experimental

experimental ambient leftfield wired noise glitch

Ingo Günther

2009-03-17 16:12:56 | Weblog
Ingo Günther, born in 1957, grew up in the city of Dortmund, Germany. In the 70s, travels took him to Northern Africa, North and Central America and Asia. He studied Ethnology and Cultural Anthropology at Frankfurt University (1977) before he switched to the Kunstakademie Düsseldorf in 1978, where he studied with Schwegler, Uecker and Paik (M.A. 1983). In the same year, he received a stipend from the Kunstakademie Düsseldorf for a residency at P.S.1 in New York. He received a DAAD grant the following year and a Kunstfonds grant in 1987.

Günther's early sculptural works with video led him towards more journalistic oriented projects which he pursued in TV, print, and the art field. Based in New York, he played a crucial role in the evaluation and interpretation of satellite data gathered from political and military crisis zones; the results were distributed internationally through print media and TV news. The goal was to make military and ecological information, that was up to this point inaccessible, known to the public in order to have a direct impact on political processes. On an artistic level, the work with satellite data led to Günther's contribution to documenta 8 (1987), the installation K4 (C31) (Command Control Communication and Intelligence). In the same year, Günther received accreditation as a correspondent at the United Nations in NY.

In his capacity as artist, correspondent and author, he worked extensively with Japanese TV (NHK), covering topics that ranged from media studies to military technology. Since 1989, Günther uses globes as a medium for his artistic and journalistic interests. In 1989, 9 months before the reunification of Germany, he founded the first independent TV station in Eastern Europe Channel X, Leipzig in order to contribute to the establishment of a free media landscape.

We got Dystopia without rational idealism

2009-03-02 09:56:35 | Weblog
Michel Foucault reveals that the concept
of human subject was artificialy made.
We got Dystopia when it fails without rational idealism .
We felt negativitic dark atmosphere about This disc.
It seems Motley sounds have birth in narrow Dystopia
place like cyberpunk cinema music soundtracks.
As for track 3.Kol sonzlgn--Neue Panopticon,
like xoomei & 5.Ergo phizmiz-Mystery of Hadness
(pulled by Foucault-History of Madness ) like klezmer,
4.sara ayers-La Tache politique actuelle ,like meditational,
we can listen such as one element of world music .
But As for rest track(After all,experimental or leftfield)
such as 2.Bunk Data-From Foucault's pleasure
,6.Henry Gwiazda-TheOtherwilderness
7.Ryuta.k-Truth got broken since May 68,
it seems not made by creativity in subject,
rather we get deconstruction or bounds
about making music (copyright probrem ).
It indicates all we expand in the matrix
using with any digital sequencer.
This disc also seems attempt to get process
toward pan-tonal world music escaping from
tonic-dominant system made by human subject.
Album title;
Un Nuit Dystopia/Hommage Michel Foucault
Sub title;(Toward pan-tonal world music)
(VA)Artist---song list:
1.Makryham--Raymond Roussel:Dysphoria
2.Bunk Data--From Foucault's pleasure
3.Kol sonzlgn--Neue Panopticon
4.sara ayers-La Tache politique actuelle
5.Ergo phizmiz-Mystery of Hadness
6.Henry Gwiazda-TheOtherwilderness
7.Ryuta.k-Truth got broken since May 68

1to7 ;48.8 minutes