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Paper代写:The overall design of the book binding

2017-12-09 14:37:31 | 日記
下面为大家整理一篇优秀的paper代写范文- The overall design of the book binding,供大家参考学习,这篇论文讨论了书籍装帧的整体设计。书籍装帧的整体设计是一种实用的造型艺术,书籍不是琐碎的纸张,而是一个多维体,随着读者翻阅每一页就创造出一个个新的空间。设计师不仅要突出书籍本身所要传达的知识,更需要有效和巧妙地运用装帧特有的艺术语言为读者构造建出内容饱满、结构合理且兼具审美价值的书籍。
In today's society, the sustained economic development has diversified the ways of disseminating information culture. Books, as the carrier of information, have been accompanied by human society for thousands of years. Even today, despite the impact of the electronic information industry, traditional paper-based books still provide convenience to people's daily life and learning. People also maintain their emotional dependence on this cultural carrier. Such reliance mainly depends on book binding Overall design.
The overall design of the book binding is a practical modeling art. The book is not trivial paper, but a multidimensional body, creating new spaces as readers browse through each page. Designers need not only to highlight the book itself to convey the knowledge, but also need to effectively and skillfully use the unique art of framing language for the reader to construct a full content, reasonable structure and aesthetic value of books.
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The first is the integrity, that is, the concept of design first, the book links with each other again. From conception, material selection, design to craft all reflect the overall sense of the book, so as to achieve the unity of book form and book content, the unity of creative design and book connotation, the unity of aesthetic value and use value, so that readers can all-round and multi-angle To read and feel books.
Second, practicality is also very important. When a book is launched as a commodity, it has two responsibilities: one is the reader's needs, and the other is the publisher's return. The book directly faces the reader, its basic function is to read the service, therefore must consider the different level reader's demand, or is certain the demand of some readers group. Excellent book design for readers to buy books to provide guidance, but also can play a powerful role in promoting the sale of books.
Artistry is one of the important reasons why books can be widely circulated. The overall design of books should create an independent aesthetic value. While accurately grasping the connotation of books, it is very necessary to highlight the visual language art. Excellent traditional art inherited so far, to a large extent, is its unique practical significance and artistic value, as is the art of book binding.
The overall design of the book binding not only need to consider the practical and artistic effects of the book, but also must take full account of its economy. Books from the completion of the design to enter the market will require a lot of capital investment, market positioning and cost inputs determine the price of books, books and books can be reasonably designed to regulate the pricing of books. Readers are willing to buy books that fit their psychological and financial abilities, and investors can profit from it.
The appearance of the book plays a crucial role when the reader first sees the book, and it largely affects the reader's interest in the book. Therefore, the external design of the book design is very important, its elements are mainly reflected in the books of the capital, material, binding, cover, back cover and spine design.
As the outermost form, the open book is the first sentence that the book conveys to the readers. The appropriate open-book design can give people a good practical experience and artistic experience. Small opening reflects the designer is considering the size of the reader's pocket space, open the book for nature to add elegance and style atmosphere. There are three main reasons for the different types of books: the first is related to the actual requirements of the books, what is suitable for the reader, and the reader's reading habits. The readers' reading habits fully illustrate this problem. Second, Is the shape of the visual tension produced, such as the narrow open-book gives the sense of elegance, wide flat open-book gives a sense of openness; Third, different open-book will reflect different cultural connotations, such as the Chinese traditional long vertical book has far-reaching Historical Origins.
With the continuous improvement of science and technology, the use of material in the book binding design is more and more abundant, and the materials of the front cover and the back cover are usually different from each other. Cover a very wide range of materials, can be divided into fabric, leather, coating, plastic, paper and so on. Many special materials and printing process has greatly enriched the cover effect. The choice of cover material is based on the book's grade, content, style and publisher's requirements. The inner page carries the core content of the whole book, but also plays a decisive role in the total weight of the book. For example, a photo-based photo album is usually printed on coated paper. Although the coated paper shows a perfect picture, it does not weigh light. Lightweight papers that have emerged in recent years have met the needs of many readers. They are good-looking and light-weight. Even very thick books can be easily and easily read. This paper is mostly used for text-based books. However, Picture color expressive but less than coated paper. When choosing the material of the book, the designer should combine the characteristics of the material with the characteristics of the book itself, and only make efforts to achieve the coordination and complementing of the content and the material in order to make the overall design of the book binding perfect.
China has appeared in the reeling installation, folding, cyclone equipment, butterfly equipment, bag backpacking, wire binding and other binding methods. Under the influence of western binding technology, the modern book binding method presents a richer form. There are different advantages and disadvantages of various forms: Riding is convenient and affordable but easy to rust, and poor fastness; good adhesive bonding, but not resistant to read; locking staple core more solid, but the relatively flat Poor; line plastic back to the first lock line and then glue, strong formation, but the process is slightly complicated lock, there are many similar forms. With the development of domestic binding technology and the introduction of foreign technology, more and more high-energy and efficient binding forms have emerged, which provides powerful technical support for the overall design of book binding. In book design, the collision of Chinese and Western binding methods also brought more opportunities for the development and innovation of books.
For a long time, designers attach great importance to the book cover design. Admittedly, the cover is the first face of the book. Different from the broad cover system, the narrow cover refers to the outside of the book, the front part of the book, which is separated from the back cover, the spine and the cheek apart. Cover as a book logo, is an important signal to spread the book content, but also the focus of the overall design of the book binding. Materials, text, graphics, colors and craftsmanship are all important to the cover. Cover material generally thicker than the paper, with some protection, different colors, patterns and printing process to show different visual effects. Cover is not isolated, it is an important part of the book combination, in the interaction between the various elements and set off to beautify the books and guide the reader.
The back cover of a book will not be as publicized as the cover design, but it is usually an extension and complement to the cover. It is necessary, though not the dominant part of the book. Back cover serves not only as a continuation of vision but also as important informational content, often including book and author profiles, editor's name, book number, bar code and pricing information. In the design of the back cover should be noted that it is consistent with the cover design, coherence and master-slave relationship. The back cover is a part of the overall beauty of the book. The back cover design is an important part of the overall design of the book binding, and the designer should pay attention to it.
In the overall shape of the elements, the spine is small, but it is the cover and the back cover of the connection part. When a book is placed on a shelf, it presents the image and important information of the book. The reader first identifies the title, author and publisher name from the spine, otherwise the book's attributes will be hard to discern. In practical terms, it is a window of the book, which can broadcast the main information of the book as soon as possible for the convenience of readers. It is also the design link of the whole book in the artistic treatment. It is an indispensable factor to impress readers with the first visual impression and make a subtle resonance between readers and authors. Spine design is not isolated, it is part of the cover system, but also part of the overall design, echoed with the cover, but also with the back cover is closely linked. So the spine is often seen as the second face of the book, the designer needs to give it a rich expression.
If the appearance of the book is its clothes, can impress the reader, then the internal design of the book is its heart, waiting for the reader to explore the beauty of his soul. Books by the mouth, ring lining, title page, directory from outside to inside a page transition, and gradually guide readers to read the book content.
Lekou refers to the cover of the book and the back of the book at the mouth and then extend a few centimeters, folding part of the book. Le kou actually and cover the back cover is a whole. In the past hardcover book packaging must have a Lekou, the envelope tightly attached to the hardcover inside the envelope to form a beautiful coat. Later, many paperback book covers also have a mouth, the role of the main three aspects: First, for the beautiful, just when the paperback appeared in the mouth, most of the mouth is empty, with the development of books, shame out of the past Blank situation, has become the main extension of the cover for the book to add beauty; the second is to prevent the cover curly, no Lekou paperback cover, if the cover paper is thin, easy to curl up the book corner, and Le Rou can be effective To prevent this phenomenon; Third, Lekou can carry some of the information, such as the portrait and profile of the author printed on Lekou, or book outline, and some even printed on the series of bibliography, so that it does not affect the body of the content has excellent Propaganda effect, claim to be expensive.
Ring lining between the book cover and the book center, in front of the title page, there is a double-folded and double-page sheet made of lining, often called "ring lining." Behind the cover, the front of the title page is called the "front ring lining"; after the book center, the back cover is called "back ring lining". Hardcover ring lining can make the book between the shell and the book more solid connection, the material will also use a more tough paper. Paperback in the book, some people in the cover, the front of the page after a page of paper, in the book after the back cover also add a page of paper, called "single ring." The color, texture and form of the ring lining are dynamic. When the reader reads the book, the order of the line of sight of the reader from the cover, the ring lining and the flyer to the text is the combination of practical beauty and dynamic beauty.
Title page refers to the filling surface and lining the page after the above text with the cover of the approximate, or detailed or concise, there is regulation of the cover and inner page reading rhythm. Title often appear in the text content, including titles, authors, publishers name, and some will print some more detailed book information. In addition, there is also a broad concept of the title page system, usually composed of multiple pages: page guard, title page, copyright page, donation page, directory page. This series of title pages generally do not appear in popular books, but commonly used in more elegant books, such as academic monographs, high-end albums. The title page can gradually shift the reader's attention from the cover to the text, playing the role of continuation of vision and introduction of content. It is a noteworthy detail in the overall design of book binding.
The core of the book is the body of the text, page layout is the content of the form, is the reader need to stay for a long time when reading place. Internal page layout is a rational design and sensual design of the unity of the text and pictures need to be scientific and humane treatment. In the limit of the cost, the designer should reasonably determine the layout of the layout, the size, position, the area of the heart, the foot and the space of the text, the size of the font, the font size, the kerning, the line spacing, the size of the picture, Location and so on. To follow the layout of the harmony, the readability of the content, the principle of the visibility of the picture, the reader's reading process as easy and enjoyable. Its function should be in the first place, the rational layout of the page and the appropriate art of expression can also create a good reading atmosphere for the reader.
The books of ancient Chinese engravings are solemn and rigorous, with little feet on the sky, vertical columns of text, reading from right to left, boundless columns between the rows, the nose, and the tail of fish so that the books are full of a gentle and refined book atmosphere. Western books are full of mathematical rational atmosphere. After Western Typography was introduced to China, we gradually absorbed Western typographic methods and drew on various modes of segmentation of textual typography, such as the equidistance model, the method of dividing the belly, the method of grid arrangement, The double version of the heart law and so on. Internal page layout is an integral part of the overall design of the book binding, which is based on the nature of the book, content and printing process, combined with other binding elements to form a substantial body of books.
In addition to the many elements mentioned above, there are many details of the overall design of the book binding, but both of them have an integral function in terms of external binding or internal typesetting of books. For reading services, the so-called integral design of book binding in this. The visual concept of an object is the total impression obtained from multiple perspectives. The book design has undergone a process from original cover design to overall planning. The overall design is the design concept of book design required by the times. Its design principles mainly include the integrity, practicability, artistry and economy of books. In actual operation, designers should fully understand the basic elements of books, and make the overall design and details of the design interlocking, carefully planned to establish a good design concept and performance skills. Designers should fully consider the overall relationship between the various elements of the book, distinguish primary and secondary, mining the characteristics of each part, taking into account the overall situation, heavy details.
Designer ingenuity not only created a book of personality, but also unwittingly lead readers aesthetic trends. The development of book binding design depends on a cycle of development, from reader to designer, then from designer to reader interaction. This development is based on the idea of putting people first. The designer can understand the needs of the reader, and the readers can also inspire and promote each other from the designer's intentionally designed books so that the overall design of the book binding continues to develop benignly.
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