goo blog サービス終了のお知らせ 

polished tiles

polished tiles

Northern eco-homes win over the locals

2012-01-10 11:22:25 | polished tiles
Already at the helm of a 150-year-old hotel, as well as a cottage, cabin and bunkhouse, one Scots couple decided to create two more boltholes. Located on the awe-inspiring shoreline of Loch Eriboll on Scotland’s north-western tip, these would be aimed at couples seeking complete escapism, but not from their dogs.

Fiona and Robbie are locals who live in the village of Durness, six miles from the croft land (owned by Robbie’s family) where the new buildings are situated, and on which they had contemplated building their own home. “We never quite got round to that,” says Fiona.

The carbon-neutral nature of the proposed buildings (described as “crofts”, Fiona explains, only for want of a better word) won favour with local planners. Community support was also strong, and a precedent for unconventional architecture had already been set; the award-winning home of ceramic artist Lotte Glob, mounted on stilts and set beneath a curved roof of patinated copper is located nearby.

While Fiona and Robbie’s crofts, collectively dubbed “Croft 103”, both face south to maximise solar gain, they are also positioned to allow for privacy. So while Hill Croft curves in a fan shape into the hillside above Loch Eriboll, the rainbow arc of Shore Croft sits much closer to the water’s edge.

Both embrace what Fiona describes as “honest” materials, “We didn’t want anything ostentatious or twee,” she says, “These spaces had to be very sexy and sleek yet undoubtedly ‘Highland’.”

The honey-coloured stone used to clad the exterior walls, and to create drystane dykes, was sourced from the croft itself, while Douglas fir for the buildings’ frameworks was locally sourced and milled by Matt Stevenson of Carbonlite Design + Build, the Ross-shire based company that guided the couple through the project.

Traditional stone and timber nevertheless meld in these designs with sharp contemporary finishes including zinc roofs and glass walls to create buildings that are quite out of the ordinary. An abundance of south-facing glass allows each space to be heated largely by passive solar gain. However, hot water (for the highly desirable external tubs as well as those inside) comes largely from solar panels positioned remotely from the buildings. Meanwhile a wind turbine generates electricity, with its surplus energy being sold back to the grid.

Amongst other unconventional items on the couple’s shopping list were sheep’s wool (for insulation) and tyre bales (made from recycled car tyres) that make a versatile building block.

Working in such a remote location did pose challenges. For a start, there was no road into the site, so the couple had to build one. And particularly inclement weather caused numerous delays, as this spot is exposed to some exhilarating conditions.

But then these are perfect spaces from which to watch a storm unfold. A textiles graduate, Fiona savoured the process of putting together the croft interiors, and deliberately sought out quite a different feel for each.

Realising that visitors would make a beeline for Shore Croft, given its waterside location, she let this space take on a little more rusticity than its sibling up the hill. In general though, we wanted understated style,” says Fiona, “There’s not a lot of furniture in either croft, but what’s there is over-sized and comfortable.”

Both buildings, which have been five-star accredited, benefit from the highest quality materials. Caithness stone worktops and sinks look striking against stainless steel kitchen units and a polished concrete floor. The same stone also makes an appearance in the walk-in showers as well as windowsills and outdoor paving.

In Hill Croft, exposed solid oak adds warmth, while the corrugated tin ceiling (purely an aesthetic choice) demonstrates the attention to detail throughout. Like its sister down at the waterside, Hill Croft has one bedroom, and both buildings capitalise on an expanse of glass to bring the outside in. However, the shape of Hill Croft – wrapped around the hillside – differs in that it allows an unhindered perspective through the interior.

“The buildings are not huge, but they are spacious,” says Fiona, who likes the slightly more angular feel within Hill Croft although she would be hard pushed, she says, to choose between the two. Since the crofts opened to visitors last summer, guests have been making repeat bookings, often trying out both properties.

Fiona commissioned Lairg-based blacksmith Sam Barlow to create bespoke interior pieces; in Hill Croft these include door handles and toilet roll holders as well as the magnificent 7ft lacquered steel and leather bed, the bedroom dresser and bathroom sink stand. Mirrors above the latter are finished with ceramic tiles by Lotte Glob.

Chairs in the living space embody the contemporary Highland mood and were sourced from The Conran Shop as well as from Fiona’s own collection. The kitchen has been equipped with the best of everything to make the self-catering experience a pleasant one. Special requests for deliveries such as locally caught scallops are welcomed.

“We can tailor a stay with as much or as little fuss as guests want,” says Fiona.

While both crofts have underfloor heating, these spaces would have seemed a little less joyful without their log burners, the perfect antidote to the Scottish weather. However, if you really want to immerse yourself in the elements, tear yourself away from the home entertainment system and plunge into the outdoor bath, which faces the loch and is conveniently made for two. And maybe leave the dog indoors.

Hill Croft and Shore Croft, Loch Eriboll

2012-01-09 11:00:11 | polished tiles
Already at the helm of a 150-year-old hotel, as well as a cottage, cabin and bunkhouse, the couple decided to create two more boltholes. Located on the awe-inspiring shoreline of Loch Eriboll on Scotland’s north-western tip, these would be aimed at couples seeking complete escapism, but not from their dogs.

“The project took around six years from concept to creation,” says Fiona, and the results are more than worth the wait.

Fiona and Robbie are locals who live in the village of Durness, six miles from the croft land (owned by Robbie’s family) where the new buildings are situated, and on which they had contemplated building their own home.

“We never quite got round to that,” says Fiona.

The carbon-neutral nature of the proposed buildings (described as “crofts”, Fiona explains, only for want of a better word) won favour with local planners. Community support was also strong, and a precedent for unconventional architecture had already been set; the award-winning home of ceramic artist Lotte Glob, mounted on stilts and set beneath a curved roof of patinated copper is located nearby.

While Fiona and Robbie’s crofts, collectively dubbed “Croft 103”, both face south to maximise solar gain, they are also positioned to allow for privacy. So while Hill Croft curves in a fan shape into the hillside above Loch Eriboll, the rainbow arc of Shore Croft sits much closer to the water’s edge.

Both embrace what Fiona describes as “honest” materials, “We didn’t want anything ostentatious or twee,” she says, “These spaces had to be very sexy and sleek yet undoubtedly ‘Highland’.”

The honey-coloured stone used to clad the exterior walls, and to create drystane dykes, was sourced from the croft itself, while Douglas fir for the buildings’ frameworks was locally sourced and milled by Matt Stevenson of Carbonlite Design + Build, the Ross-shire based company that guided the couple through the project.

The decision to go down the eco-build route stemmed from Fiona and Robbie’s desire to tread lightly on the naturally magnificent site. Carbonlite was an obvious choice, specialising in cost-effective, eco-friendly builds.

Traditional stone and timber nevertheless meld in these designs with sharp contemporary finishes including zinc roofs and glass walls to create buildings that are quite out of the ordinary. An abundance of south-facing glass allows each space to be heated largely by passive solar gain. However, hot water (for the highly desirable external tubs as well as those inside) comes largely from solar panels positioned remotely from the buildings. Meanwhile a wind turbine generates electricity, with its surplus energy being sold back to the grid.

Amongst other unconventional items on the couple’s shopping list were sheep’s wool (for insulation) and tyre bales (made from recycled car tyres) that make a versatile building block.

Working in such a remote location did pose challenges. For a start, there was no road into the site, so the couple had to build one. And particularly inclement weather caused numerous delays, as this spot is exposed to some exhilarating conditions.

But then these are perfect spaces from which to watch a storm unfold. A textiles graduate, Fiona savoured the process of putting together the croft interiors, and deliberately sought out quite a different feel for each.

Realising that visitors would make a beeline for Shore Croft, given its waterside location, she let this space take on a little more rusticity than its sibling up the hill.

“In general though, we wanted understated style,” says Fiona, “There’s not a lot of furniture in either croft, but what’s there is over-sized and comfortable.”

Both buildings, which have been five-star accredited, benefit from the highest quality materials. Caithness stone worktops and sinks look striking against stainless steel kitchen units and a polished concrete floor. The same stone also makes an appearance in the walk-in showers as well as windowsills and outdoor paving.

In Hill Croft, exposed solid oak adds warmth, while the corrugated tin ceiling (purely an aesthetic choice) demonstrates the attention to detail throughout.

Like its sister down at the waterside, Hill Croft has one bedroom, and both buildings capitalise on an expanse of glass to bring the outside in. However, the shape of Hill Croft – wrapped around the hillside – differs in that it allows an unhindered perspective through the interior.

“The buildings are not huge, but they are spacious,” says Fiona, who likes the slightly more angular feel within Hill Croft although she would be hard pushed, she says, to choose between the two. Since the crofts opened to visitors last summer, guests have been making repeat bookings, often trying out both properties.

Fiona commissioned Lairg-based blacksmith Sam Barlow to create bespoke interior pieces; in Hill Croft these include door handles and toilet roll holders as well as the magnificent 7ft lacquered steel and leather bed, the bedroom dresser and bathroom sink stand. Mirrors above the latter are finished with ceramic tiles by Lotte Glob.

Chairs in the living space embody the contemporary Highland mood and were sourced from The Conran Shop as well as from Fiona’s own collection.

The kitchen has been equipped with the best of everything to make the self-catering experience a pleasant one. Special requests for deliveries such as locally caught scallops are welcomed.

“We can tailor a stay with as much or as little fuss as guests want,” says Fiona.

While both crofts have underfloor heating, these spaces would have seemed a little less joyful without their log burners, the perfect antidote to the Scottish weather. However, if you really want to immerse yourself in the elements, tear yourself away from the home entertainment system and plunge into the outdoor bath, which faces the loch and is conveniently made for two. And maybe leave the dog indoors.

Cersaie: the Global Tile Show - November 2011

2012-01-06 10:41:00 | polished tiles
Once again, Cersaie, the International Exhibition of Ceramic Tile and Bathroom Furnishings, held in Bologna, Italy the last week of September, perpetuated its reputation of being the premier global event for this industry. Now in its 29th year, this five-day show drew over 81,000 attendees and 965 exhibitors from 31 countries. While attendance was off 2% from the previous year, most of that decline was from Italians―the international head count was up 4%.

It should come as no surprise that Italian producers of ceramic tile continue to dominate the world market, commanding a 41% share from a dollar perspective―this includes the value of the product manufactured in other countries by Italian owned factories. And despite the sluggishness of the current global economy, consumption of Italian tile for the first half of 2011 grew by approximately one percent.

Most of this growth and market leadership can be attributed to the innovation and design focus that attendees can see firsthand by walking the massive exhibition. The Italian tile trade association is quick to point out that continued and heavy reinvestment in this industry―which in 2011 alone was $381 million―is one of the key reasons the Italians continue to lead the world tile market. But a second and just as significant reason is the Italians’ focus on fashion and design.

Prevalent throughout the show were larger format tile, rectangular shaped tile, thin tile, faux wood and faux stone looks, and high-low textures. From a macro perspective, most of the styling was subdued versus flashy with more minimalistic concrete looks, soft natural coloring and satin finishes. Gone for now are the flashy, metallic, glossy, high contrast looks that dominated the show just a few short years ago.

The wood look was very prominent this year, including several more refined designs. Some booths offered basic strips of wood with detailed grain while others perfected the weathered, textured, distressed look, giving the product much more character and variation. Some companies deviated from the natural plank shape of real hardwood by creating large format square tiles.

The same holds true with the faux stone products. Gone are the days when imitation marble and travertine looked fake. In fact, producers are now able to emulate the surface imperfections that you find in travertine and the three dimensional veining and translucent depth of natural white marble that you couldn’t copy with manmade products.

While Europeans still like their bold colors and there were areas where you could find bright red, orange, purple and green tiles, most of the large producers seemed to recognize that natural and muted colors are in. Grey, beige, taupe, toast, black and some white took center stage. Most designers today seem to be using the flooring as a neutral background in their design palette and saving the accent of the overall design for walls or interior furnishings.

There is no denying that digital printing technology has revolutionized this industry in the last three years. Prior to ink-jet printing, the color glazes used to decorate tiles were added using gravure rolls and silk screens. With these processes, each color had to be added one at a time and the printing screen or roll had to come in contact with the product. On top of that, the only way to vary the image that each tile got as it went down the production line was to have multiple print stations with alternating images. Now, with the use of ink-jet technology, small microdots of different colors can be sprayed onto the tile medium in one pass without touching the product, and with each pass the image can be changed. As a result, intricate multicolored images can be added to textured surfaces and image repeats can be virtually eliminated. In addition, larger hi-res images can by transferred to large format tiles. Amazingly, the look that tile producers are able to create on a manmade product gets better and better each year.

Thin tile is another innovative development that continues to evolve since it was first introduced five or six years ago. Laminam owns a patent on the extruded porcelain process but other companies have discovered alternative methods for obtaining similar results. Some companies like Lea are now offering a thin tile that’s 3.5mm thick, 40” wide and 10’ long. Lea’s product requires a fiberglass backing but Marazzi has developed a 4.8mm product that doesn’t require laminated reinforcement and still meets the fracture strength standard for porcelain tile. Not only does this thin tile technology reduce raw material usage and manufacturing energy but it is also lighter to transport. In addition, it expands the applications where tile can be used to exterior building skins, door skins, seamless countertops and even case goods surfaces.

Orient Tiles eyes Rs 650-cr turnover

2012-01-05 11:22:12 | polished tiles
Orient Tiles is embarking on an ambitious plan to expand its retail network in 2012 to increase its market share in the highly competitive organised tile industry and to figure among the top three tile companies in India.

In conversation with exchange4media, Vijay Shankar Sharma, CEO, Orient Tiles, divulged that the company was targeting a turnover of Rs 1,500 crore by 2015, carving out a market share of about 12-14 per cent in the Rs 4,500-5,000 crore organised tile market. In 2012 itself the company hopes to achieve a turnover of about Rs 650 crore.

Orient Tiles is focusing on online marketing, advertising on Facebook and real estate websites. Until two years back, the company was not into advertising. But today it has allocated an advertising budget equivalent to 7 per cent of its total turnover.

The company has also created a separate website, where it has come up with games, user content, contests, polls and advisory for architects, designers, builders and tile sellers. Sharma informed that the company had also developed branded mobile phone games to engage customers to appraise them of Orient Ceramics brands and tiles. “The whole idea is to create customer pull that helps retailers and franchisees to boost their business,” he added.

On the retail front, Orient Tiles is targeting more than 50 outlets by the end of 2012, focusing on cities like Mumbai, Pune, Kochi, Bangalore, Chennai and Gurgaon for future expansion, Sharma said. Currently, the company has about 30 franchise stores in addition to 12 Home Town outlets, where it has a tie-up to display and sell its products.

Orient Tiles’ plans got a boost last year with the acquisition of Bell Ceramic. And with that Orient Tiles has become a leading manufacturer in terms of installed capacity that stands at 29 million square meters per year. Together, they are set to cover more than 30 crore square feet of walls and floors with unique designs every year through unmatched innovative skills combined with state-of-art technologies.

With its newly established Orient International division, the company has established its imported product line from Spain, Italy and China. Through the Orient International imported range, the company has got into 75 new multi-brand retail outlets, which is expected to double by January 2012. Not just that, the company expects to clock 30 per cent growth in 2011-12 over last year’s Rs 472 crore combined turnover of Orient Tiles and Bell Ceramics. “Last year, the product range of Orient International accounted for 10 per cent of the total turnover, which is expected to go up to 15 per cent this year,” Sharma claimed.

The company’s latest initiative is Orient Tiles Boutiques (OTBs). These are exclusive company owned and managed concept stores of 2,000-3,000 sq ft. These signature boutiques display domestic and imported range of tiles and offer contemporary designs and décor solutions. Four OTBs are already operational in New Delhi, Kolkata, Chandigarh and Faridabad and more are in the offing.

All these initiatives are meant to aggressively push up sales. Seventy per cent of the company’s sales are project sales while 30 per cent is retail or refurbishing segment. “For institutional sales, we have tied up with builders, architects, designers and tile applicators. In the retail, home segment is much large and is growing much faster, and within that, luxury segment though small is growing very fast,” concluded Sharma.


Home decorating tips from the experts

2012-01-04 10:45:33 | polished tiles
Decorating our homes can be a stressful time; budgets tend to be stretched and there is a whole lot of mess, but before you even get to this, you have to decide on what you're going to decorate your home like.

This takes a lot of planning, a lot of visiting home stores and a lot of bickering.

To help you on your quest to find a new look for your home, we asked a number of experts on what they predict to be the biggest trends for homes in 2012.

Pick which one suits you most and get hunting for the perfect objects which are going to complete your home.

Linda Levene, Design Director at Light & Space, an eDecorating interior design company, says: “Wood will not be confined to floors, wooden clad walls will be seen as an emerging trend , as a focal point for walls, whether it’s distressed, polished or stained, wood helps to accentuate the warm atmosphere in your home.


“Colour wise rich jewel colours are key - think emerald, ruby, amethyst and sapphire, topaz and rich turquoise along with silvery greys and warm whites.

“The key look is still comfort, comfort, comfort. It’s all about cocooning, protection and warmth, making your home feel luxurious comforting and inviting a refuge from tough economic times.

“Reflective surfaces are important created through mirrors, mirror tiles or wallpapers with tiny crystals and glass beads as well as metallic finishes.”

Amanda Ayers, founder and “interiors connoisseur” of leading mirror and frame specialist, Ayers & Graces, says: "Mirrors are undeniably the easiest way to create an airier and more spacious feel. They generate a perception of increased depth in the room - useful when trying to “open up” a smaller space.

"This reflective tool cleverly combines functionality with style; with a multitude of designs available. Wall hung mirrors are not only a practical piece of furniture but are striking pieces of wall art in the home – utility just got pretty! My expert tip would be to use unusual frame materials such as crushed and cut glass that can be wall-mounted and used to bounce the light around the room.”

Sara Pomfret, founder and interior designer of luxury bedroom furniture company, Raines & Willow, says: “Combining a contrasting mix of textures within the home can create a comfortable, contemporary, elegant and luxurious vibe. Smoked glass furniture has reflective surfaces that fuse effortlessly with both monochrome colours and vibrant interior tones. Reflective furniture surfaces assist in opening up the home and create a fresher feel without having to fully redecorate and change the colour of walls and carpets. This modern design trend for 2012 adds unrivalled depth perception to the interior and boasts the flawless expression of sophistication and personality in the home…”

Rachel Edmonds, Marketing Director of French-inspired furniture company, Newtons, says: “Mirrored tiles and metallic wallpaper reflect more light and are useful tools when attempting to brighten the interior and mirrors deliver an instant and inexpensive “make over”. Irresistible gold and silver furniture surfaces defuse light around the room and evoke an overwhelming feeling of opulence.”

Louise Smith the Senior Global Colour Designer at Dulux, says: "Colours for 2012 are full of take charge optimism. Paler tints of colour seen over the last few years have grown into a desire for colours which are more confident and robust."