作业代写：American zombie movie

下面为大家整理一篇优秀的paper代写范文- American zombie movie，供大家参考学习，这篇论文讨论了美国的丧尸电影。在美国的丧尸电影中，断肢残浆、情欲横流的视觉刺激和情节构造使其深受观众喜爱，但不容忽视的是，影片中承载着深厚的美国文化底蕴，折射出了美国文化的深刻与宏达：民族的多元化造就了美国文化的多样性，多样性又衍变成熔炉文化；对现实社会的恐惧与逃避凝结成黑色文化的残暴与血腥，用抽象的达达主义形式再现美国民众的不安与焦虑。

zombie movie,美国丧尸电影,论文代写,paper代写,北美作业代写

American movies often present a distinctive "American idealism sentiment creation", tried to in macro image narrative, standing on the position of a certain culture of history fu, construct the structure of "myth" about the idealism, "people want the projection system" and "the undisputed world authority". Culture is an important part of film projection. Moreover, these people naturally believe that people from other cultures should think and act in their own way. [as is known to all, the United States is a federal republic, made up of more than 50 states and many overseas territories, a large number of different cultural backgrounds of immigrants to build an inclusive cultural tradition in the United States, the hybrid form a high degree of melting pot culture, so that American culture has set up a unified, in multiple unity and mingled with the unique charm of its own.

The American historical and cultural traditions of the melting pot culture are vividly depicted by dismemberment and combination of "the best of mankind" with a deviant and bloody method. The mad scientist in the film, Dr. Frankenstein, is dedicated to creating a perfect pair of wonderful men and women. For this reason, he dismembered and collected all kinds of human organs to assemble the new human body. Abstract, unrealistic thoughts come true -- the "best men and women" who live in the fantasy world are resurrected, in part, to fit all the doctor's desires. The absolute denial of human decomposition and reconstruction in realism is absurdly true in the film, which actually reflects the process of cultural and historical changes in American melting pot culture. 13 fragmented colonies before the war of independence to some extent, is the body's organs, the war of independence is the suture needle "human organs", an operation completed the embryonic form of the "human", after repair, gradually formed today's prosperity in the United States.

Individualism is the core of American culture and the root of various value orientations. This long-standing individualism, utilitarianism, it is difficult to constitute a separatist ethnic melting pot, even if reluctantly constitute the appearance of cultural fusion, it is hard to go deep into the people's heart, cannot be truly mainstream ideology communion symbiosis. But the melting pot culture in the United States has finally been refined, largely thanks to the "American dream". As some scholars have pointed out, "American dream" is an ideal that runs through the history of the United States and best embodies the American spiritual lifestyle and the American national spirit. It exists in the mind of the American people all day long, encourage people to yearn for freedom, equality, progress and success, and for the destiny of the "American dream" to continuously forge ahead, to the division of the national culture gradually, finally realizes the confluence, thus forming a multicultural fusion hybrid. It remains to be seen whether the American dream has come true. "Because poverty, racism, limited individualism and equality collide with the reality of America every day." But anyway, all ethnic groups in the pursuit of the "American dream" efforts on the road, enough to make the multicultural American society values into a fresh the mainstream ideology of adapted to the people of all nationalities, and realize the melting pot culture make up.

Every good movie reflects different lives, reflects different truths and reflects the true meaning of life. Zombie movies are no exception. The zombie genre has not only captured the attention of audiences and ensured box office revenue, but also paved the way for expanding the reach of Hollywood films. The walking dead is full of intense contradictions and darkness, falsehood and terror. These are the human fear of enrichment, the current social reality about the death penalty or sin, these factors like dark is the lifeline of human fear heart, carrying all human unease and panic. Black culture is the culture that any kind of hidden existence, quoted out with every kind of culture, and in the process to release their own evil heart, this also explains the black culture is inevitable in the film.

Incest and eroticism are typical of the whole film's black culture. Dr Frankenstein married his sister's close relatives and created "the ultimate couple". A lecherous wife who has cheated many times in her marriage and has sex anywhere, no matter the time. An assistant rapes a servant and a "good woman" at will. Wild sex, prostitution, such images can be seen everywhere in the film, full of hormones. This challenge to ethics is another form of protest against the existing American democracy. As is known to all, the United States regards democracy and freedom as its mainstream values, but in fact, there are still many people who insist on anarchism all the time. But America's divided political system has proved difficult to achieve its ideal goal of anarchy, so they can only hope for the individual visions in the film. Therefore, it also creates the drama effect of ignoring ethics and passion on the screen.

It is also another manifestation of black culture to carry out spiritual persecution on children, causing their psychological distortion. Film with his two children to play the game of cloth dolls beheaded for start, and then saw mother intercourse with others, but also to the human body of father's daily cutting, the process of organ harvesting, cruelty, indifference, enchanting, wild experience gradually so that they form the extreme distortion of world outlook, the outlook on life and values, become dark castle bloody rule for the next generation of successors. Imitation is the nature of children, and the rebellion against society enters into children's eyes in a fierce form, which easily erodes their young minds by the darkness, causing the distortion of human nature. The United States on the streets of little vagrants, drug addicts, alcoholics, in his own way all the time on the human nature into the American society of indifference and evil, this is their dark elements, and the darkness of a generation ago genetic factors. They will fear of society in the form of a kind of curing finalize the design, present in the human vision, make it become part of the social order, to hope for a true American society of democracy and freedom.

Innovation is the soul of a country and the inexhaustible motive force for its prosperity. It is the truth of national development and the truth of world progress. Dare to think and do the United States is always at the forefront of the path of innovation, and become the leader of innovative countries. Since the first industrial revolution development, the United States have already formed strong innovative culture tradition, with innovative mainstream values and spiritual pillar of the U.S. economy is in the industrial revolution, catch up with Britain, became the first power of science and technology of be worthy of the name and the first Nobel powers. Therefore, innovative cultural concepts play an important role in American cultural society.

Daring to imagine and take risks is the basis and premise of innovation and the most amazing thing in the film. Dr Frankenstein lifelong committed to collect to create perfect men and women, the human organs with dismembered and stitching the basic operation skills, such as blood clots, organ building can speak "live" moving "dream job", at the same time will be a strong terrorist atmosphere is blended in among them, forming a closed loop back through the network, Dr Fear and feel powerful fantasy and adventure. Physical separation in the film even head loss will not kill people, only a dead heart is the most lethal weapons, it also confirms lose fantasy from the side and the power of the spirit of adventure and innovative cultural support, and life will lose the value of existence, the spirit of innovation is to dare to dare to do in the heart of the United States. Guo moruo once said, "science needs creation, fantasy, fantasy to break the shackles of tradition, and science to develop." Americans have fantasy, adventure, enterprising, scientific innovation spirit have already broke the gate road blockade of thinking, built deep innovative cultural values, form the sparkle of American culture.

The mainstream values of American innovation culture are ultimately shaped by every ambitious and adventurous American citizen. And the risk of strange mentality and the challenge of new things can lead to the birth of every thought, perfect, mature, the final form of innovative culture results, has a long history in the form of innovative mainstream culture. In addition, the utopian thoughts advocated by americans have filled them with strong hopes for a better future, urging them to keep moving forward and never turn back. In this way, it can also reduce the heavy shackles of history and culture, and encourage the new generation of young people to open up a new round of innovation with the courage to think and do with a simple mind. In this way, the innovative characteristics of American culture will be deeper and longer.

In conclusion, broken mutilation pulp, flesh out the visual stimulation and structural rise of the zombie movie plot, but should not be ignored, in the film bears profound American culture, reflects the profound of American culture and HTC: ethnic diversity has created the diversity of American culture, diversity and development into a melting pot culture; Fear and avoidance of the real society condense into the brutality and blood of the black culture. The anxiety and anxiety of the American people are reproduced in the form of abstract dadaism. The spirit of daring to fantasize and take risks contributes to the tradition of innovative culture and forms the mainstream values of American society's innovative culture. Melting pot culture, black culture and innovative culture, no matter what kind of cultural form, is for the United States social cognition and understanding of the cultural values, is also a zombie movie accumulation splendor of American cultural characteristics, is worth us to focus on.

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作业代写：Indian musical elements

下面为大家整理一篇优秀的paper代写范文- Indian musical elements，供大家参考学习，这篇论文讨论了印度电影歌舞元素。对于大多数印度人民而言，宗教的意义非凡，宗教文化在印度文化中占据重要地位，因此印度电影对歌舞元素的坚守很大程度上受到宗教信仰的影响。因为舞蹈与神性密切相关，其在某种程度上起源于宗教祭祀，是展示宗教信仰忠诚性与宗教文化的良好形式，另外舞蹈也是语言的表达方式之一，尤其对于不同民族而言，语言不同但歌舞相通。

Song and dance elements,印度电影歌舞元素,essay代写,paper代写,作业代写

Song and dance elements are one of the most distinctive features of Indian films. As a highly praised Indian film, "little girl's monkey god" skillfully combines music, dance and film content closely, promoting the film's national character and regional characteristics to be more prominent, thus laying a solid foundation for the film's high quality. Film is directed by kabir ? sweat as, salman ? khan, karina ? karp and soft category films starring of. The film takes the indo-pakistan conflict as the background, and takes the faithful hannouan's parwan escorting the non-talking Pakistani girl shahida to her home as the narrative thread, involving politics, religion, culture, ethnic conflict and many other contents. , meanwhile, the use of song and dance elements is "the little girl's uncle monkey god" of a major bright spot, to shape the spectacle of the cleave to singing and dancing, form the visual impact, enrich the fundamental role of the characters, and creative with song and dance elements make the film more interesting and more rational, and makes the film integrating diversity, ingenuity of song and dance elements application model.

Religious belief is of great significance to most Indian people. Religious culture occupies an important position in Indian culture, so the adherence of Indian films to singing and dancing elements is greatly influenced by religious belief. This influence is mainly due to two reasons: first, dance is closely related to divinity, which is originated from religious sacrifice to some extent, and is a good form of demonstrating religious loyalty and religious culture, which has aroused the attention and attention of Indian film makers on singing and dancing elements. Secondly, dance is one of the ways of expression of language. Especially for different nationalities, different languages and similar songs and dances are based on the multi-ethnic and multi-religious characteristics of India, which makes songs and dances occupy an extraordinary position in India. "The little girl's uncle monkey god" under the influence of religious faith, environment under the background of creation of song and dance elements to both appeared on the current status of the life, and interpretation of religious culture, the film is a perfect fusion of the film culture and religious culture, the director with singing and dancing as a form of expression to film dimensions is expanding.

The inspiration of the film comes from the reality, which to some extent highlights the effect of social environment on the film. Generally speaking, social environment mainly contains political factors, cultural factors, economic factors, information factors and other aspects. In the movie "the little girl's uncle monkey god," social environment's influence on the political factors mainly displays in: the film tells the story happened in india-pakistan conflict of background, the india-pakistan conflict for a long time is one of the sources of its creations, and finally the film tensions between the two peoples also eases by pavan, this has to do with the return of the relationship between the two countries in recent years is consistent; And the influence of such social environment through language communication is difficult to express in place, as a result, the little girl's uncle monkey god with song and dance as the carrier, with the help of singing and dancing against different social environment under the background of the relationship between the two peoples, nervous rhythm of contradictions acute period of ease after relaxed and cheerful music score and relationship between contrast. In addition, due to the Indian people in their social life and love are of the utmost importance to singing and dancing, is an indispensable important part of their daily everyone singing and dancing of the subtle influence of the social background of film creation, easy to cause native audiences, this is the little girl's uncle monkey god hold another main reason for the application of song and dance elements.

A review of the film "little girl's monkey god" shows that the most obvious and direct value of the application of singing and dancing elements lies in creating spectacular scenes. In the film she Sally hidayat and uncle monkey god pavan's first meeting, for example, the section in god hanuman celebration activities, visitors are greeted first in pavan led people sang and danced together exult, hundreds of thousands of people had a good time in the musical melody release yourself, this is an effective form to communicate with each other more can reveal the pious religious belief, in improve native people's identity also prompted the magnificent scene is full of amorous feelings of India is deeply engraved in the audience mind, and song and dance elements of the artistic charm of the show incisively and vividly. It should be noted that, different from the ordinary films involving singing and dancing elements, the interpretation and application of singing and dancing elements in the films are mainly based on religion, which is the manifestation of its national characteristics and an important symbol of Indian films.

The production of excellent films not only needs the positive theme and excellent actors' performance, but also needs the attractive content as the guarantee. As an effective way and means to interpret the content of the film, singing and dancing involve many elements such as costumes and movements, which are an important part of visual elements. Therefore, proper application of singing and dancing elements in films can form a certain visual impact, and at the same time, make the film content more lively. The singing and dancing elements cover two parts: music and dance. Therefore, in the film, it can be displayed through singing and dancing combination, background music and other ways, and the visual impact is mainly formed by singing and dancing combination. "Little girl's monkey god uncle" reasonably adds Indian amorous songs and dances, which is impressive with extremely high recognition, and gives the audience a sense of new and fresh.

Song and dance is an important way to express emotions and show the inner monologue. It is also a common art element to highlight characters' characters and interpret inner activities. Therefore, people often put singing and dancing elements into the works in the creation of films and films. Taking the leading role of parwan as an example, the movie is represented by singing and dancing elements in the creation of its character image. Parwan sings and dances to the point of selflessness in religious celebrations, to a certain extent, showing his sincere worship and worship of monkey god, which is consistent with the setting of religious beliefs. Just because of his reverence for the monkey god, parwan's honesty, kindness and non-lying, the character image is more vivid and three-dimensional, which also foreshadows the later parwan's devotion to almost stupidity. At the same time, parwan took a happy photo with believers of the same faith during the singing and dancing, which showed his warm and cheerful character and made the figure more and more full.

The most important part of the application of singing and dancing elements in films is to balance the relationship between singing and dancing and the plot. It should not only play the promoting role of singing and dancing elements in the interpretation of the film content, but also not make the plot messy and tedious due to a large number of applications of singing and dancing elements. In previous Indian films, singing and dancing are often presented as independent elements in films, which makes Indian films generally long in time, giving people a sense of triviality and fatigue, and reduces the audience's experience of watching films. In "little girl's monkey god", the singing and dancing elements, as a part of the narrative language, were used at the beginning of the film to bring out the encounter between parwan and sahida by means of singing and dancing. The outstanding performance of the singing and dancing attracted the attention of the little girl sahida, laying a foundation for her to follow the plot of parwan in the later stage. It can be seen that the use of song and dance segments makes the encounter of the two protagonists in the film more reasonable. It is an effective means to promote the development of the story, showing the unique artistic charm and artistic appeal formed by the combination of song and dance and narration.

Indian films usually take a long time. Apart from the influence of the application of singing and dancing elements, they are also related to the editing methods and techniques of singing and dancing fragments. In "little girl's monkey god", although it is still a long time, it controls the song and dance segment to a certain extent, and updates the editing method on the basis of retaining its own musical characteristics, making the film more compact in rhythm. There are mainly two large singing and dancing scenes in the film, both of which are used to promote the development of the story, and are effective ways to adjust the film's rhythm. In addition, in the film, when pavan walks across the Indian border into Pakistan with shahida without a passport and insists on not lying and finally gets the recognition of patrol officers, the song is timely shown, and the background mapped under the desert of the two people adds the appeal to the film. At the end of the film, pavan, who walks back to China in the presence of the people of the two countries and never speaks before, cries out the uncle with all her strength. The background music rings at the right moment, which gives more touch to the audience. It is worth mentioning that editing is an important part of the film. The level of editing and whether the editing style meets the taste of the audience directly affect the movie's public praise and economic benefits. The faster and faster life style makes people more willing to accept the compact plot. Therefore, the creators need to reasonably edit the singing and dancing elements, and increase the positive influence of singing and dancing elements on the film by means of more advanced editing techniques.

The song and dance elements in "little girl's monkey god" as the carrier to promote the sublimation of the film are mainly reflected in four aspects. The story of "little girl's monkey god" is based on the multi-faith background of India and Pakistan. The singing and dancing is an important carrier of religious belief, which can elevate the theme of the film to the national and ethnic level, so that the scope of interpretation of the film can be expanded and the theme can be sublimated. Secondly, the singing and dancing elements help the film to sublimate its emotions. In the film, believers express their emotions through singing and dancing, and sing and dance together at the festival party. By doing so, they can realize the expression of delicate and complex emotions, give the audience a strong sense experience, and trigger infinite imagination space, and then achieve resonance, and finally achieve the sublimation of emotions. Thirdly, the singing and dancing elements make the film more artistic. As one of the ways of mass entertainment and entertainment, film has gradually evolved into an important marketing method for merchants, which has led to the vulgar flattery and the trend of catering to the public. In this case, it is particularly important to enhance the artistic characteristics of film on the basis of increasing its attraction to the audience. The addition of singing and dancing elements makes the film's story plot and artistic behavior perfectly blend, makes the film achieve deeper emotional expression, enhances the film's artistic beauty and artistic appeal, and interprets different film styles and artistic features. Finally, the singing and dancing elements make the film more interesting. Traditional film form mostly flat out straight story plot reflect suspense bizarre or love beads, uniform film model makes the public aesthetic fatigue, "the little girl's uncle monkey god" in song and dance elements join to give the audience more aesthetic experience, on the basis of the traditional story increasing expression of song dance movie more interesting.

The combination of singing and dancing elements and films is the most distinctive artistic feature of Indian films, which endows the film with ethnic and regional characteristics and should be adhered to. However, with the increasing production of films, people put forward higher requirements for the quality of films, which means learning to innovate while sticking to it. The little girl's uncle monkey god created in high yield under the social background of film, the song and dance elements in narrative reasonable thrust, song and dance to rich movie characters at the same time the basic role of innovation and application form, a greater degree of play a song and dance elements on the value of the film, is worthy of reference for related film makers, learning.

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北美作业代写：Cinematography

下面为大家整理一篇优秀的paper代写范文- Cinematography，供大家参考学习，这篇论文讨论了电影语言学。电影是一门充满无穷魅力的艺术新形式，人们对电影的研究已经有很长时间了，但对电影语言学的研究才刚刚起步，而且充满争议和质疑。但随着研究的深入发展，电影语言学这门电影的分支学科逐渐被人们所接受所理解，并取得了一大批研究成果。

cinematography,电影语言学,essay代写,paper代写,作业代写

In the west, the study of film language has gone through three stages of development, especially in the 1960s and 1970s, when the study of film linguistics represented by the French Christian metz was popular and influential. However, the study of film linguistics in China has experienced the development of translation, integration and integration. Although the later theoretical circles of Chinese and foreign films all went to the diversified film research, but did not break away from the film language form research. Linguistic research on film is still promising.

Film is a new art form full of charm. There have been many studies on film in the past century, but the study on film linguistics is still in its infancy, and it is full of controversy, much derision and doubt. However, with the further development of the research, the branch of film linguistics has been gradually accepted and understood, and a large number of research achievements have been made. This paper is intended to give a brief overview of the research results of Chinese and foreign film linguistics, and give some thoughts on the existing problems.

In the west, the study of film semiotics as a language and as a language has a long history. Throughout the history of film development, the study of film language in the west has gone through three stages.

The first stage is the study of "film language" before the 1960s, that is, the language study of traditional films. "Film language" is just a metaphor, which generally refers to "means of expression". Rather, it refers generally to the technical means of producing the effects of various films. The study of film language plays an important role in eisenstein's thought, as does, to some extent, that of bazan. And many critics often try to make an analogy between film and language. So sometimes we see comparisons between shots and words, scenes and sentences, paragraphs and paragraphs.

Most of these studies are casual associations. The French film theorist Martin mardin's film language tries to make the study of "film language" explicit. This book, starting from the concept that film images are the basic elements of film language, discusses the relationship between film language and literature, painting and music, as well as its expression in montage, depth of field, dialogue, space and time. The author points out: "the film has its own handwriting - it is embodied in every director in style - and it becomes language and even a means of communication, intelligence and propaganda. ...... The film is a language, and this is the point which this book attempts to prove by analyzing the film's flexible and effective use of a large number of expressive means in comparison with the spoken language. "However," the language of film started as a simple representation of a film performance or reality, and gradually became a language, that is, a means of narrating stories and conveying ideas. Finally, the author concludes: "the film has an extremely complex and colorful language, which is able not only to flexibly and accurately reproduce events, but also to flexibly and accurately reproduce feelings and thoughts. From market shows, to civilized dramas, to the instruments of recording the things of the time, the film has gradually become a language-a language in which artists can express their thoughts and aspirations with the precision and accuracy of today's essays and novels.

The second stage refers to the study of film linguistics represented by France in the mid-1960s and 1980s, namely the study of modern film theory. This study of "film language" is totally different from that of traditional "film language". In 1964, the famous French film theorist Christine metz published the film: language system or language? The article. This paper USES saussure's structuralist linguistic research method to treat film as a special form of image language, that is, an ideographic symbol with certain determinacy. This kind of research opens the prelude of the study of western film linguistics, which is also the first stage of the study of the author's film semiotics.

Metz clearly pointed out that the existence of film linguistics is completely justified, and it can be studied on the basis of linguistics, namely, semiotics, which was proposed by saussure. But he also thinks that he has not found something similar to the language system in the film, so the film is a "language without language system". "The film symbologist can get general inspiration from linguistics, but no technical concepts of linguistics can directly help him to conduct detailed research, and no usage concepts of linguistics can be copied into film studies."

In the late 1970s, Christian metz's "imaginative signifier: psychoanalysis and film" introduced the psychoanalytic thoughts of Freud and Jacques lacan, combined with the theory of film semiotics, and comprehensively explained the psychology of film mechanism, subject watching process and subject creation process. The "imagination" is the language of psychoanalysis, and "can refer" is the language of structuralist linguistics. The combination of this word indicates the author's intention to study the film by combining psychoanalysis with linguistic methods, that is, to study the film as a dream and as a language. This work is an important sign of the transformation of his film semiotics theory, which is called the stage of the study of film semiotics.

Metz's first semiotics is just a formal study of the film, but a pure language study in the film text; In the second stage of film semiotics, the author did not abandon the research mode of linguistics, but combined the mode of linguistics and the mode of psychoanalysis, and added the study of audience, making the noumenon study of film into the cultural study. In particular, the author attaches great importance to the film to get the audience's deep psychological structure, meaning and accept the social structure of the film study, film this build dream machine is how to use perceived analytic methods and skills, by creating unique viewing situation, stimulate, "suture" the audience to produce identity of illusion and desires, to illustrate the film is essentially a catered to viewing the main body the inner desire and demand of the construction of the similar sex.

The third stage is the stage of making film a language, which is the mature stage of film language. In the 1980s, the trend of French structuralism declined, and the film theory of structuralism semiotics weakened its influence. The center for theoretical film studies also moved from Europe to the United States. The mainstream film theory in the United States tends to be practical, paying attention to the study of film style, film technology and cognitive psychology. Its research status is different from the trend of French film research 20 years ago. This difference is mainly the application and development of digital technology in film field at the end of 20th century. New digital technologies are bound to lead to new movie ideas. The development of digital technology will bring great innovation to film language. The essential difference between the film in the digital age and the traditional film is that it can show us not the changes of light and shadow recorded in the real material world by the chemical reagent on the film through optical lens and mechanical motion, but the visual magic created by computer through digital combination. Digital technology further enriches the image "vocabulary" of film language, bringing great changes to the generation of image, and making its expression field and modeling methods expand unprecedented. However, digital technology has not led to the formation of too much creative film language "grammar". Digital technology has given film language infinite space to expand, but because the present stage is in the groping stage, it has not formed the essential transcendence and contribution to the film language system.

The understanding of foreign film theories was first carried out through translation and introduction in the 1980s, and the understanding of film linguistics is no exception. For example, the above western classic film theory and modern film theory have published Chinese translations successively, such as "structuralism and semiotics -- translation anthology of film theory" edited by li xiaoyi, and "selected essays on foreign film theory" edited by li hengji and Yang yuanying. I'm afraid the most diligent introduction is li xiaojie. He not only translated a batch of famous western film linguistics and semiotics, but also paid early attention to the integration of these film theories. He also wrote modern western film aesthetic thoughts and other books, focusing on introducing the film semiotics theory represented by metz.

As the author of the second postscript says, jia leilei's "introduction to film linguistics" is "the first academic monograph on the study of film by means of linguistics in mainland China". The author adheres to the principle of "the study of an art should be a study of artistic linguistics, a study of the way and meaning of artistic language expression". From the cultural interpretation of film language and the nature and function of film criticism, from the film's viewing psychology to the star mechanism, etc. Although later, the author's cognition of film began to gradually enter the social, historical and cultural fields related to film from the visual language system of film art. In the past, we used to regard film as a language system with independent aesthetic value, but now, we prefer to regard film as a social text with historical significance. However, the author still believes that this exploration and construction of linguistics is necessary and very meaningful.

Wang zhimin's film linguistics is also a masterpiece of film linguistics. The author understands the development of western film theory, and is familiar with western film linguistics and semiotics theory represented by metz. The author traces the development of western film linguistics. From the classical film theory, which regards film language as a means of artistic expression, to the modern film theory, represented by the film semiotics pioneered by metz, pasolini and eco. From the perspective of modern linguistics, modern philosophy and modern science, the author has fully demonstrated and expounded the possibility of film becoming a language. The author believes that the establishment of the film language system can better develop the artistic expression of the film means. On the contrary, only the establishment of the film language system can fully tap the performance potential of the film means. The author turned the former pure language theory research into a creative thought to guide the shooting practice.

To sum up, there are considerable achievements in the studies of film linguistics and semiotics in ancient and modern China and abroad. However, the linguistic study of film is a method and means to study film, and its limitations are also obvious. The development of western film theory has gone through three stages: traditional film theory, modern film theory and diversified development. It is an inevitable trend for modern film theory to focus on the study of language and social culture and become a diversified film theory. Since the 1990s, various theoretical concepts, research perspectives and research methods of film theoretical research have been flourishing up to now. However, "although different schools of film theory research in modern times have different values and purposes, they all take the formal features of film language as the logical starting point of film research. Some of them recognize the film's ideological meaning from the film's scene scheduling; Some read the film's gender characteristics from the color, light and composition of the image. Some people judge the type of film by the sequence of shot editing. In conclusion, they still adhere to the academic tradition of "understanding films in the way of films" in the overall research methods. That is to say, their position may vary, but their interpretation basis, they conducted analysis not only have not departed from the film's audio-visual language, the more clearly stand on the basis of the description of the film language form the criticism method in terms of technical operations are "cinematic"."

Therefore, the study of film linguistics is of great significance. For Chinese film researchers, it is important not to copy the western linguistic terms, but to link the theory with Chinese film practice, and to be well integrated. We should attach importance to the study and exploration of film technology, seize the opportunity of the development of film digital technology, and create the linguistic theory and theory of film with Chinese characteristics.

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作业代写：The linguistic features of animation art

下面为大家整理一篇优秀的paper代写范文- The linguistic features of animation art，供大家参考学习，这篇论文讨论了动画艺术的语言特征。作为一门综合的视听艺术，动画艺术的领导体制和欣赏都离不开视听双方的信息源和艺术处理。正是如此，动画艺术构建了独特的语言特征，一种用以传递信息的符号系统。因此从动画诞生起，动画就成为了最具符号化特征的艺术形式之一。

animation art,动画艺术语言特征,essay代写,paper代写,作业代写

Animation is a popular art form. From the moment of its birth, it has constructed unique "language" features. It is generally believed that the linguistic features of animation are represented in the following aspects: picture modeling language, action performance language, montage symbol language and sound symbol language.

Animation is a popular art form, from the moment of its birth, high entertainment has become its main function. As a comprehensive audio-visual art, animation's leadership system and appreciation are inseparable from both audio-visual information sources and artistic processing. Exactly so, the animation art constructs the unique "language" characteristic. According to the general meaning of language, we know it is a kind of symbol system to convey information. Therefore, from the birth of animation, animation has become one of the most symbolic features of the art form. In the silent era, animation art, like movies, relies entirely on the reinforcement of physical features or movements to distinguish different characters and personalities. Later, with the birth of sound film, sound symbols were used in animation, and animation art thus formed a more unique artistic meaning.

Animation is an art of creation. No matter it is two-dimensional or three-dimensional animation, it cannot be separated from painting, that is, art and plastic art. Visible picture modeling language is the foundation of animation language. The picture of the animation contains the code of the scene and the picture, which is composed of the scene, lighting, character modeling, color composition and other elements. As animation is an art of artificial creation, the creation of these elements is closely related to plastic arts. With the continuous development of nearly hundred years animation technology mature, animation has close relationship with plastic arts, both classical and modern art, whether painting, printmaking, watercolor, ink painting or sculpture, or folk art, etc., they are used in the form of animation, enriched the animation modeling language. With the rise of high technology in recent years, 3d animation seems to be different from previous forms of animation on the surface. In fact, it is not. 3d animation is also a creation art. Therefore, it is precisely because of the application of various plastic arts in animation that more forms and means are added to animation, and the attraction of animation is also strengthened.

So, is it true that the expressive language of plastic arts is animation? Of course not. Animation merely absorbs the expression language of plastic arts, and then the animation artists create their own unique expression language. Although, in many animations, we will find the expression techniques of painting, sculpture and other plastic arts, they are just similar expression techniques, but the specific expression techniques are different. Take painting, for instance, the traditional painting is to use paint on the canvas, but this method applied to the animation is obviously not appropriate, therefore, animation artists have invented a clever way to paint in oils on glass, they would not use oil paints dry features, under the camera picture while to complete. The creation of this method not only features the modeling language of oil painting, but also produces a new expression language of animation art. Therefore, we find that the use of various art forms and materials in animation enriches the expression language of picture creation and makes animation art more diversified.

Motion is the basis of animation. We know that film and animation have one thing in common on a technical level. And it's playing at 24 or 30 bars per second. But they are very different in the way they record images. The film USES the camera to record the real scenes in life, while the animation USES various expression techniques to create an artistic simulation scene. Therefore, the image in the animation produces its own unique expression language in the action performance.

First of all, animation performance is a kind of virtual and hypothetical performance. The animation characters have no life themselves and are endowed with life through the artistic processing of the animators. Therefore, the performance itself is a kind of virtual and hypothetical artistic creation. We see that in the animation art of the virtual time and space, the human imagination and creativity to the exercise is brought into full play. Its kinematics range from physical movements that simulate the real state of reality to artistic and exaggerated movements conceived by the creators to serve the theme, which constitute the powerful expressive language of animation.

Secondly, animation performance is a kind of summary and exaggerated performance. The animation character is an artistic image extracted from generalization, so its performance is an exaggerated generalization of its unique personality. It is the most common technique in the movement of animated characters to emphasize and exaggerate the action features of things in the real world to strengthen the effect and create a humorous and interesting atmosphere. Such as: the "Mickey Mouse" in the animation, "Tom" and "jerry," roles are to move on their own way, of course there are many actions among this in real life doesn't exist, but they are artists by refining and add your own imagination of life to create a unique animation art movement.

Montage turned out to be the French architecture terminology, later quoted in the film and television art, refers to the lens cohesion and transformation, also is what we usually call the clip - according to the three stages of the film art creation process, when the script, director, finally will be taken out of a series of lenses according to the motion law of rationality, creative to set into the full screen image. Animation is a category of film and television art, so it is inevitable to follow the rules of film and television montage language in the narration. After completing all shot making, editing work is also required to complete the visual fluency of the animation and the rhythm of narration, otherwise the animation may become a story without logic or ambiguity. However, due to the artistic characteristics of the virtual assumption of animation, the application of montage language in animation is bound to present different artistic features.

Lens is the basic unit of montage, refers to the camera continuous shooting. As we all know, the entire film is gone without individual shots. Animation, too, USES the logical connections between shots to tell the story. The shot in the animation is completed by three contents: scene, composition and motion.

The scene is divided into five parts: vistas, panoramic views, middle views, close views and close-up. Different scenes will produce different feelings in people's physical and psychological emotions. Therefore, in the animation creation, the choice of scene should be combined with the actual situation of the animation and subject to the artistic performance requirements of each animation. There are many similarities between the composition of animation and film, photography and painting, which all require simplicity, integrity, vividness and stability, so as to highlight the subject and better express the theme.

Among the three contents that constitute lens language, motion can best reflect the characteristics of animation. Here, motion refers to the photographic method of the lens, which can be divided into two types: fixation and movement. Fixed photography refers to the shooting under the condition that the camera body and position are unchanged. It is generally used to show the close-up of the subject and the character's face. But for motion picture, fixed photography and limitations, so in the animation, to show the picture of movement generally with camera movement, namely we often say that the movement of the photography, it refers to the camera in the push, pull, shake, shift, with, lifting, rotating and shaking in the forms of exercise to complete performance of the story. Motion through the camera creates motion and momentum and creates rhythm and rhythm. In the animation, time evolution and space transformation are reflected through the constantly moving aspects, which are completely consistent with the objective exchange of time and space, enabling the film to create various artistic effects such as implied meaning, contrast, emphasis, association and contrast. At the same time, motion photography can produce dynamic composition and balance the picture. Due to the different directions, dynamics, speed, duration and rhythm of motion, generally speaking, the use of a large number of motion shots will create a sense of vitality or urgency, excitement or violence. On the contrary, too few sports scenes will produce a feeling of dullness, quietness and depression.

Animation is a comprehensive art of audio-visual, so sound is also an important part of animation art language. The sound in the animation is mainly used to enhance the modeling effect of complementing and enriching the picture, enhance the audio-visual charm of the animation, explain the story, and reproduce the actions and representative actions through sound..

The success of an animated cartoon is directly related to whether the visual image and auditory image complement each other, so as to achieve the "synchronization of sound and picture in time and space". Animated sounds, like movies, include dialogue, music, sound effects and other artistic elements. However, the sound production of animation is different from that of film. In order to emphasize the sense of scene and reality, modern films usually use simultaneous or late recording. However, the production of animation sound is different. As animation is created, dialogue and sound effects cannot be recorded synchronously. Therefore, animation sound usually adopts the method of pre-recording or post-recording. It is to record music and dialogue according to the script of the lens first, and then draw the action picture according to the recording to control the rhythm of the picture. Or draw an animation, and then record music and dialogue. For example, many American theater animations, in order to achieve a high degree of unity between animation and sound, adopt the way of pre-recorded recording. In theater animation, dialogue is usually recorded in advance in order to match the figures of the characters and their expressions. Later recording is more common in recording natural sound effects such as effect and environment. However, in the actual work, the animation creators need to carefully consider the relationship between sound and picture, and then make artistic conception and processing of the sound in the animation according to the creation needs, so as to create an incomparable artistic realm.

51due留学教育原创版权郑重声明：原创paper代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写服务。

作业代写：Design behavior

下面为大家整理一篇优秀的paper代写范文- Design behavior，供大家参考学习，这篇论文讨论了设计行为。设计，其实是一种有目的的创作行为。对创作或创造进行预先的计划，可以把任何造物活动的设想理解为设计。而空间设计，则是在完成指定使用功能的前提下，设计能满足人们的审美需求，并能加以实施的艺术创作活动。

Design behavior,设计行为,essay代写,paper代写,作业代写

All design is a purposeful act of creation. It is a pre-planned creation or creation that can be understood as a design for any creational activity. Spatial design is an artistic creation activity that meets people's aesthetic needs and can be implemented under the premise of completing the designated functions.

To complete a specific space design, the first thing to do is to collect and analyze the specific situation, discuss the space use, nature, planning, conceiving and positioning, and record them in the form of copywriting. To accomplish a systematic goal, design efficient, sustainable and affordable space. This activity process -- formed our "space design plan".

Space design plan should include: clear the main or the user's requirements, design orientation and material, the reasonable construction technology, the design refinement and assign tasks to the appropriate team, demand analysis and design process of the resources, clear responsibilities and obligations of each department and make design process and schedule of work coordination between departments.

The spatial design plan is the concrete summary of the design project, the planning of the design program, and an important link before drawing the design drawing after the spatial design project is confirmed. The key points are: fully understand the requirements of the owner, understand the investment of the project, make clear the nature of space use, the task and time of the decoration design, the style orientation of the design, the location of the project and the surrounding architectural style environment, etc.

On the basis of collecting and collating the project information, a database is established to analyze the space and make the design plan. Design planning should rely on experienced interior designers, engineers, materials, market planning professionals, management team of professionals, relying on collective wisdom, through mutual incentive mechanism, make a design proposal to the maximum extent, focused professional opinions from all sides, and the rationality of the maximum.

The focus of the course "design plan" is to ask the students to think and solve various problems in the project in a comprehensive, multi-angle and multi-dimensional way. But -- because of the students' life experience, it is difficult for them to have a comprehensive contact with engineering design, such as a bank savings point or a restaurant, and students are not familiar with their work process, which is crucial for design work.

In order to break through the difficulties and grasp the key points, I first organized targeted students to conduct field visits to local supermarkets, fast-food restaurants and tea houses. According to a group of 5 students, a temporary decoration company was formed. Temporary decoration company collective implementation by the teacher set investigation tasks; and each of the students has their own research focus. For example, the materials clerk; the emphasis is on the inspection of material properties, types, specifications and USES. The builder; the emphasis is on construction technology, auxiliary materials, concealed engineering materials and construction equipment. Budget member; Collect rational, price and comparison data. Designers; Focus on the color, texture, texture and psychological feeling of materials. Qualitative check member; Collect certificates related to materials and pay attention to environmental index and fire rating.

Students should pay attention to civilization and safety, go deep into the material market and construction site, conduct market research, enable students to master relevant knowledge and write investigation reports in groups.

In view of the poor effect of classroom teaching in the past, I used the two teaching methods of "role transformation" and "scene simulation" simultaneously in this teaching organization. Through the teaching organization of "drawing joint examination", students are allowed to stand in the perspective of different majors, such as investors, in charge of examining the square price; The supervisor is responsible for reviewing the key points of safety and environmental protection; Manager, responsible for reviewing the coordination of space and workflow, designer, responsible for adjusting the design scheme.

The specific method is to organize five students to act as investors, managers, representatives of design companies, representatives of decoration supervision, and minutes of meetings, and sit down together for a meeting. Other students are divided into groups as the staff of each representative party to listen in the post. Students who listen in can hand their supplementary opinions to their own representatives in the form of a slip of paper. Teachers give hints flexibly and appropriately to give full play to students' learning initiative.

The student who serves as the recorder of the meeting; The first meeting of the decoration project of "so-and-so tea restaurant" was announced. The procedure of the meeting was for investors to introduce the investment status, managers to discuss business ideas, decoration companies to discuss design ideas, and supervisors to put forward the standard requirements of related industries.

First of all, the investor should outline the investment, such as the total amount of investment, sustainable development plan, the proportion of investment in equipment, decoration, advertisement and electric appliances, the time period of investment by stages and in batches, and the requirement of the return on investment.

Business managers talk about their business intention, style, variety, service peak position, level analysis of major customer groups, business area and non-business area allocation requirements.

Decorate a delegate to want to analyse the condition of investment square, talk about oneself decorate a conception, space to use, aesthetic style incline to, the harmonious with management style and culture element recommend, the plan of area and allocation are basic conception.

The representative of the supervisor shall put forward relevant professional requirements to the owner and the decoration representative regarding fire prevention, health, safety and traffic flow direction.

The following discussion time can be added by all parties. The teacher guides the student to think positively and brings into play the student's study autonomy. After a round of "meetings", the parties reached consensus, formed the meeting minutes and signed by the representatives. Through this teaching form, to achieve our teaching, learning, do the integrated teaching requirements.

The change of learning style is one of the goals of the new curriculum reform. Advocate independent learning, cooperative learning and inquiry learning, so that students can cultivate their scientific inquiry ability through investigation, analysis and discussion. The students take the group as the team, carry on the cooperative study, excavates the student's potential, arouses its enthusiasm and the initiative, raises the student independent study spirit and the team cooperation spirit; Such teaching activities, while improving the teaching content of the design plan, not only expose students to professional roles, but also familiarize students with typical business working environment, which is conducive to improving students' ability of harmonious communication with the society.

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