatest early composers. He is honoured for his original voice in English musicianship.
In the five-voice motet Salvator mundi (Saviour of the World), Tallis' music finally caught up with continental developments. It was included in the landmark collection of motets Cantiones Sacrae that Tallis and William Byrd published together in 1575, having been granted a music publishing monopoly in England by the Queen Elizabeth. The motet is not only structured on pervasive, continuous imitation, but it carefully aligns the musical structure with the meaning of the words. Throughout Salvator mundi, the vocal lines are shaped according to the turns of syntax and word-rhythms, with an overall musical design that accords the climax with the arch spiritual plea of the text: "auxiliare nobis" (Save Us!)

Type: Motet for 5 voices (ATTBarB or SAATB)
Genre: Choral, Classical
Period: Renaissance
Comp Date: 1575

Text Salvator Mundi (P. 216):

Latin:
Salvator mundi, salva nos,
qui per crucem et sanguinem redemisti nos,
auxiliare nobis, te
deprecamur, Deus noster.

English:
O Saviour of the world, save us
who by thy Cross and precious blood hast
redeemed us; help us,
we humbly beseech thee, our God.

Magnus Choir is a 'Virtual Choral Singing' instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic SATB (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS. Also in EXS24 and KONTAKT Sample Libraries.

Magnus Choir ALL Preset Sounds List:

Full presets preview can be reached from Youtube at: https://www.youtube.com/watch?v=0m3s-OIEAwQ

01.- Abbey Ghost
02.- Ad Infinitum Formant
03.- Ad Libitum Chorale
04.- Aeternus Lux Lucis
05.- Alchemical Signals
06.- Angelic Vox
07.- Angels Between Us
08.- Apocalyptic Chamber
09.- Astral Singers
10.- Aurum Vox Pad
11.- Birds Sonic Sweep
12.- Caelestis Kingdom
13.- Celestial Choir
14.- Choral Ensemble
15.- Choralis Pad
16.- Cinematic Padilius
17.- Cosmic Odyssey Voice
18.- Cryogenic Dimension
19.- Dark Cantus
20.- Digital Voice
21.- Dystopian Chorus
22.- Elves Land
23.- Enchanted Goblins
24.- Ethereal Voices
25.- Guardians Of Limbo
26.- Lost Souls In The Dark
27.- Male & Female Aahs
28.- Morph Dreams
29.- Morphed Vowels
30.- Mystical Vowels
31.- Nebula Dark Atmos
32.- Necromancer Summons
33.- Neo Choir
34.- Octave Aahs Choir
35.- Octave Vox Pad
36.- Oniric Sequences
37.- Oohs Choir
38.- Psychedelic Vox
39.- Psychomanteum Reso
40.- Quasi Spatial Voices
41.- Relaxing Paradise
42.- Restless Spirits
43.- Sanctus Holy Chant
44.- Sonorous Skies
45.- SopranVox C4-C6
46.- Spatiotemporal Atmos
47.- Spectral Hell
48.- Synthetic Chorus
49.- Synthesized Vocals
50.- Underworld Embryos
51.- Vinyl Chorus
52.- Voices In The Mist
53.- Vowelled Soundscape
54.- Vox Vocis Texture

Features:

• 54 Preset Sounds ready to use, including a vast array of natural and synthetic sounds, from Oohs, Aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly, birdsong effects, cinematic and soundscapes.
• Low Frequency Oscillator.
• ADSR envelope generator.
• Pitch bend.
• Reverb built-in.
• Filter section.
• MIDI CC Automation
• Best Choir VST Ideal for composers and sound designers to create ambience effects and music for films, documentaries, video games, choral pieces as well as new age music.

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