In the past quarter-century, few artists wielded the combination of a deeply weird, subversive vision and an easy command over myriad materials quite like Mike Kelley.
The Michigan-born artist, who worked nearly his entire career in Los Angeles, was compulsively collaborative -- working with Paul McCarthy, Tony Oursler and Sonic Youth, to name a few -- and always driven by an appetite for experimentation. Scanning the output of his three-decade career includes such far-flung endeavors as the noise rock band Destroy All Monsters, installations incorporating chintzy thrift store afghans and dolls, and a multimedia exhibition based on a trip to the Burning Man festival with fellow artist Michael Smith.
On the surface, Kelley's work was driven by an antagonistic sensibility, which often manifested itself in abject content and caustic ugliness. But Kelley, who killed himself in January at age 57, was unquestionably a devoted aesthete. His long-way-round approach to beauty never fully concealed that beauty was, in fact, the endgame.
In the past quarter-century, few artists wielded the combination of a deeply weird, subversive vision and an easy command over myriad materials quite like Mike Kelley.
The Michigan-born artist, who worked nearly his entire career in Los Angeles, was compulsively collaborative -- working with Paul McCarthy, Tony Oursler and Sonic Youth, to name a few -- and always driven by an appetite for experimentation. Scanning the output of his three-decade career includes such far-flung endeavors as the noise rock band Destroy All Monsters, installations incorporating chintzy thrift store afghans and dolls, and a multimedia exhibition based on a trip to the Burning Man festival with fellow artist Michael Smith.
On the surface, Kelley's work was driven by an antagonistic sensibility, which often manifested itself in abject content and caustic ugliness. But Kelley, who killed himself in January at age 57, was unquestionably a devoted aesthete. His long-way-round approach to beauty never fully concealed that beauty was, in fact, the endgame.
Mist makers work by employing sub-sonic vibrations on the surface of the pond’s water to create a thick mist on the surface of the pond. These mist makers are harmless to your fish, while creating an effect that will be a pleasure to watch and act as a talking point in any garden.
The Stowasis Disco Mister includes six small ceramic discs, which are the vibrating membranes that create mist on the surface of the water. For ultimate convenience this product comes with everything you need to install and safely power your pond mister, including colour changing LED lights, external transformer and 10 metres of cable.
But if you’re feeling really creative, you can also make use of the Stowasis Float for Disco Mister, which is a float attachment that ensures that the mister is operating at the correct depth as the water level changes. So all you have to do is plug it in and enjoy the show.
Or if only a show stopping light show will work for you then the Bermuda Pond Mister with Multi Light Change is the pond mister for you. As one of our most popular misters this product is capable of combining huge volumes of mist and 36 variously coloured lights, to create a truly particular display.