Alphatron Oscillion VST VST3 Audio Unit Synthesizer: Leads, Pads, Keys, Basses, Atmos, Soundscapes
Alphatron Oscillion VST VST3 Audio Unit Subtractive Synthesizer: Leads, Pads, Keys, Basses, Atmos Textures, Ambient Soundscapes, Sound Effects for Windows and Mac 64 bit
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http://alphatron-oscillion.syntheway.net - Alphatron Oscillion is a polyphonic subtractive synthesizer to produce a vast array of sounds, utilizing three main signal modules: frequency (voltage-controlled oscillator VCO), timbre (voltage-controlled filter VCF) and amplitude (voltage-controlled amplifier VCA).
Four VCOs initiate the sound waveform and control its frequency. It also determines the initial timbre by the waveform option selected (sawtooth or square). The VCF module shapes the timbre via a low-pass filter with cutoff and resonance parameters controlled by an envelope generator. The amplitude of the sound is shaped by the VCA envelope.
It generates iconic vintage synthesizer sounds with distinctive pads, peculiar keys, punchy basses, sparkle leads, creepy effects, charming ambient soundscapes or unearthly and otherworldly atmospheres. Suitable for many genres and styles of music and pliability to custom design over a diverse sonic palette.
Available as a plugin in VST and VST3 64 bit versions for Windows, as well as in Audio Unit for macOS.
Key Features:
• Voltage Controlled Oscillators (VCOs). They will generate the initial sound signal with four voltage controlled oscillators (VCO1, VCO2, VCO3, VCO4), with the following parameters:
o Fine. A fine-tuning knob that tunes the VCOs by a semitone. Gives a wide array of frequencies between the oscillators.
o Octave. The knob to specify octaves above or below the current octave of the VCO by dialing in a range between -2 to +3 octaves.
o Shape. Morphs between sawtooth and square non-sinusoidal waveforms. The sawtooth waveform contains all harmonics of the fundamental pitch of the waveform. The square waveform contains just the odd harmonics.
o Speed. Defines the frequency or speed of the oscillator. Turn the knob clockwise to increase the rate or counterclockwise to decrease the rate.
o Gain. This parameter is used to adjust the modulation gain level of each VCO.
• Voltage Controlled Oscillator (VCO) Envelope. Changes the produced frequency. It can be used to modify the attack phase or to create special effect sounds.
• Voltage Controlled Amplifier (VCA) Envelope. Controls the volume or amplitude of the sound with independent control over each ADSR stage (Attack, Decay, Sustain, Release) over the VCA amplifier that varies its gain depending on a control voltage. The ‘Level’ slider determines the magnitude of the action of the envelope.
• Voltage Controlled Filter (VCF). A low-pass filter that lets the lower frequencies or harmonics pass unchanged, while it attenuates or reduces the strength of the higher frequencies, offering a simple and effective tone control to shape and color the sound source.
o Cutoff. Controls the low-pass filter cutoff frequency. Determines where the signal is cut off.
o Resonance. Controls the low-pass filter resonance. Emphasize or suppress portions of the signal above or below the defined cutoff frequency.
• Voltage Controlled Filter (VCF) Envelope. This section provides control of the filter cutoff frequency over time, with independent control over each ADSR stage (Attack, Decay, Sustain, Release). The ‘Level’ slider determines the magnitude of the action of the ADSR envelope on the frequency and response of the low-pass filter.
• Chorus. A 4-voice stereo chorus effect that imparts richness and character to the sound by adding multiple short delays with a slight amount of feedback, making each sound distinct from the original.
o Toggle switch On/Off. A switch indicator to turn ON/OFF the module. Press the toggle to activate the effect, the switch will light, and chorus will be applied to the sound. To inactivate the effect, press again and it will turn off.
o Stereo Spread. Adjusts the stereo spreading of the chorus voices. For maximum stereo spread, fully clockwise rotation; for a monophonic chorus, simply set to zero.
o Amplitude. Adjusts the presence of the chorus. Turn it clockwise to increase it or counterclockwise to decrease it.
o Depth. The slider sets the balance between the unprocessed (dry) signal and the processed (wet) signal that will be blended.
• Delay. A stereo delay that stores the input signal and plays it back after a certain amount of time, creating from a subtle echo to a pronounced blending of previous sounds with new sounds. Parameters include:
o Time. Modulation to vary the delay time dynamically.
o Feedback. Regeneration of delay.
• Reverb. Integrated reverberation module.
o Toggle switch On/Off. A switch to turn on/off the unit. Press the toggle to activate the effect, the switch will light, and reverb will be applied to the sound. To inactivate the effect, press again and it will turn off.
o Size. The knob provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
o Width. This knob adjusts the stereo separation of the wet reverb signal.
• Pitch Bend. A virtual wheel to vary the frequency or pitch of the oscillators (VCOs) in a continuously variable manner. Bend wheel upward raises the pitch and moving it downward lowers the pitch. It will automatically return to its initial position when released.
• Keyboard. The virtual keyboard lets you listen to the synthesizer sounds without the need for an external master MIDI keyboard. Just click on a virtual key to hear the corresponding sound.
• Hint property. Tooltip when the mouse is over a control. You can mouse over any of the controls anywhere in Alphatron Oscillion and this will display a short description of what that control does.
• MIDI automation. Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW.
• Preset Manager. 'Browser' to load and save presets and banks, enabling to export to *.fxp (VST2 Preset), *.fxb (VST2 Bank), *.vstpreset (VST3 Preset), *.aupreset (Audio Unit Preset) plus two generic formats (plain text): the *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank), providing cross-platform presets/banks. This allows to control over the loading and saving of presets from disk as well as sharing presets between different plugin formats using the generic *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank).
• 50 internal presets (Pre-programmed sounds) categorized by type: ATMO (6), BASS (6), KEY (10), LEAD (12), PAD (8), PERC (2) and SFX (6) with an ultra-flexible sound shaping capability to create diverse electronic sounds.
01 ATMO Asynchronous Cacophony
02 ATMO Chaotic Environment
03 ATMO Ecosystem Invaders
04 ATMO Gliding Asteroids
05 ATMO Oneiric Ambient
06 ATMO Psychedelia
07 BASS Fuzzy Circuit
08 BASS Hollow Line
09 BASS Oscillating Resonance
10 BASS Rubbery Rebound
11 BASS SH101 Roygbiv
12 BASS Trembling Glide
13 KEY Acid Funk
14 KEY Crazy Diamond
15 KEY Daydream
16 KEY Electric Harpsichord
17 KEY Electric Piano
18 KEY Fantasyland
19 KEY Glowing Amplitude
20 KEY Percussive Organ
21 KEY Scintillating Boost
22 KEY Vintage Organ
23 LEAD Brassy Essence
24 LEAD Dimensional Sawtooth
25 LEAD Fusion Waves
26 LEAD Hoover Apocalypse
27 LEAD Hoover Dominator
28 LEAD Hoover Gabber
29 LEAD Hoover Gritty
30 LEAD Hoover Juno Sway
31 LEAD Square Quantum
32 LEAD Trance Formant
33 LEAD Wavering Spectrum
34 LEAD Wobbly Pressure
35 PAD Dystopian Worldview
36 PAD Flanging In Heaven
37 PAD Idyllic Momentum
38 PAD Immenseness
39 PAD Relaxed Ambience
40 PAD Soundscape Vibes
41 PAD Spatial Motion
42 PAD Stellar Choir
43 PERC Mallet Percussion
44 PERC Tubular Chimes
45 SFX Catatonic Voices
46 SFX Concatenated Creatures
47 SFX Crescendo Horror
48 SFX Dark Signals
49 SFX Gloomy Lament
50 SFX Incorporeal Beings
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Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10, Windows 11 64 bit (x64) platforms.
• VST and/or VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and much more ...
• MIDI Controller Device: A MIDI Controller is required to play this VST and VST3 instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
Requirements for macOS:
• Operating System: macOS Sierra, macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey, macOS Ventura.
• Intel CPU processors only. Apple Silicon M1 chip support under Rosetta 2 mode only. In all cases, always we encourage you to test the free demo version of the software.
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
• MIDI Controller Device: A MIDI Controller is required to play this AU/VST/VST3 instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
_______________________________________
Syntheway Virtual Musical Instruments
http://syntheway.net
http://syntheway.com
_______________________________________
Alphatron Oscillion, Subtractive Synthesizer, Subtractive Synthesis, synthesizer VST, synthesizer VST3, synthesizer Audio Unit, synth leads, lead synth, pad synth, synth pads, ambient synthesizer, atmos synthetizer, synth organ, synth textures, cinematic vst, soundscapes vst, pads, leads, atmospheric textures, ambient soundscapes, ambient textures, textures vst, subtractive synth, scary sound effects, horrifying atmos, spine-chilling effects, unearthly voices
#AlphatronOscillion #SubtractiveSynthesizer #SubtractiveSynthesis #SynthesizerVST #SynthesizerVST3 #SynthesizerAudioUnit #synthleads #leadsynth #padsynth #synthpads #ambientsynthesizer #atmossynthetizer #synthorgan, #synthtextures #cinematicvst #soundscapesvst #pads #leads #atmospherictextures #ambientsoundscapes #ambienttextures #texturesvst #subtractivesynth #scarysoundeffects #horrifyingatmos #phantasmagoricalsounds #spinechillingeffects #unearthlyvoices
Alphatron Oscillion VST VST3 Audio Unit Subtractive Synthesizer: Leads, Pads, Keys, Basses, Atmos Textures, Ambient Soundscapes, Sound Effects for Windows and Mac 64 bit
_______________________________________________________________________________________
http://alphatron-oscillion.syntheway.net - Alphatron Oscillion is a polyphonic subtractive synthesizer to produce a vast array of sounds, utilizing three main signal modules: frequency (voltage-controlled oscillator VCO), timbre (voltage-controlled filter VCF) and amplitude (voltage-controlled amplifier VCA).
Four VCOs initiate the sound waveform and control its frequency. It also determines the initial timbre by the waveform option selected (sawtooth or square). The VCF module shapes the timbre via a low-pass filter with cutoff and resonance parameters controlled by an envelope generator. The amplitude of the sound is shaped by the VCA envelope.
It generates iconic vintage synthesizer sounds with distinctive pads, peculiar keys, punchy basses, sparkle leads, creepy effects, charming ambient soundscapes or unearthly and otherworldly atmospheres. Suitable for many genres and styles of music and pliability to custom design over a diverse sonic palette.
Available as a plugin in VST and VST3 64 bit versions for Windows, as well as in Audio Unit for macOS.
Key Features:
• Voltage Controlled Oscillators (VCOs). They will generate the initial sound signal with four voltage controlled oscillators (VCO1, VCO2, VCO3, VCO4), with the following parameters:
o Fine. A fine-tuning knob that tunes the VCOs by a semitone. Gives a wide array of frequencies between the oscillators.
o Octave. The knob to specify octaves above or below the current octave of the VCO by dialing in a range between -2 to +3 octaves.
o Shape. Morphs between sawtooth and square non-sinusoidal waveforms. The sawtooth waveform contains all harmonics of the fundamental pitch of the waveform. The square waveform contains just the odd harmonics.
o Speed. Defines the frequency or speed of the oscillator. Turn the knob clockwise to increase the rate or counterclockwise to decrease the rate.
o Gain. This parameter is used to adjust the modulation gain level of each VCO.
• Voltage Controlled Oscillator (VCO) Envelope. Changes the produced frequency. It can be used to modify the attack phase or to create special effect sounds.
• Voltage Controlled Amplifier (VCA) Envelope. Controls the volume or amplitude of the sound with independent control over each ADSR stage (Attack, Decay, Sustain, Release) over the VCA amplifier that varies its gain depending on a control voltage. The ‘Level’ slider determines the magnitude of the action of the envelope.
• Voltage Controlled Filter (VCF). A low-pass filter that lets the lower frequencies or harmonics pass unchanged, while it attenuates or reduces the strength of the higher frequencies, offering a simple and effective tone control to shape and color the sound source.
o Cutoff. Controls the low-pass filter cutoff frequency. Determines where the signal is cut off.
o Resonance. Controls the low-pass filter resonance. Emphasize or suppress portions of the signal above or below the defined cutoff frequency.
• Voltage Controlled Filter (VCF) Envelope. This section provides control of the filter cutoff frequency over time, with independent control over each ADSR stage (Attack, Decay, Sustain, Release). The ‘Level’ slider determines the magnitude of the action of the ADSR envelope on the frequency and response of the low-pass filter.
• Chorus. A 4-voice stereo chorus effect that imparts richness and character to the sound by adding multiple short delays with a slight amount of feedback, making each sound distinct from the original.
o Toggle switch On/Off. A switch indicator to turn ON/OFF the module. Press the toggle to activate the effect, the switch will light, and chorus will be applied to the sound. To inactivate the effect, press again and it will turn off.
o Stereo Spread. Adjusts the stereo spreading of the chorus voices. For maximum stereo spread, fully clockwise rotation; for a monophonic chorus, simply set to zero.
o Amplitude. Adjusts the presence of the chorus. Turn it clockwise to increase it or counterclockwise to decrease it.
o Depth. The slider sets the balance between the unprocessed (dry) signal and the processed (wet) signal that will be blended.
• Delay. A stereo delay that stores the input signal and plays it back after a certain amount of time, creating from a subtle echo to a pronounced blending of previous sounds with new sounds. Parameters include:
o Time. Modulation to vary the delay time dynamically.
o Feedback. Regeneration of delay.
• Reverb. Integrated reverberation module.
o Toggle switch On/Off. A switch to turn on/off the unit. Press the toggle to activate the effect, the switch will light, and reverb will be applied to the sound. To inactivate the effect, press again and it will turn off.
o Size. The knob provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
o Width. This knob adjusts the stereo separation of the wet reverb signal.
• Pitch Bend. A virtual wheel to vary the frequency or pitch of the oscillators (VCOs) in a continuously variable manner. Bend wheel upward raises the pitch and moving it downward lowers the pitch. It will automatically return to its initial position when released.
• Keyboard. The virtual keyboard lets you listen to the synthesizer sounds without the need for an external master MIDI keyboard. Just click on a virtual key to hear the corresponding sound.
• Hint property. Tooltip when the mouse is over a control. You can mouse over any of the controls anywhere in Alphatron Oscillion and this will display a short description of what that control does.
• MIDI automation. Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW.
• Preset Manager. 'Browser' to load and save presets and banks, enabling to export to *.fxp (VST2 Preset), *.fxb (VST2 Bank), *.vstpreset (VST3 Preset), *.aupreset (Audio Unit Preset) plus two generic formats (plain text): the *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank), providing cross-platform presets/banks. This allows to control over the loading and saving of presets from disk as well as sharing presets between different plugin formats using the generic *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank).
• 50 internal presets (Pre-programmed sounds) categorized by type: ATMO (6), BASS (6), KEY (10), LEAD (12), PAD (8), PERC (2) and SFX (6) with an ultra-flexible sound shaping capability to create diverse electronic sounds.
01 ATMO Asynchronous Cacophony
02 ATMO Chaotic Environment
03 ATMO Ecosystem Invaders
04 ATMO Gliding Asteroids
05 ATMO Oneiric Ambient
06 ATMO Psychedelia
07 BASS Fuzzy Circuit
08 BASS Hollow Line
09 BASS Oscillating Resonance
10 BASS Rubbery Rebound
11 BASS SH101 Roygbiv
12 BASS Trembling Glide
13 KEY Acid Funk
14 KEY Crazy Diamond
15 KEY Daydream
16 KEY Electric Harpsichord
17 KEY Electric Piano
18 KEY Fantasyland
19 KEY Glowing Amplitude
20 KEY Percussive Organ
21 KEY Scintillating Boost
22 KEY Vintage Organ
23 LEAD Brassy Essence
24 LEAD Dimensional Sawtooth
25 LEAD Fusion Waves
26 LEAD Hoover Apocalypse
27 LEAD Hoover Dominator
28 LEAD Hoover Gabber
29 LEAD Hoover Gritty
30 LEAD Hoover Juno Sway
31 LEAD Square Quantum
32 LEAD Trance Formant
33 LEAD Wavering Spectrum
34 LEAD Wobbly Pressure
35 PAD Dystopian Worldview
36 PAD Flanging In Heaven
37 PAD Idyllic Momentum
38 PAD Immenseness
39 PAD Relaxed Ambience
40 PAD Soundscape Vibes
41 PAD Spatial Motion
42 PAD Stellar Choir
43 PERC Mallet Percussion
44 PERC Tubular Chimes
45 SFX Catatonic Voices
46 SFX Concatenated Creatures
47 SFX Crescendo Horror
48 SFX Dark Signals
49 SFX Gloomy Lament
50 SFX Incorporeal Beings
______________________________________
Requirements for Windows:
• Windows Operating System: Windows 7, Windows 8, Windows 8.1, Windows 10, Windows 11 64 bit (x64) platforms.
• VST and/or VST3 compatible host / Digital Audio Workstation DAW/ MIDI Sequencer 64 bit: These VST/VST3 software can be "plugged in" to any host application that supports VST/VST3 Technology like: Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and much more ...
• MIDI Controller Device: A MIDI Controller is required to play this VST and VST3 instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
Requirements for macOS:
• Operating System: macOS Sierra, macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey, macOS Ventura.
• Intel CPU processors only. Apple Silicon M1 chip support under Rosetta 2 mode only. In all cases, always we encourage you to test the free demo version of the software.
• The Audio Unit Component, VST and VST3 plug-ins requires of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
• MIDI Controller Device: A MIDI Controller is required to play this AU/VST/VST3 instrument. The most common type of device in this class is the keyboard controller. After launching the Digital Audio Workstation or MIDI host application be sure to select the appropriate MIDI device before attempting to play your MIDI controller.
_______________________________________
Syntheway Virtual Musical Instruments
http://syntheway.net
http://syntheway.com
_______________________________________
Alphatron Oscillion, Subtractive Synthesizer, Subtractive Synthesis, synthesizer VST, synthesizer VST3, synthesizer Audio Unit, synth leads, lead synth, pad synth, synth pads, ambient synthesizer, atmos synthetizer, synth organ, synth textures, cinematic vst, soundscapes vst, pads, leads, atmospheric textures, ambient soundscapes, ambient textures, textures vst, subtractive synth, scary sound effects, horrifying atmos, spine-chilling effects, unearthly voices
#AlphatronOscillion #SubtractiveSynthesizer #SubtractiveSynthesis #SynthesizerVST #SynthesizerVST3 #SynthesizerAudioUnit #synthleads #leadsynth #padsynth #synthpads #ambientsynthesizer #atmossynthetizer #synthorgan, #synthtextures #cinematicvst #soundscapesvst #pads #leads #atmospherictextures #ambientsoundscapes #ambienttextures #texturesvst #subtractivesynth #scarysoundeffects #horrifyingatmos #phantasmagoricalsounds #spinechillingeffects #unearthlyvoices