He walked toward Jurgis upon tiptoe, scowling at him; and Jurgis rose up, and retreated, scowling back. So until he was against the wall, and then the butler came close, and pointed toward the door. "Get out of here!" he whispered.
Jurgis hesitated, giving a glance at Freddie, who was snoring softly. "If you do, you son of a—" hissed the butler, "I'll mash in your face for you before you get out of here !"
And Jurgis wavered but an instant more. He saw "Admiral Dewey" coming up behind the man and growling softly, to back up his threats. Then he surrendered and started toward the door.
They went out without a sound, and down the great echoing staircase, and through the dark hall. At the front door he paused, and the butler strode close to him.
"Hold up your hands," he snarled. Jurgis took a step back, clinching his one well fist.
"What for?" he cried; and then understanding that the fellow proposed to search him, he answered, "I'll see you in hell first reenex facial."
"Do you want to go to jail?" demanded the butler, menacingly. "I'll have the police—"
"Have 'em!" roared Jurgis, with fierce passion. "But you won't put your hands on me till you do! I haven't touched anything in your damned house, and I'll not have you touch me!"
So the butler, who was terrified lest his young master should waken, stepped suddenly to the door, and opened it. "Get out of here!" he said; and then as Jurgis passed through the opening, he gave him a ferocious kick that sent him down the great stone steps at a run, and landed him sprawling in the snow at the bottom.After the elections Jurgis stayed on in Packingtown and kept his job. The agitation to break up the police protection of criminals was continuing, and it seemed to him best to "lay low" for the present. dollars in the bank, and might have considered himself entitled to a vacation; but he had an easy job, and force of habit kept him at it. Besides, Mike Scully, whom he consulted, advised him that something might "turn up" before long .
All of these things had worked together for the company that had marked them for its prey and was waiting for its chance. And now, with this last hideous injustice, its time had come, and it had turned them out bag and baggage, and taken their house and sold it again! And they could do nothing, they were tied hand and foot—the law was against them, the whole machinery of society was at their oppressors' command! If Jurgis so much as raised a hand against them, back he would go into that wild-beast pen from which he had just escaped !
To get up and go away was to give up, to acknowledge defeat, to leave the strange family in possession; and Jurgis might have sat shivering in the rain for hours before he could do that, had it not been for the thought of his family. It might be that he had worse things yet to learn—and so he got to his feet and started away, walking on, wearily, half-dazed.
To Aniele's house, in back of the yards, was a good two miles; the longer to Jurgis, and when he saw the familiar dingy-gray shanty his heart was beating fast. He ran up the steps and began to hammer upon the door.
The old woman herself came to open it. She had shrunk all up with her rheumatism since Jurgis had seen her last, and her yellow parchment face stared up at him from a little above the level of the doorknob. She gave a start when she saw him. "Is Ona here?" he cried, breathlessly .
"Yes," was the answer, "she's here."
"How—" Jurgis began, and then stopped short, clutching convulsively at the side of the door. From somewhere within the house had come a sudden cry, a wild, horrible scream of anguish. And the voice was Ona's. For a moment Jurgis stood half-paralyzed with fright; then he bounded past the old woman and into the room.
It was Aniele's kitchen, and huddled round the stove were half a dozen women, pale and frightened. One of them started to her feet as Jurgis entered; she was haggard and frightfully thin, with one arm tied up in bandages—he hardly realized that it was Marija. He looked first for Ona; then, not seeing her, he stared at the women, expecting them to speak. But they sat dumb, gazing back at him, panic-stricken; and a second later came another piercing scream .
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To satisfy Jurgis he had asked the policeman, and brought back the message that the thing was not to be thought of. They had not told this to old Anthony, who had consequently spent the two days wandering about from one part of the yards to another, and had now come home to hear about the triumph of the others, smiling bravely and saying that it would be his turn another day .
Their good luck, they felt, had given them the right to think about a home; and sitting out on the doorstep that summer evening, they held consultation about it, and Jurgis took occasion to broach a weighty subject. Passing down the avenue to work that leaving an advertisement from house to house; and seeing that there were pictures upon it, Jurgis had asked for one, and had rolled it up and tucked it into his shirt. At noontime a man with whom he had been talking had read it to him and told him a little about it, with the result that Jurgis had conceived a wild idea.
He brought out the placard, which was quite a work of art. It was nearly two feet long, printed on calendered paper, with a selection of colors so bright that they shone even in the moonlight. The center of the placard was occupied by a house, brilliantly painted, new, and dazzling. The roof of it was of a purple hue, and trimmed with gold; the house itself was silvery, and the doors and windows red .
It was a two-story building, with a porch in front, and a very fancy scrollwork around the edges; it was complete in every tiniest detail, even the doorknob, and there was a hammock on the porch and white lace curtains in the windows. Underneath this, in one corner, was a picture of a husband and wife in loving embrace; in the opposite corner was a cradle, with fluffy curtains drawn over it, and a smiling cherub hovering upon silver-colored wings. For fear that the significance of all this should be lost, there was a label, in Polish, Lithuanian, and German—"Dom. Namai. Heim." "Why pay rent?" the linguistic circular went on to demand. "Why not own your own home?
Do you know that you can buy one for less than your rent? We have built thousands of homes which are now occupied by happy families."—So it became eloquent, picturing the blissfulness of married life in a house with nothing to pay. It even quoted "Home, Sweet Home," and made bold to translate it into Polish—though for some reason it omitted the Lithuanian of this. Perhaps the translator found it a difficult matter to be sentimental in a language in which a sob is known as a gukcziojimas and a smile as a nusiszypsojimas .