Here comes in the aspect of strife between primitive and new obstructing forces in a little hair-stream. The lemur lives in trees and carries on a stealthy nocturnal business, moving on all fours in quest of his daily bread, and no external force or new habit avails to modify the hair-slope on his forearms, and so it remains until some primitive form of monkey, gradually evolving into a primitive ape, brings into the family new habits and customs. Other men and other manners appear in the Miocene Age. Our supposed Dryopithecus fontani becomes more upright in his bodily, and perhaps his moral habits, and spends an increasing amount of his leisure time in the sitting posture; his hands are frequently grasping a bough as he sits and reflects, it may be in a man-ward direction, or, as is more likely, on his last meal of nuts and fruits. But he did not spend quite so much time as Wallace and others think in this futile attitude, for he knew in his way as much as the modern
bachelor does, of making his posture comfortable and restful when he was not out at work, and he varied his plans by resting his forearms on his thigh, crouched up and cosy, and doubtless slept much in this attitude. All these bold departures from his lemur-ancestor’s habits had the necessary result of altering the slope of his hair on the forearms, which was now growing as it to-day in the orang. In course of milleniums the ancient forces yielded to those of the new armies, and the once normal slope became reversed in a way which shocked the conservative lemurs of his day. It requires little imagina-tion to see how the lengthening thickening hairs on this limb-segment became changed in their direction by friction against the opposing surfaces of the thighs, by gravita-tion, and the frequent dripping of rain when they were held up to grasp a bough .
Another step, and a long one, has still to be taken from the ape-fashion to that of man. Bearing in mind that the lemur-fashion has been totally reversed by the ape it startles one to find that man in his modern fashion has largely reverted to that of the lemur on the front and sides of his forearm. This is clearly shown in Figure 1. There also you see graphically recorded in the hair of the extensor border of the ulna, a little backward streak, a poor little legacy of fifty pounds from the fortunes of many thousands once possessed by the ape. From the present limited point of view, man is a veritable pauper, and his possessions in this limb-segment may with some irony well be called a “vestige
.”
Professor Scott-Elliott in his book, Prehistoric Man and His Story, p. 60, goes rather wide of the mark here in his graphic picture of our rude ancestor and his hard life. He gives too strongly the idea of him sitting asleep in raging gales, in driving rain which is neatly conducted by the thatch of his hair off his skin. As far as it goes this need not be questioned, as a matter of probability, but he states far too broadly .
He walked toward Jurgis upon tiptoe, scowling at him; and Jurgis rose up, and retreated, scowling back. So until he was against the wall, and then the butler came close, and pointed toward the door. "Get out of here!" he whispered.
Jurgis hesitated, giving a glance at Freddie, who was snoring softly. "If you do, you son of a—" hissed the butler, "I'll mash in your face for you before you get out of here !"
And Jurgis wavered but an instant more. He saw "Admiral Dewey" coming up behind the man and growling softly, to back up his threats. Then he surrendered and started toward the door.
They went out without a sound, and down the great echoing staircase, and through the dark hall. At the front door he paused, and the butler strode close to him.
"Hold up your hands," he snarled. Jurgis took a step back, clinching his one well fist.
"What for?" he cried; and then understanding that the fellow proposed to search him, he answered, "I'll see you in hell first reenex facial."
"Do you want to go to jail?" demanded the butler, menacingly. "I'll have the police—"
"Have 'em!" roared Jurgis, with fierce passion. "But you won't put your hands on me till you do! I haven't touched anything in your damned house, and I'll not have you touch me!"
So the butler, who was terrified lest his young master should waken, stepped suddenly to the door, and opened it. "Get out of here!" he said; and then as Jurgis passed through the opening, he gave him a ferocious kick that sent him down the great stone steps at a run, and landed him sprawling in the snow at the bottom.After the elections Jurgis stayed on in Packingtown and kept his job. The agitation to break up the police protection of criminals was continuing, and it seemed to him best to "lay low" for the present. dollars in the bank, and might have considered himself entitled to a vacation; but he had an easy job, and force of habit kept him at it. Besides, Mike Scully, whom he consulted, advised him that something might "turn up" before long .
All of these things had worked together for the company that had marked them for its prey and was waiting for its chance. And now, with this last hideous injustice, its time had come, and it had turned them out bag and baggage, and taken their house and sold it again! And they could do nothing, they were tied hand and foot—the law was against them, the whole machinery of society was at their oppressors' command! If Jurgis so much as raised a hand against them, back he would go into that wild-beast pen from which he had just escaped !
To get up and go away was to give up, to acknowledge defeat, to leave the strange family in possession; and Jurgis might have sat shivering in the rain for hours before he could do that, had it not been for the thought of his family. It might be that he had worse things yet to learn—and so he got to his feet and started away, walking on, wearily, half-dazed.
To Aniele's house, in back of the yards, was a good two miles; the longer to Jurgis, and when he saw the familiar dingy-gray shanty his heart was beating fast. He ran up the steps and began to hammer upon the door.
The old woman herself came to open it. She had shrunk all up with her rheumatism since Jurgis had seen her last, and her yellow parchment face stared up at him from a little above the level of the doorknob. She gave a start when she saw him. "Is Ona here?" he cried, breathlessly .
"Yes," was the answer, "she's here."
"How—" Jurgis began, and then stopped short, clutching convulsively at the side of the door. From somewhere within the house had come a sudden cry, a wild, horrible scream of anguish. And the voice was Ona's. For a moment Jurgis stood half-paralyzed with fright; then he bounded past the old woman and into the room.
It was Aniele's kitchen, and huddled round the stove were half a dozen women, pale and frightened. One of them started to her feet as Jurgis entered; she was haggard and frightfully thin, with one arm tied up in bandages—he hardly realized that it was Marija. He looked first for Ona; then, not seeing her, he stared at the women, expecting them to speak. But they sat dumb, gazing back at him, panic-stricken; and a second later came another piercing scream .
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